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“I’ve dreamed of you so much you’re losing your reality.
Is there still time to reach that living body and kiss
onto that mouth the birth of the voice so dear to me?
I’ve dreamed of you so much that my arms, accustomed
to being crossed on my breast while hugging your shadow
would perhaps not bend to the shape of your body.
And, faced with the real appearance of what has haunted
and ruled me for days and years, I would probably
become a shadow.
o sentimental balances.
I’ve dreamed of you so much it’s no longer right
for me to awaken. I sleep standing up, my body exposed
to all signs of life and love, and you
the only one who matters to me now, I’d be less able
to touch your face and your lips than the face and the lips
of the first woman who came along. I’ve dreamed of you so much, walked so much, spoken
and lain with your phantom that perhaps nothing more is left me
than to be a phantom among phantoms and a hundred times more shadow
than the shadow that walks and will joyfully walk
on the sundial of your life.”
―
Is there still time to reach that living body and kiss
onto that mouth the birth of the voice so dear to me?
I’ve dreamed of you so much that my arms, accustomed
to being crossed on my breast while hugging your shadow
would perhaps not bend to the shape of your body.
And, faced with the real appearance of what has haunted
and ruled me for days and years, I would probably
become a shadow.
o sentimental balances.
I’ve dreamed of you so much it’s no longer right
for me to awaken. I sleep standing up, my body exposed
to all signs of life and love, and you
the only one who matters to me now, I’d be less able
to touch your face and your lips than the face and the lips
of the first woman who came along. I’ve dreamed of you so much, walked so much, spoken
and lain with your phantom that perhaps nothing more is left me
than to be a phantom among phantoms and a hundred times more shadow
than the shadow that walks and will joyfully walk
on the sundial of your life.”
―
“I have dreamed of you so much that you are no longer real.
Is there still time for me to reach your breathing body, to kiss your mouth and make
your dear voice come alive again?
I have dreamed of you so much that my arms, grown used to being crossed on my
chest as I hugged your shadow, would perhaps not bend to the shape of your body.
For faced with the real form of what has haunted me and governed me for so many
days and years, I would surely become a shadow.”
―
Is there still time for me to reach your breathing body, to kiss your mouth and make
your dear voice come alive again?
I have dreamed of you so much that my arms, grown used to being crossed on my
chest as I hugged your shadow, would perhaps not bend to the shape of your body.
For faced with the real form of what has haunted me and governed me for so many
days and years, I would surely become a shadow.”
―
“J'ai tant rêvé de toi que tu perds ta réalité.
Est-il encore temps d'atteindre ce corps vivant et de baiser sur cette bouche la naissance de la voix qui
m'est chère?
J'ai tant rêvé de toi que mes bras habitués en étreignant ton ombre à se croiser sur ma poitrine ne se
plieraient pas au contour de ton corps, peut-être.
Et que, devant l'apparence réelle de ce qui me hante et me gouverne depuis des jours et des années, je
deviendrais une ombre sans doute. O balances sentimentales.”
― The Voice of Robert Desnos: Selected Poems
Est-il encore temps d'atteindre ce corps vivant et de baiser sur cette bouche la naissance de la voix qui
m'est chère?
J'ai tant rêvé de toi que mes bras habitués en étreignant ton ombre à se croiser sur ma poitrine ne se
plieraient pas au contour de ton corps, peut-être.
Et que, devant l'apparence réelle de ce qui me hante et me gouverne depuis des jours et des années, je
deviendrais une ombre sans doute. O balances sentimentales.”
― The Voice of Robert Desnos: Selected Poems
“Oh,' said a very white body as it threw a wrist watch to the ground which broke without attracting anyone's attention, 'Oh, how can anyone not love poetry, natural machines, large white houses, the brilliance of steel, crimes and wild passions?”
―
―
“The sound of your voice, your radiant looks,
Your smell the smell of your hair and many other things
will live on inside me.”
― The Selected Poems
Your smell the smell of your hair and many other things
will live on inside me.”
― The Selected Poems
“The stranger was still smiling. He transformed himself into a rose bush and entwined me. My Christian education meant that ever since childhood I have had a horror of vice and it was not without a quite understandable terror that I discerned the pleasure I felt in the embrace of this vigorous bush whose branches gradually mingled with my limbs, my hair and my looks. When one of its flowers came apart in my mouth, I could feel myself grasping the sorcerer in my arms in my turn. He was transformed into a torrent, and I was a barge, into desert and I was smoke, into a car and I was a road, into a man and I was a woman. 'What we are doing is very wrong,' he said and was off.”
―
―
“O balances sentimentales.”
― Poèmes de Robert Desnos
― Poèmes de Robert Desnos
“The Landscape"
I dreamt of loving. The dream remains, but love
is no longer those lilacs and roses whose breath
filled the broad woods, where the sail of a flame
lay at the end of each arrow-straight path.
I dreamt of loving. The dream remains, but love
is no longer that storm whose white nerve sparked
the castle towers, or left the mind unrhymed,
or flared an instant, just where the road forked.
It is the star struck under my heel in the night.
It is the vvord no book on earth defines.
It is the foam on the wave, the cloud in the sky.
As they age, all things grow rigid and bright.
The streets fall nameless, and the knots untie.
Now, with this landscape, I fix; I shine.”
―
I dreamt of loving. The dream remains, but love
is no longer those lilacs and roses whose breath
filled the broad woods, where the sail of a flame
lay at the end of each arrow-straight path.
I dreamt of loving. The dream remains, but love
is no longer that storm whose white nerve sparked
the castle towers, or left the mind unrhymed,
or flared an instant, just where the road forked.
It is the star struck under my heel in the night.
It is the vvord no book on earth defines.
It is the foam on the wave, the cloud in the sky.
As they age, all things grow rigid and bright.
The streets fall nameless, and the knots untie.
Now, with this landscape, I fix; I shine.”
―
“Je crois encore au merveilleux en amour, je crois à la réalité des rêves, je crois aux héroïnes de la nuit, aux belles de nuit pénétrant dans les coeurs et dans les lits.”
― Liberty or Love! and Mourning for Mourning
― Liberty or Love! and Mourning for Mourning
“One can,' said Ernest 'remain unmoved before a cloud as before an automatic ticket machine. I don't like poetry, I don't like flowers, I don't like machines, I don't like sugar, I don't like pepper, I don't like what you like.' This was addressed to whoever attacked Ernest.”
―
―
“And if I must follow you to the abyss, follow you I shall!
You are not the passer-by, but the one who remains. The notion of eternity is linked to my love for you. No, you are not the passer-by nor the strange pilot guiding the adventurer through the labyrinth of desire. You have opened to me the country of passion itself. I lose myself in your thoughts more surely than in a desert. And even as I write these lines, I have still not confronted my image of you with your "reality". You are not the passer-by but the eternal lover, whether you wish it or not. Painful joy of the passion aroused by meeting you. I suffer, but my suffering is dear to me, and if I hold my self in any esteem, it is because I have encountered you in my blind rush towards the shifting horizons.”
― Liberty or Love!
You are not the passer-by, but the one who remains. The notion of eternity is linked to my love for you. No, you are not the passer-by nor the strange pilot guiding the adventurer through the labyrinth of desire. You have opened to me the country of passion itself. I lose myself in your thoughts more surely than in a desert. And even as I write these lines, I have still not confronted my image of you with your "reality". You are not the passer-by but the eternal lover, whether you wish it or not. Painful joy of the passion aroused by meeting you. I suffer, but my suffering is dear to me, and if I hold my self in any esteem, it is because I have encountered you in my blind rush towards the shifting horizons.”
― Liberty or Love!
“Ebony Life"
A frightening stillness will mark that day
And the shadow of streetlights and fire-alarms will exhaust the light
All things, the quietest and the loudest, will be silent
The suckling brats will die
The tugboats the locomotives the wind will glide by in silence
We will hear the great voice which coming from far away will pass over the city
We will wait a long time for it
Then at the rich man's time of day
When the dust the stones the missing tears
form the sun's robe on the huge deserted squares
We shall finally hear the voice.
It will growl at doors for a long while
It will pass over the town tearing up flags and breaking windowpanes.
We will hear it
What silence before it, but still greater the silence
it will not disturb but will hold guilty will brand and denounce
Day of sorrows and joys
The day the day to come when the voice will pass over the city
A ghostly seagull told me she loved me as much as I loved her
That this great terrible silence was my love
That the wind carrying the voice was the great revolt of the world
And that the voice would look kindly on me.”
―
A frightening stillness will mark that day
And the shadow of streetlights and fire-alarms will exhaust the light
All things, the quietest and the loudest, will be silent
The suckling brats will die
The tugboats the locomotives the wind will glide by in silence
We will hear the great voice which coming from far away will pass over the city
We will wait a long time for it
Then at the rich man's time of day
When the dust the stones the missing tears
form the sun's robe on the huge deserted squares
We shall finally hear the voice.
It will growl at doors for a long while
It will pass over the town tearing up flags and breaking windowpanes.
We will hear it
What silence before it, but still greater the silence
it will not disturb but will hold guilty will brand and denounce
Day of sorrows and joys
The day the day to come when the voice will pass over the city
A ghostly seagull told me she loved me as much as I loved her
That this great terrible silence was my love
That the wind carrying the voice was the great revolt of the world
And that the voice would look kindly on me.”
―
“Two Metro lines, two trains, two carriages, two people walking in parallel streets, two lives, couples criss-crossing without seeing each other, potential encounters, meetings which shall never take place. The imagination rewrites history. It modifies the local directory and the roll-call of those who frequent a town, a street, a house, a woman. It transfixes reflections in the mirror for all eternity. It hangs entire portrait galleries from the wall of our future memory on which magnificent strangers use a sharp knife to engrave their initials and a date.”
― Liberty or Love!
― Liberty or Love!
“Lost between segments of a ferocious horizon, the white-helmeted explorer prepares to die and assembles his memories in order to discover how an explorer should end his days: with his arms outstretched and his face in the sand, or should he dig a fugitive tomb because of wind and hyenas, or just curl up in the so-called broken-gun position which causes so much worry to mothers when they discover that this is the position in which their offspring prefer to fall asleep, or will it be a lion or sunstroke or thirst that does the honours for him.”
― Liberty or Love!
― Liberty or Love!
“From time to time, heavier than a meteorite at its journey's end, a boxer's glove falls. The crowd trampled these memories of kisses and embraces underfoot without paying them the deference they deserved. I alone avoided treading on them. Sometimes I even picked one up. It thanked me with a warm embrace. I felt it tremble in my trouser pocket. Its mistress must have trembled just like that in a fleeting moment of love. I walked on.”
― Liberty or Love!
― Liberty or Love!
“Como el océano, el desierto o los glaciares, tampoco las tapias del cementerio ponen límites a mi existencia puramente imaginaria.”
―
―
“If you do not know me, you whose presence is not even essential to me, it can only mean that this calendar has been badly printed. Your photographs on my walls and the bitter memories that our meetings have impressed upon my heart have only a paltry role in my love! You figure large in my dreams, ever-present, alone on the stage yet destitute of any role.
I encounter you rarely on my path. I am of an age when one begins to contemplate one's emaciated fingers, and at which youth is so full, so real that it cannot be long before it begins to fade. Your lips bring tears to my eyes; you sleep naked in my brain and I dare not rest.”
― Liberty or Love!
I encounter you rarely on my path. I am of an age when one begins to contemplate one's emaciated fingers, and at which youth is so full, so real that it cannot be long before it begins to fade. Your lips bring tears to my eyes; you sleep naked in my brain and I dare not rest.”
― Liberty or Love!
“Elle tourna vers moi les yeux à cet instant, mais je n'ose y croire, ce regard fut-il un aveu. Ne me dites pas qu'elle est belle, elle est émouvante. Sa vue imprime à mon coeur un mouvement plus rapide, son absence emplit mon esprit.”
― Liberty or Love! and Mourning for Mourning
― Liberty or Love! and Mourning for Mourning
“Le temps ni l'espace, rien ne s'oppose à ces relations idéales.”
― Liberty or Love! and Mourning for Mourning
― Liberty or Love! and Mourning for Mourning
“The desire to vanquish, the nihilism always implicit in love, varies according to the weapons which are employed.”
― Liberty or Love!
― Liberty or Love!
“I am of an age when one begins to contemplate one's emaciated fingers, and at which youth is so full, so real that it cannot be long before it begins to fade. Your lips bring tears to my eyes; you sleep naked in my brain and I dare not rest.”
―
―
“Et de cet amour le seul bonheur que puissent connaître deux coeurs insatiables comme les nôtres.
Écoute, écoute monter les grandes images vulgaires que nous transfigurons.
Voici l'Océan qui gronde et chante et sur lequel le ciel se tourmente et s'apaise semblable à ton lit.
Voici l'Océan semblable à notre coeur.
Voici le ciel où naufragent les nuages dans l'éclat triste d'un fanal promené à tour de rôle par les étoiles.
Voici le ciel semblable à nos deux coeurs.”
― Fortunes
Écoute, écoute monter les grandes images vulgaires que nous transfigurons.
Voici l'Océan qui gronde et chante et sur lequel le ciel se tourmente et s'apaise semblable à ton lit.
Voici l'Océan semblable à notre coeur.
Voici le ciel où naufragent les nuages dans l'éclat triste d'un fanal promené à tour de rôle par les étoiles.
Voici le ciel semblable à nos deux coeurs.”
― Fortunes




