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“Attraction

The whites of his eyes
pull me like moons.
He smiles. I believe
his face. Already
my body slips down in the chair:

I recline on my side,
offering peeled grapes.
I can taste his tongue
in my mouth
whenever he speaks.

I suspect he lies.
But my body oils itself loose.
When he gets up to fix a drink
my legs like derricks
hoist me off the seat.
I am thirsty, it seams.

Already I see the seduction
far off in the distance
like a large tree
dwarfed by a rise
in the road.

I put away objections
as quietly as quilts.
Already I explain to myself
how marriages are broken--
accidentally, like arms or legs.”
Enid Shomer
“Ambition was a dull pain, like a continually broken heart.”
Enid Shomer, The Twelve Rooms of the Nile
“How could you determine a man's intention if you didn't speak his language or share his beliefs? She'd happily embarked on a study of ancient Egyptian religion but had no curiosity about Islam, which seemed an amalgam of oddities and borrowings. She felt with conviction what she'd written home more than once--that Egypt would be an exquisite country if not for the Egyptians who lived there.”
Enid Shomer, The Twelve Rooms of the Nile
“But was this the touted bliss of love that she'd read about in Madame Sand's spicy novels? It was not the crushing sensation she'd expected, but rather feathery and weightless. How lightly had his hand covered hers! And how much it assured: to keep her safe, to guide and delight. Such a simple act, holding hands. We are a pair, it said. Two in harmony against this inattentive, suffering world.”
Enid Shomer
tags: love
“Flo hated how public an event affection inevitably became. Marrying in a church while scrutinized by dozens of people struck her as a barbaric custom.”
Enid Shomer, The Twelve Rooms of the Nile
“that darling blood mob known as one’s family.”
Enid Shomer, The Twelve Rooms of the Nile

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Enid Shomer
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The Twelve Rooms of the Nile The Twelve Rooms of the Nile
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Imaginary Men (Iowa Short Fiction Award) Imaginary Men
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