Bernard Capes > Quotes

“Rose was patently a degenerate. Nature, in scheduling his characteristics, had pruned all superlatives. The rude armour of the flesh, under which the spiritual, like a hide-bound chrysalis, should develop secret and self-contained, was perished in his case, as it were, to a semi-opaque suit, through which his soul gazed dimly and fearfully on its monstrous arbitrary surroundings. Not the mantle of the poet, philosopher, or artist fallen upon such, can still its shiverings, or give the comfort that Nature denies.

Yet he was a little bit of each - poet, philosopher, and artist; a nerveless and self-deprecatory stalker of ideals, in the pursuit of which he would wear patent leather shoes and all the apologetic graces. The grandson of a 'three-bottle' J.P., who had upheld the dignity of the State constitution while abusing his own in the best spirit of squirearchy; the son of a petulant dyspeptic, who alternated seizures of long moroseness with fits of abject moral helplessnes, Amos found his inheritance in the reversion of a dissipated constitution, and an imagination as sensitive as an exposed nerve. Before he was thirty he was a neurasthenic so practised, as to have learned a sense of luxury in the very consciousness of his own suffering. It was a negative evolution from the instinct of self-protection - self-protection, as designed in this case, against the attacks of the unspeakable.

("The Accursed Cordonnier")”
― Bernard Capes, Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others

“A long light robe, sulphur-coloured, clung to the sleeper from low throat to ankle; bands of narrow nolana-blue ribbon crossed her breast and were brought together in a loose cincture about her waist; her white, smooth feet were sandalled; one arm was curved beneath her lustrous head; the other lay relaxed and drooping. Chrysoberyls, the sea-virgins of stones, sparkled in her hair and lay in the bosom of her gown like dewdrops in an evening primrose.

("The Accursed Cordonnier")”
― Bernard Capes, Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others

“Superficially, the figure in the smoking-room was that of a long, weedy young man - hairless as to his face; scalped with a fine lank fleece of neutral tint; pale-eyed, and slave to a bored and languid expression, over which he had little control, though it frequently misrepresented his mood. He was dressed scrupulously, though not obtrusively, in the mode, and was smoking a pungent cigarette with an air that seemed balanced between a genuine effort at self-abstraction and a fear of giving offence by a too pronounced show of it. In this state, flying bubbles of conversation broke upon him as he sat a little apart and alone.

("The Accursed Cordonnier")”
― Bernard Capes, Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others

“I have an acute sense of delicacy. Naturally I am prejudiced in favour of virtue.

("The Accursed Cordonnier")”
― Bernard Capes, Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others

“He saw a chamber, broad and low, designed, in its every rich stain of picture and slumberous hanging, to appeal to the sensuous. And here the scent was thick and motionless. Costly marqueterie; Palissy candlesticks reflected in half-concealed mirrors framed in embossed silver; antique Nankin vases brimming with pot-pourri; in one comer a suit of Milanese armour, fluted, damasquinee, by Felippo Negroli; in another a tripod table of porphyry, spectrally repeating in its polished surface the opal hues of a vessel of old Venetian glass half filled with some topaz-coloured liqueur - such and many more tokens of a luxurious aestheticism wrought in the observer an immediate sense of pleasurable enervation. He noticed, with a swaying thrill of delight, that his feet were on a padded rug of Astrakhan - one of many, disposed eccentrically about the yellow tassellated-marble floor; and he noticed that the sole light in the chamber came from an iridescent globed lamp, fed with some fragrant oil, that hung near an alcove traversed by a veil of dark violet silk.

("The Accursed Cordonnier")”
― Bernard Capes, Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others

“The neurotic youth of to-day renews no ante-existent type. You will look in vain for a face like Amos's amongst the busts of the recovered past. The same weakness of outline you may point to - the sheep-like features falling to a blunt prow; the lax jaw and pinched temples - but not to that which expresses a consciousness that combative effort in a world of fruitless results is a lost desire.

("The Accursed Cordonnier")”
― Bernard Capes, Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others

“I think God hands over to His apprentices the moulding of vessels that don't interest Him.

("The Accursed Cordonnier")”
― Bernard Capes, Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others

“My (paradoxically) Christian name was bestowed in compliment to a godfather, sir. I am no Jew. I have already enough to know the curse of having more.”
― Bernard Capes

“Let the beggar speak for himself. He's in earnest. Haven't we been bred on the principle of self-sacrifice, till we've come to think a man's self is his uncleanest possession?”
― Bernard Capes, Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others

“Lady Sarah Henbery was his hostess, and the inspired projector of a new scheme of existence (that was, in effect, the repudiation of any scheme) that had become quite the 'thing.' She had found life an arbitrary design - a coil of days (like fancy pebbles, dull or sparkling) set in the form of a mainspring, and each gem responsible to the design. Then she had said, 'To-day shall not follow yesterday or precede to-morrow'; and she had taken her pebbles from their setting and mixed them higgledy-piggledy, and so was in the way to wear or spend one or the other as caprice moved her. And she became without design and responsibility, and was thus able to indulge a natural bent towards capriciousness to the extent that - having a face for each and every form of social hypocrisy and licence - she was presently hardly to be put out of countenance by the extremist expression of either.

It followed that her reunions were popular with worldlings of a certain order.

("The Accursed Cordonnier")”
― Bernard Capes, Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others

“Bully the jade, and she will love you.

("The Accursed Cordonnier")”
― Bernard Capes, Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others

“This,' said the stranger softly, as if to himself, 'is the woeful proof, indeed, of decadence. Man waives his prerogative of lordship over the irreclaimable savagery of earth. He has warmed his temperate house of clay to be a hot-house to his imagination, till the very walls are frail and eaten with fever.'

("The Accursed Cordonnier")”
― Bernard Capes, Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others

“But there, set as in the crater of a mountain of sand, and inaccessible to mortal footstep, stands unperishing the glory of the earth. And its fragrance is drawn up to heaven, as through a wide chimney; and from its branches hangs the undying fruit, lustrous and opalescent; and in each shining globe the world and its starry system are reflected in miniature, moving westwards; but at night they glow, a cluster of tender moons.

("The Accursed Cordonnier")”
― Bernard Capes, Gaslit Nightmares: Stories by Robert W. Chambers, Charles Dickens, Richard Marsh, and Others

“And, as the storm of water thrashed the very pinnacles that toppled into mist, he had seen the ribs of cliff laid bare and bleeding—as it were the laceration of a living land that he looked on. Then, ‘Corne et tonnerre!’ he had seemed to cry to himself, ‘the very world is torn by some inhuman power, and flows to the sea in rivers of purple!’ and he heard the bells of the ocean receding innumerably, choke at their moorings, muffled and congested with the floating scum of carnage that no wind might ruffle and only God’s fire cleanse.
Now, in a moment, he saw that what he had taken for land was in truth a great cliff built up of human bodies—a vast reserve of human force accumulated by, and for the use of, a single dominant will. And this cliff was washed by the waves of an ocean of blood, to which its life contributed in a thousand spouting rivulets. And it was compact of limitless pain; and the cry of torture never ceased within it. And suddenly the dreamer—as in the way of dreams—felt himself to be a constituent agony of that he gazed upon—a pulp of suffering self-contained, yet partaking of the wretchedness of all.”
― Bernard Capes, The Black Reaper

“Suddenly my pupils shrank before the apparition of a ghastly grey light, and all in a moment I was face to face with a segment of desolation more horrible than any desert. Monstrous growths of leprosy that had bubbled up and stiffened; fields of ashen slime—the sloughing of a world of corruption; hills of demon fungus swollen with the fatness of putrefaction; and, in the midst of all, dim, convulsed shapes wallowing, protruding, or stumbling aimlessly onwards, till they sank and disappeared.”
― Bernard Capes, The Black Reaper