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“I am a garden of earthly delights.
I am the apple you would fall for a thousand times.”
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I am the apple you would fall for a thousand times.”
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“I like the feeling of being about to confront an experience and resolve it as art. —Eudora Welty”
― The Practicing Poet: Writing Beyond the Basics
― The Practicing Poet: Writing Beyond the Basics
“Why should a poem please even a majority of readers or listeners? Perhaps someone needs the particular poem that you wrote. You probably do, at any rate.”
― The Practicing Poet: Writing Beyond the Basics
― The Practicing Poet: Writing Beyond the Basics
“Tony Hoagland calls it one’s mythical wound. In Real Sofistikashun he writes: A real, diehard, indestructible, irresolvable obsession in a poet is nothing less than a blessing. The poet with an obsession never has to search for subject matter. It is always right there, welling up like an Artesian spring on a piece of property with bad drainage… Emily Dickinson’s critics say that death was her flood subject, the theme that electrified her language whenever she approached it… The poet without a compelling, half-conscious story of the world may not have a heat source catalytic enough to channel into the work of a lifetime.”
― The Practicing Poet: Writing Beyond the Basics
― The Practicing Poet: Writing Beyond the Basics
“The poem is smarter than the poet and more rebellious. A strong poem will override its author’s initial intentions.”
― The Practicing Poet: Writing Beyond the Basics
― The Practicing Poet: Writing Beyond the Basics
“…the process of revising a poem is no arbitrary tinkering, but a continued honing of the self at the deepest level. —Jane Hirshfield”
― The Practicing Poet: Writing Beyond the Basics
― The Practicing Poet: Writing Beyond the Basics
“Having something to say is a curse; having an ax to grind is deadly. But everything makes poetry happen.”
― The Practicing Poet: Writing Beyond the Basics
― The Practicing Poet: Writing Beyond the Basics





