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“In my mind android is a metaphor for people who are physiologically human but behaving in a nonhuman way.”
Paul M. Sammon, Future Noir: The Making of Blade Runner
“The biggest excuse for film is that it is a film. It’s a game, an art for a bunch of people who sit in a dark theatre. The light hits them and then they go home, and it’s more or less over. But a good film, or a cautionary one . . . A darkened theater is a safe place to say things that mean something.”
Paul M. Sammon, Future Noir: The Making of Blade Runner
“The biggest excuse for film is that it is a film. It’s a game, an art for a bunch of people who sit in a dark theatre. The light hits them and then they go home, and it’s more or less over. But a good film, or a cautionary one . . . A darkened theater is a safe place to say things that mean something.”
Paul M. Sammon, Future Noir: The Making of Blade Runner
“Alongside Martian Timeslip and The Man in the High Castle,” Dick told this author in 1981, “Sheep? is one of my three favorite novels.”
Paul M. Sammon, Future Noir: The Making of Blade Runner
“The term android is a dangerous one, undermined by certain generic assumptions. I don’t like using it. In fact, I threatened to crack open heads with a baseball bat if I heard it used around me on the set,” Scott jestingly declared to this writer in 1981. “You see, android is a very familiar word. Not just to science fiction readers, but to the general public. A lot of material—some good, some crap—has been touched by the term. Therefore, I didn’t want Blade Runner to be premonitory of android at all. Because then people would think that this film was about robots, when in fact it isn’t. I thought it was better that we come up with a new word altogether.”
Paul M. Sammon, Future Noir: The Making of Blade Runner

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