Goodreads helps you follow your favorite authors. Be the first to learn about new releases!
Start by following Chris Holm.
Showing 1-5 of 5
“You ask me, I'd guess heaven and hell look pretty much the same," I replied. "Only in hell, everything is just a little out of reach.”
― Dead Harvest
― Dead Harvest
“Ah, yes- 'God is love' and all that rot. Tell me, have you ever really stopped to think about what that means? Love is cruel. Love is vicious. Love inspires people to kill, to maim, to torture. Love ruins lives, fells cities, destroys civilizations. If you ask me, love's not all it's cracked up to be. But then, you shouldn't have to ask me - you should only have to reflect on where love has gotten you." - Lilith”
― The Wrong Goodbye
― The Wrong Goodbye
“Hearing her say my name - a name I'd walked away from long ago - tore at my insides worse than any bullet could. It hurt like love. Like dying.”
― Dead Letters: Stories of Murder and Mayhem
― Dead Letters: Stories of Murder and Mayhem
“Just because you're thinking about stabbing somebody doesn't mean you have to be a dick about it.”
― Dead Harvest
― Dead Harvest
“For my money, noir boils down to bleak humanism – or, to put it more plainly: shit options, bad decisions, and dire
consequences. The difference between Greek tragedy and noir ain't the height of the fall, but the reason: those who fall in Greek tragedy do so because they're destined to; those who fall in noir choose to their damn selves.
In short, free will's a bitch.
But regardless of whose definition you go with, you'll notice something's lacking: namely, any mention of genre. That's because for as much as noir's assumed to be a subset of crime fiction, it's more vibe than subgenre. And, as many an enterprising modern writer seems intent on proving, that vibe is one that plays just as well with fantasy and science fiction as it does with crime.”
― The Wrong Goodbye
consequences. The difference between Greek tragedy and noir ain't the height of the fall, but the reason: those who fall in Greek tragedy do so because they're destined to; those who fall in noir choose to their damn selves.
In short, free will's a bitch.
But regardless of whose definition you go with, you'll notice something's lacking: namely, any mention of genre. That's because for as much as noir's assumed to be a subset of crime fiction, it's more vibe than subgenre. And, as many an enterprising modern writer seems intent on proving, that vibe is one that plays just as well with fantasy and science fiction as it does with crime.”
― The Wrong Goodbye
