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“All is as if the world did cease to exist. The city's monuments go unseen, its past unheard, and its culture slowly fading in the dismal sea.”
Nathan Reese Maher
“Do we not each dream of dreams? Do we not dance on the notes of lost
memories? Then are we not each dreamers of tomorrow and yesterday, since dreams
play when time is askew? Are we not all adrift in the constant sea of trial and when all is done, do we not all yearn for ships to carry us home?”
Nathan Reese Maher
“There is a stillness between us, a period of restlessness that ties my stomach
in a hangman’s noose. It is this same lack in noise that lives, there! in the
darkness of the grave, how it frightens me beyond all things.”
Nathan Reese Maher
“History doesn’t start with a tall building
and a card with your name written on it, but jokes do. I think someone is taking
us for suckers and is playing a mean game.”
Nathan Reese Maher
“I steal one glance over my shoulder as soon as we are far from the foreboding luminance of the neon glow, and it is there that my stomach leaps into my throat. Squatting just shy of the light and partially concealed by the shade of an alley is a sinister silhouette beneath a crimson cowl, beaming a demonic smile which spans from cheek to swollen cheek.”
Nathan Reese Maher
“She leaves my side and heads deeper into
the apartment singing, “—if the spirit tries to hide, its temple far away… a
copper for those they ask, a diamond for those who stay.”
Nathan Reese Maher
“I rouse Emily to our guests, as she finishes off our fifteenth snowman by setting the head atop its torso. She stands limp at my direction, pointing out the coming shadows and I cannot help but hear a muffled sigh as she decapitates her latest creation with a single push of her hand.”
Nathan Reese Maher
“That’s a stupid name! Whirly-gig is much better, I think. Who in their right
mind would point at this thing and say, ‘I’m going to fly in my Model-A1’.
People would much rather say, ‘Get in my whirly-gig’. And that’s what you
should name it.”
Nathan Reese Maher
“Cry no tears for us, my friend.” I pry at her fingers, panicking to be released in fear that she may drag me into death with her. She croaks again, “Lend no aches to the dreams of yesterday.”
From the corpse of Warren, his greyish gums smack from whatever goo has settled in his mouth, “Allow the tide sweep free the bay.”
Then together they sing in zombie choir, “And home the ships sailing send.”
Nathan Reese Maher
“Another like me? Don’t leave me out here with myself! I’d go mad. Please
don’t leave me alone, Samuel! Just take me home!” Tears stream down her face.
“Please take me home!”
Nathan Reese Maher
“The shadow self is what lies beneath the makeup. It’s those ugly parts that you haven’t accepted about yourself. You hide those parts in the shadows until you’re ready.” Her face remained a haunting calm. “When you realize the scars are who you are, that there was nothing wrong with you and that you were beautiful all along - that’s when you decide to take the makeup off.”
Nathan Reese Maher, Lights Out: Book 2
“Patches don’t look it, but when attached to your soul they can get pretty heavy. They go over the holes in your soul, like when you patch a sock. When you have a hole in your soul, it’s because you’re hurting from something. I don’t know if you noticed, but that girl had a lot of holes.”
Nathan Reese Maher, Lights Out: Book 2
“Her eyes sparkle with a rising dampness. “I’ve seemed to overstep myself,
Samuel.”
Nathan Reese Maher
“Yes—and had we one, you’d probably never see us at all.” Mrs. Locke adds jokingly.
Emily pulls ecstatically against my clothing, a new found joy in her eyes.
“Samuel! We must find a piano for the Lockes! It is the very least we can do!”
Nathan Reese Maher
“I wondered whether you and Mr. Locke had any recollection about the past.
I see now that we all suffer the same.”
Nathan Reese Maher
“Jasper set an intercepting course towards that Rhylonian Star Duster. Maybe we can catch them on their blind side.”
“Doesn’t this ship have a cloak?” Jaq asks.
“Miss Synergy, I don’t know what they teach now a’days at the Academy, but ships do not wear clothes.”
Nathan Reese Maher
“Look Samuel!” She points to the couple—I noticing a twig sticking out of her hair. “Mannequins.”
Nathan Reese Maher
“There’s nothing wrong with you at all. Sometimes people say or do things that are mean because there's something the matter with them. With Lydia, it seems there’s always something wrong with her.”
Nathan Reese Maher, Lights Out: Book 2
“She points to where he went and looks to the neutral Baumen. “He—he did that to me on purpose! He’s insane. Literally, insane!”
The munchkin just shrugs. “Welcome aboard!” and returns unconcerned to his work.”
Nathan Reese Maher, Rubberband Lazer - Or, The Adventures of Casey Norider and Jaq Synergy
“Jasper!” Casey shouts, startling the young woman. “My cargo is talking to me!”
Nathan Reese Maher
“It’s no big deal. It’s kind of like a tattoo. It won’t hurt, not too much, just a few stitches and it’ll be all over. It’s really interesting how it’s done. You won’t believe where your soul hides. Go on, take a guess. Where do you think it is?”
Nathan Reese Maher, Lights Out: Book 2
“She could spin it between her legs, skip with it, twirl it around her neck and transfer it from one arm to the other. Shelly hooped because she enjoyed it; it calmed her whenever she would have an argument or a bad day at school, and it also allowed her to think. Today, she needed to hoop more than ever.”
Nathan Reese Maher, Lights Out: Book 2
“Shelly shook her head and made sure she had plenty of space so that she wouldn’t hit anything. As many times before, she kept the hoop close to her waist and then twirled it with small, tight bursts of speed. As the hoop gathered in momentum it started to give off a hum that soon took on a light blue illumination far brighter than the streetlamps. It was so bright, that it lit up the entire backyard.”
Nathan Reese Maher, Lights Out: Book 2

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