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“The nerds have taken over the newsrooms.”
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“I love the infantry because they are the underdogs. They are the mud-rain-frost-and-wind boys. They have no comforts, and they even learn to live without the necessities. And in the end they are the guys that wars can’t be won without.”60”
― The First Casualty: The War Correspondent as Hero, Propagandist, and Myth-maker from the Crimea to the Gulf War II
― The First Casualty: The War Correspondent as Hero, Propagandist, and Myth-maker from the Crimea to the Gulf War II
“[Senator Bill] O'Chee: What do I have to do to be an Australian, because my family has been in this country for a hundred and ten years
[78-year-old woman on incoming telephone call]: It doesn't matter.
O'Chee: I've got to look English, have I?
Old Lady: Yes
O'Chee: What about the Aboriginies?
Old Lady: They're Australian, too.
O'Chee: Can I just get this down for the record -- you can look Aboriginal and be an Australian, or you can look English and be an Australian, but you can't look Asian and be an Australian?
Old Lady: That's right.”
― Australia: A Biography of a Nation
[78-year-old woman on incoming telephone call]: It doesn't matter.
O'Chee: I've got to look English, have I?
Old Lady: Yes
O'Chee: What about the Aboriginies?
Old Lady: They're Australian, too.
O'Chee: Can I just get this down for the record -- you can look Aboriginal and be an Australian, or you can look English and be an Australian, but you can't look Asian and be an Australian?
Old Lady: That's right.”
― Australia: A Biography of a Nation
“all studies of propaganda tell what a powerful weapon it is; that since armies fight as people think, it is essential to control that thought. This means some form of managing the news, and the only question is the degree to which the news should be managed openly and the degree to which it should be managed subtly.”
― The First Casualty: The War Correspondent as Hero, Propagandist, and Myth-maker from the Crimea to the Gulf War II
― The First Casualty: The War Correspondent as Hero, Propagandist, and Myth-maker from the Crimea to the Gulf War II
“Even Philip Jones Griffiths, whose portrayal of suffering Vietnamese civilians forms perhaps the best photographic testament of the war, has said, “Your job is to record it all for history. You can’t not feel involved, but you have to steel yourself and do your job, take your photographs. That’s what you’re there for. It’s no use crying. You can’t focus with tears in your eyes. It’s better to do the breaking down later in the darkroom.”
― The First Casualty: The War Correspondent as Hero, Propagandist, and Myth-maker from the Crimea to the Gulf War II
― The First Casualty: The War Correspondent as Hero, Propagandist, and Myth-maker from the Crimea to the Gulf War II
“It would be pointless to deny that some crime in Australia is linked to migrant communities. A factor here is that many migrants come from countries where the government trusts none of its citizens to tell the truth and demands proof for everything. The Australian system, where the authorities generally assume that a citizen is telling the truth, but provides penalties if they are then caught lying, tempts some migrants into illegal acts...”
― Australia: A Biography of a Nation
― Australia: A Biography of a Nation
“But a democratic government cannot afford to be as crude as that. It never goes in for summary repression or direct control; it nullifies rather than conceals undesirable news; it controls emphasis rather than facts; it balances bad news with good; it lies directly only when it is certain that the lie will not be found out during the course of the war. This was the method”
― The First Casualty: The War Correspondent as Hero, Propagandist, and Myth-maker from the Crimea to the Gulf War II
― The First Casualty: The War Correspondent as Hero, Propagandist, and Myth-maker from the Crimea to the Gulf War II




