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“Despair keeps no clocks. If you ask him the time, he will always say it is too late to complete your journey. He will tell you his is the last stop there is, anywhere. Do not trust the wily old shopkeeper. Instead, rest a while and thank him for his stories of lost glory. Then it is best to be on your way.”
― What Gives Us Our Names
― What Gives Us Our Names
“I can see why Passion and Purpose are so attracted to each other. She’s fascinated by his energy and intensity, and he admires her sense of focus, how she can always find her way without making a fuss. She calms and steadies him, he makes her feel alive.”
―
―
“Truly, it is what we love that gives us our names.”
― What Gives Us Our Names
― What Gives Us Our Names
“Aubade"
“My love, I fear the silence of your hands.” —Mahmoud Darwish
Overnight, my heart, the forest has grown cold
and every leaf shivers with the sure knowledge of its fall,
shivers yellow and maple-red and mauve, Summer remembered
in vermillion dying. When I walk the river now
it bears merely the lightest press of feet, my body swaying
to keep balance in the whetted breeze. I had to leave you
on the absent shore, a warm bloom nesting in the reeds,
an unfixed, iridescent eye. How we part
only the morning knows, and what we said already dew.
Tomorrow after tomorrow we will find the tongue to
remember our silences, or borrow words from the night’s
vocabulary of sighs. Grief will teach you new names
and I will answer, hollow, in drumbeats and echoes,
in footsteps and softly closed doors, never looking
at you, never back. I place these words now in the vault
of sleep before it comes. Before the burial and the blood.”
― When the Barbarians Arrive
“My love, I fear the silence of your hands.” —Mahmoud Darwish
Overnight, my heart, the forest has grown cold
and every leaf shivers with the sure knowledge of its fall,
shivers yellow and maple-red and mauve, Summer remembered
in vermillion dying. When I walk the river now
it bears merely the lightest press of feet, my body swaying
to keep balance in the whetted breeze. I had to leave you
on the absent shore, a warm bloom nesting in the reeds,
an unfixed, iridescent eye. How we part
only the morning knows, and what we said already dew.
Tomorrow after tomorrow we will find the tongue to
remember our silences, or borrow words from the night’s
vocabulary of sighs. Grief will teach you new names
and I will answer, hollow, in drumbeats and echoes,
in footsteps and softly closed doors, never looking
at you, never back. I place these words now in the vault
of sleep before it comes. Before the burial and the blood.”
― When the Barbarians Arrive
“Aubade"
“My love, I fear the silence of your hands.” —Mahmoud Darwish
Overnight, my heart, the forest has grown cold
and every leaf shivers with the sure knowledge of its fall,
shivers yellow and maple-red and mauve, Summer remembered
in vermillion dying. When I walk the river now
it bears merely the lightest press of feet, my body swaying
to keep balance in the whetted breeze. I had to leave you
on the absent shore, a warm bloom nesting in the reeds,
an unfixed, iridescent eye. How we part
only the morning knows, and what we said already dew.
Tomorrow after tomorrow we will find the tongue to
remember our silences, or borrow words from the night’s
vocabulary of sighs. Grief will teach you new names
and I will answer, hollow, in drumbeats and echoes,
in footsteps and softly closed doors, never looking
at you, never back. I place these words now in the vault
of sleep before it comes. Before the burial and the blood.
Alvin Pang, When the Barbarians Arrive. (Arc Publications 2012)”
―
“My love, I fear the silence of your hands.” —Mahmoud Darwish
Overnight, my heart, the forest has grown cold
and every leaf shivers with the sure knowledge of its fall,
shivers yellow and maple-red and mauve, Summer remembered
in vermillion dying. When I walk the river now
it bears merely the lightest press of feet, my body swaying
to keep balance in the whetted breeze. I had to leave you
on the absent shore, a warm bloom nesting in the reeds,
an unfixed, iridescent eye. How we part
only the morning knows, and what we said already dew.
Tomorrow after tomorrow we will find the tongue to
remember our silences, or borrow words from the night’s
vocabulary of sighs. Grief will teach you new names
and I will answer, hollow, in drumbeats and echoes,
in footsteps and softly closed doors, never looking
at you, never back. I place these words now in the vault
of sleep before it comes. Before the burial and the blood.
Alvin Pang, When the Barbarians Arrive. (Arc Publications 2012)”
―
“I know she has a secret pair of wings, which she's forgotten how to use. Deep in her heart what she truly wants is to fly again.”
―
―
“Aubade"
“My love, I fear the silence of your hands.” —Mahmoud Darwish
Overnight, my heart, the forest has grown cold
and every leaf shivers with the sure knowledge of its fall,
shivers yellow and maple-red and mauve, Summer remembered
in vermillion dying. When I walk the river now
it bears merely the lightest press of feet, my body swaying
to keep balance in the whetted breeze. I had to leave you
on the absent shore, a warm bloom nesting in the reeds,
an unfixed, iridescent eye. How we part
only the morning knows, and what we said already dew.
Tomorrow after tomorrow we will find the tongue to
remember our silences, or borrow words from the night’s
vocabulary of sighs. Grief will teach you new names
and I will answer, hollow, in drumbeats and echoes,
in footsteps and softly closed doors, never looking
at you, never back. I place these words now in the vault
of sleep before it comes. Before the burial and the blood.”
― When the Barbarians Arrive
“My love, I fear the silence of your hands.” —Mahmoud Darwish
Overnight, my heart, the forest has grown cold
and every leaf shivers with the sure knowledge of its fall,
shivers yellow and maple-red and mauve, Summer remembered
in vermillion dying. When I walk the river now
it bears merely the lightest press of feet, my body swaying
to keep balance in the whetted breeze. I had to leave you
on the absent shore, a warm bloom nesting in the reeds,
an unfixed, iridescent eye. How we part
only the morning knows, and what we said already dew.
Tomorrow after tomorrow we will find the tongue to
remember our silences, or borrow words from the night’s
vocabulary of sighs. Grief will teach you new names
and I will answer, hollow, in drumbeats and echoes,
in footsteps and softly closed doors, never looking
at you, never back. I place these words now in the vault
of sleep before it comes. Before the burial and the blood.”
― When the Barbarians Arrive
