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“To make things 'perfectly clear' is reactionary and stupefying. The real is not perfectly clear.”
Avital Ronell
“Exemplary friendship embraces, in a resolutely unrequited way, an unwearied capacity for loving generously without being loved back. Marking the limit of possibility—the friend need not be there—this structure recapitulates in fact the Aristotelian values according to which acts and states of loving are preferred to the condition of being-loved, which depends for its vigor on a mere potentiality. Being loved by your friend just pins you to passivity. For Aristotle, loving on the contrary, constitutes an act. To the extent that loving is moved by a kind of disclosive energy, it puts itself out there, shows up for the other, even where the other proves to be a rigorous no-show. Among other things, loving has to be declared and known, and thus involves an element of risk for the one who loves and who, abandoning any guarantee of reciprocity, braves the consequences when naming that love.”
Avital Ronell
“Learning to speak is like learning to shoot.”
Avital Ronell
“Now, what if Others were encapsulated in Things, in a way that Being towards Things were not ontologically severable, in Heidegger's terms, from Being towards Others? What if the mode of Dasein of Others were to dwell in Things, and so forth? In the same light, then, what if the Thing were a Dublette of the Self, and not what is called the Other? Or more radically still, what if the Self were in some fundamental way becoming a Xerox copy, a duplicate, of the Thing in its assumed essence?”
Avital Ronell
“In Kafka’s works the family table locks the child into a site where Father presides; it offers one of the prime occasions for paternity to enthrone itself, conducting prescriptive raids on the child’s bearing—invading his plate, entering and altering his body, adjusting his manner of being. The table becomes the metonymy for all law, the place where sovereign exceptionalism asserts itself: Father does not have to obey his own law, he can pick his teeth or clean his ears while the eaters submit to the severity of his rule. The children, in Kafka at least, and in the simulacrum of home in which many others were grown, are consistently downgraded to the status of unshakable refugees, parasites, those who quiver under the thickness of anxiety while laws, like platters, are passed and forced down one’s delicate throat.
Give us this day our daily dread: it is difficult to imagine the Kafka family going out to eat, though that is what it would have taken for the death grip of mealtime to loosen, let go. At home, at the table, little Franz Kafka was eaten alive. By the time of the famous “Letter to Father,” he was vaporized. He says so himself: A good deal of the damage done to the young psyche occurred at table. The neighborhood restaurant might have rerouted the oppressive domesticity of home rule—it might have introduced a hiatus or suspensive regime change that would allow for hunger’s pacing. Part of a spectacle of public generality, the theater of ingestion—possibly also of incorporation—the restaurant causes the hold on the child to slacken, if only because there are witnesses and waiters whose work consists in diminishing the intensities of paternal law and the sacrificial rites that underlie their daily distribution—the daily apportionment of dread.”
Avital Ronell, Loser Sons: Politics and Authority

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