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“The recognition type-scene belonged to the storyteller's standard repertory in ancient Greco-Roman narrative and drama, especially in epic, novel, tragedy, and comedy, where motifs of hidden identities, veiling and revealing, Sein and Schein, deception and discovery often played a central role in the plot.”
Kasper Bro Larsen, Recognizing the Stranger: Recognition Scenes in the Gospel of John

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Jesus Jesus
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Johannesevangeliet Johannesevangeliet
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