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“It [Bach's cello suites] is like a great diamond," said [Mischa] Maisky in a thick Russian accent, "with so many different cuts that reflect light in so many different ways.”
― The Cello Suites: J.S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece
― The Cello Suites: J.S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece
“(regarding the prelude from suite two)... The key is minor, the three notes a tragic triad. The tones move closer and closer to a harrowing vision, weaving spiter-like, relentlessly gathering sound into thighter concentric circle that come to an abrupt stop. Nothing fills the empty space. A tiny prayer is uttered.”
― The Cello Suites: J.S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece
― The Cello Suites: J.S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece
“Playing the cello did feel nicely neolithic, or at least a civilized way to process the primitive.”
― The Cello Suites: J.S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece
― The Cello Suites: J.S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece
“THE AMAZING THING about playing the cello is its deep resonance, how the tones fill your entire body as if it were a sound box of flesh and bone. Every note is a bold statement.”
― The Cello Suites: J. S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece
― The Cello Suites: J. S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece
“Scandalous as it may sound, it is even possible that the world's greatest cello music was not in fact written for a cello.”
― The Cello Suites: J. S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece
― The Cello Suites: J. S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece




