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“The whole basement was empty. Victor drew his handgun — an FN Five-seven — because he knew he’d walked straight into a trap. A second later, the lights went out”
Tom Wood, The Darkest Day
“Victor said, ‘I’m going to take this axe and I’m going to hack off one of your hands. The blade is dull and I couldn’t find a whetstone so it might take a couple of blows to do the job, so you’ll need to be patient. The pain and the fear will be like nothing you’ve ever experienced, but the horror of watching the stump where your wrist used to be spray blood everywhere is going to be like nothing you can even imagine. At that point you won’t be worried by what your employers might do to you. You’ll bleed to death in about two minutes. Which is why I’m telling you now: don’t forget the stove. When I sever your hand, you’re going to be free of that post. It’s only 20 feet to that stove, but it’s going to feel like a mile. Focus on it now, because you’re going to be in shock. When you cauterise the wound against the cast iron, you’re probably going to pass out, but I’ll wake you up again. If your heart stops, I’ll use the epinephrine you brought to bring you back. If you don’t talk to me then, if you don’t give what I want to know about your employers, I’ll take your other hand. After that, I’ll start improvising. Are you ready?’ Niven’s gaze flicked between the axe and Victor’s eyes. ‘You… you can’t be serious.’ Victor raised the axe.”
Tom Wood, The Final Hour
“When escape was impractical and inaction unreasonable, attack was always preferable.”
Tom Wood
“Der Mensch denkt, der Zufall lenkt.”
Tom Wood
“Alan Beaumont stepped through the automatic door of his office building and down the broad steps to the pavement. The sky above DC was a monochrome of grey cloud. A light rain fell, but a few drops of water were not going to bother him. Damp clothes? Whatever. Messed-up hair? He had no hair to ruin. That was long gone. Nothing had helped retain those once-magnificent curls. Not pills. Not potions. Nada. He used a thumb and middle finger to snap open his Zippo lighter and lit the cigarette perched between his lips. Smoking was perhaps the only real pleasure he had. He watched the downtown traffic and the pedestrians pass by, all miserable. Good. He didn’t like anyone to be happy but himself. It wasn’t pure selfishness. Joy was a zero sum game. There just wasn’t enough to go around.”
Tom Wood, The Darkest Day
“I think our lives are mapped out for us. They are too complex, too perfect to be an accident of randomness. They have an inescapable narrative - a beginning , middle and end - unnecessary except by design. Birth, life and death, neatly seperated and sequenced. Authored, if you will, by the universe's own hand. We are gifted existence in three acts, but we can only ever understand our middle third. We cannot control our birth, yet though we have no power over this first act of ours we believe we can manipulate our second act, our life, to control our death. We cannot choose either, and it is right we cannot. We think we are the lightning or the thunder, but we're merely raindrops in a storm. We forget we are ordained a time to live and a time to die. They are chosen for us, only when that time is right.”
Tom Wood
“Niven stretched out his arms so the rope binding his hands was braced against the vertical beam. He used that leverage to stand up. ‘You’re the hitman. I’ve heard of you.’ ‘I’m really not fond of that term,’ Victor said. ‘There’s no need to romanticise what I do. I’m just a killer.”
Tom Wood, The Final Hour

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