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“That poem you like, how does it end?”
He knows how it ends. He’s looked it up by now, that’s why he asks.
But I answer him anyway.
“‘We have lingered in the chambers of the sea, by sea-girls wreathed
with seaweed red and brown, till human voices wake us, and we drown.’”
Eliot shakes his head. “It does not need the last three words. The last
three words are wrong.”
I laugh at his correcting a Nobel prize-winning poet, but I agree. I
know what drowning feels like. It doesn’t need water. And human voices,
if they say the right things, can save you.
“Eliot, do you have a pen I can borrow?”
I can feel him smiling in the dark, and we watch the sea caress the
sand.
“That man in the poem, Mr. Prufrock, he was a coward, wasn’t he?”
Eliot says.
My answer to his question is the same as his answer to mine.”
― Probably Monsters
He knows how it ends. He’s looked it up by now, that’s why he asks.
But I answer him anyway.
“‘We have lingered in the chambers of the sea, by sea-girls wreathed
with seaweed red and brown, till human voices wake us, and we drown.’”
Eliot shakes his head. “It does not need the last three words. The last
three words are wrong.”
I laugh at his correcting a Nobel prize-winning poet, but I agree. I
know what drowning feels like. It doesn’t need water. And human voices,
if they say the right things, can save you.
“Eliot, do you have a pen I can borrow?”
I can feel him smiling in the dark, and we watch the sea caress the
sand.
“That man in the poem, Mr. Prufrock, he was a coward, wasn’t he?”
Eliot says.
My answer to his question is the same as his answer to mine.”
― Probably Monsters
“Nobody sang of a farmer’s toil, or told tales of their back-breaking labour.”
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