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“That came from his tapes. We questioned everything we did. He instilled or reinforced in us quality consciousness. If you’re going to do something, you have to absolutely achieve excellence and set your internal compass toward excellence and go for that, because nothing else matters.” The process, though, could be rough.”
― So Many Roads: The Life and Times of the Grateful Dead
― So Many Roads: The Life and Times of the Grateful Dead
“AT LEAST FOR the immediate future, there would be no arenas in Young’s life—just the opposite, in fact. Returning to California, he reached out to Mazzeo, who had moved onto a communal farm in Santa Cruz with his guitarist friend Jeff Blackburn. A beach town roughly seventy miles south of San Francisco, Santa Cruz had a population of just over thirty thousand—a size that would have fit into one of the venues on Crosby, Stills and Nash’s reunion tour.”
― Crosby, Stills, Nash and Young: The Wild, Definitive Saga of Rock's Greatest Supergroup
― Crosby, Stills, Nash and Young: The Wild, Definitive Saga of Rock's Greatest Supergroup
“Young told Mazzeo he didn’t want to be alone on his ranch. “There were still a lot of Carrie vibes there,” says Mazzeo. Mazzeo invited him over, and Young made himself at home on the farm. Blackburn had been playing local clubs with his eponymous band, and Young was fascinated. “I said, ‘Buck has”
― Crosby, Stills, Nash and Young: The Wild, Definitive Saga of Rock's Greatest Supergroup
― Crosby, Stills, Nash and Young: The Wild, Definitive Saga of Rock's Greatest Supergroup
“Normally, an album with Crazy Horse would have meant a tour with them, but much to the surprise of Jeff Blackburn and his band members (former Moby Grape bassist Bob Mosley and drummer Johnny Craviotto), Young began rehearsing with them instead. In early July, the newly renamed Ducks, after a duck’s landing they saw in town, played its first shows—in local bars in Santa Cruz. In what the Santa Cruz Sentinel called “the worst-kept secret in town,” the Ducks would drive to a club and ask the opening act for their slot (“They were fine—they knew they couldn’t draw what we could,” says Mosley). Charging only a few dollars for admission, they would tear through sets of songs by Young and by Blackburn. Young debuted new material like “Sail Away” and “Comes a Time” in more electrified versions than were later heard on record. “It was unfathomable,” recalls Mosley. “Some of the guitar solos took me into outer space. It was incredible shit.” Starting in mid-July and ending around Labor Day, the Ducks would play more than twenty”
― Crosby, Stills, Nash and Young: The Wild, Definitive Saga of Rock's Greatest Supergroup
― Crosby, Stills, Nash and Young: The Wild, Definitive Saga of Rock's Greatest Supergroup
“AT LEAST FOR the immediate future, there would be no arenas in Young’s life—just the opposite, in fact. Returning to California, he reached out to Mazzeo, who had moved onto a communal farm in Santa Cruz with his guitarist friend Jeff Blackburn. A beach town roughly seventy miles south of San Francisco, Santa Cruz had a population of just over thirty thousand—a size that would have fit into one of the venues on Crosby, Stills and Nash’s reunion tour. Young told Mazzeo he didn’t want to be alone on his ranch. “There were still a lot of Carrie vibes there,” says Mazzeo. Mazzeo invited him over, and Young made himself at home on the farm. Blackburn had been playing local clubs with his eponymous band, and Young was fascinated. “I said, ‘Buck has”
― Crosby, Stills, Nash and Young: The Wild, Definitive Saga of Rock's Greatest Supergroup
― Crosby, Stills, Nash and Young: The Wild, Definitive Saga of Rock's Greatest Supergroup



