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“Free your mind... and your ass will follow.”
George Clinton
“Fuck it; put it in a bucket, and take it to the stage!”
George Clinton
“I have tasted the maggots in the mind of the universe; I was not offended, for I knew I had to rise above it all or drown in my own shit...”
George Clinton
“Style is whatever you want to do, if you can do it with confidence.”
George Clinton
“Mother Earth is pregnant for the third time
For y'all have knocked her up
I have tasted the maggots in the mind of the universe
I was not offended
For I knew I had to rise above it all
Or drown in my own shit”
George Clinton
“He affected an authority that came off as arrogant. It never bothered me too much, because we were rebels anyway. I knew that his high-toned ways were a strategy for existing, just like our psychedelic ways. You learned that at the barbershop, when people came to you for a new style, for a way of presenting themselves to the outside world. We designed people’s looks back at the Silk Palace, and we designed our own looks as Funkadelic. In truth, underneath the image, I was a much more reserved, centered, circumspect person. In fact, that’s why I was able to carry off those crazy looks. It was freedom generated by misdirection, and it allowed me to focus on my real self, the identity I was nurturing away from any kind of spotlight.”
George Clinton, Brothas Be, Yo Like George, Ain't That Funkin' Kinda Hard On You?: A Memoir
“See, you're a damn fool if you see somebody starving and poor and you think they should just stay starving and poor and not take care of them.... And if I got some little bit of money and I ain't making sure that you got some, I'm a damn fool if I don't expect you to come and try to take it. It's not as easy as each person is responsible for being in their predicament.”
George Clinton
“There was a band jam going, a slow groove I knew he could get into, and we were trying to launch his solo. Before he started, I told him to play like his mother had died, to picture that day, what he would feel, how he would make sense of his life, how he would take a measure of everything that was inside him and let it out through his guitar. Eddie was the kind of player who rose to a challenge. If you gave him instructions or a prompt, he’d come around to it. And when he started playing, I knew immediately that he understood what I meant. I could see the guitar notes stretching out like a silver web. When we played the solo back, I knew that it was good beyond good, not only a virtuoso display of musicianship but also an almost unprecedented moment of emotion in pop music. That was the missing ingredient that arrived in time for that song; it was maybe the first time that our emotional ability as artists matched our technical ability as players.”
George Clinton, Brothas Be, Yo Like George, Ain't That Funkin' Kinda Hard On You?: A Memoir

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