John Crowley > Quotes

“The things that make us happy make us wise. ”
― John Crowley, Little, Big

“Love is a myth.'
'Love is a myth,' Grandfather Trout said. 'Like summer.'
'What?'
'In winter,'Grandfather Trout said, 'summer is a myth. A report, a rumor. Not to be believed in. Get it? Love is a myth. So is summer.”
― John Crowley, Little, Big

“She had always lived her best life in dreams. She knew no greater pleasure than that moment of passage into the other place, when her limbs grew warm and heavy and the sparkling darkness behind her lids became ordered and doors opened; when conscious thought grew owl's wings and talons and became other than conscious.”
― John Crowley, Little, Big

“The further in you go, the bigger it gets.”
― John Crowley, Little, Big

“Time, I think, is like walking backward away from something: say, from a kiss. First there is the kiss; then you step back, and the eyes fill up your vision, then the eyes are framed in the face as you step further away; the face then is part of a body, and then the body is framed in a doorway, then the doorway framed in the trees beside it. The path grows longer and the door smaller, the trees fill up your sight and the door is lost, then the path is lost in the woods and the woods lost in the hills. Yet somewhere in the center still is the kiss. That's what time is like.”
― John Crowley, Engine Summer

“God, he thought, her eyes are so bright, flashing, deep, full of promise, all those things eyes are in books but never are in life, and she was his.”
― John Crowley, Little, Big

“It was anyway all a long time ago; the world, we know now, is as it is and not different; if there was ever a time when there were passages, doors, the borders open and many crossing, that time is not now. The world is older than it was. Even the weather isn’t as we remember it clearly once being; never lately does there come a summer day such as we remember, never clouds as white as that, never grass as odorous or shade as deep and full of promise as we remember they can be, as once upon a time they were.”
― John Crowley, Little, Big

“Learning to decipher words had only added to the pleasures of holding spines and turning pages, measuring the journey to the end with a thumb-riffle, poring over frontispieces. Books! Opening with a crackle of old glue, releasing perfume; closing with a solid thump.”
― John Crowley, Little, Big

“The universe is Time's body.”
― John Crowley, Little, Big

“Stories last longer: but only by becoming only stories.”
― John Crowley, Little, Big

“There was after all no mystery in the end of love, no mystery but the mystery of love itself, which was large certainly but as real as grass, as natural and unaccountable as bloom and branch and their growth.”
― John Crowley, Little, Big

“Well, do you do that consciously?" Daily Alice asked, only partly of Cloud.
"Do what?" Cloud said. "Grow up? No. Well. In a sense. You see it's inevitable, or refuse to. You greet it or don't -- take it in trade, maybe, for all you're going to lose anyway. Or you can refuse, and have what you've got to lose snatched from you, and never take payment -- never see a trade is possible.”
― John Crowley, Little, Big

“The better you tell an old story, the more you are talking about right now.”
― John Crowley, Engine Summer

“But life is wakings-up, all unexpected, all surprising.”
― John Crowley, Little, Big

“Their laughter rose to the ceiling and shook hands there.”
― John Crowley, Little, Big

“Violet said nothing, though big pearly tears, like a child's, trembled at her lashes. She suddenly missed John very much. Into him she could pour all the inarticulate perceptions, all the knowings and unknowings she felt, which, though he couldn't understand them really, he would receive reverently, and out of him would come then the advice, the warnings, the clever decisions she could never have made.”
― John Crowley, Little, Big

“The tears of those who never cry, the calm, the levelheaded ones, are terrible to see. She seemed to be split or torn by the force of the tears, which she squeezed her eyes shut against, which she forced back with her fist against her lips. Smokey, afraid and awed, came immediately to her as he might to rescue his child from a fire, without thought and without knowing quite what he would do. When he tried to take her hand, speak softly to her, she only trembled more violently, the red cross branded on her face grew uglier; so he enveloped her, smothered the flames, Disregarding her resistance, as well as he could he covered her, having a vague idea that he could by tenderness invade her and then rout her grief, whatever it was, by main strength. He wasn't sure he wasn't himself the cause of it, wasn't sure if she would cling to him for comfort or break him in rage, but he had no choice anyway, savior or sacrifice, it didn't matter so long as she could cease suffering.”
― John Crowley, Little, Big

“First, she wanted to taste the sweat that shone on his throat and fragile clavicle; then he chose to undo the tails of her shirt, that she had tied up beneath her breasts; then, but then impatient they forgot about taking turns and quarreled silently, eagerly over each other, like pirates dividing treasure long sought, long imagined, long withheld.”
― John Crowley, Little, Big

“Everybody grows up by leaps, and not by a steady climb like a mountaineer.”
― John Crowley, Four Freedoms

“Serenity. Now you could wish for that, naming no conditions: a permanent inner vacation, escape made good. To somehow have this motionlessness that he drew in with the sweet air he inhaled for his inward weather always.

But there were problems too with wishing for moral qualities, serenity, large-mindedness. The interdiction (which Pierce thought obvious) against wishing for such things as artistic abilities -- sit down at the piano, the Appassionata flows suddenly from your fingertips -- applied in a way to wisdom too, to enlightenment, to heart-knowledge, useless unless earned, the earning of it being no doubt all that it consisted of.”
― John Crowley, Ægypt

“One by one the lights burned out, like long lives come to their expected ends. Then there was a dark house made once of time, made now of weather, and harder to find; impossible to find and not even as easy to dream of as when it was alight. Stories last longer, but only by becoming only stories. It was anyway all a long time ago; the world, we know now, is as it is and not different; if ever there was a time when there were passages, doors, the borders open and many crossing; that time is not now. The world is older than it was. Even the weather isn't as we remember it clearly once being; never lately does there come a summer day such as we remember, never clouds as white as that, never grass as odorous and shade as deep and full of promise as we remember they can be, as once upon a time they were.”
― John Crowley

“It occurred to him that seeing a woman's child is like seeing a woman naked, in the way it changes how her face looks to you, how her face becomes less the whole story.”
― John Crowley

“She knew - she knew by now - that there really can be a person, one at least, that you can embrace as easily and wholly as though the two of you were one thing, a thing that once upon a time was broken into pieces and is now put back together. And how could she know this unless he knew it too? It was part of the wholeness, that he must; and that too she knew. With her he was for a moment whole, they were whole: as whole as an egg, and as fragile.”
― John Crowley, The Translator: A Historical Romance Between an Exiled Russian Poet and His American Translator During the Cuban Missile Crisis

“He knew he would have to believe in order to go where she had been; knew that, if he believed, he could go there even if it didn't exist, if it was make-believe. He moved the hand she had drawn around her down her long flesh, and with a little sound she pressed herself against him. He searched himself for that old will, long in disuse. If she went there, ever, he didn't want to be left behind; wanted to never be farther from than this.”
― John Crowley, Little, Big

“He learned, though slowly, what all great harrowed lovers learn: that love is what most surely compels love -- is perhaps, except for brute force, the only thing that does, though only (and this was the terrible gift he had been given) when the lover truly believes, as August could, that when his love is strong enough it must surely be returned -- and August's was.”
― John Crowley, Little, Big

“...with Occam's old razor she could slit the throat of that idea.”
― John Crowley, Little, Big

“There was a game she had played with Sophie in the long hallways of Edgewood, where she and Sophie would stand as far apart as was possible to get and still see eachother. Then they would walk slowly and deliberately, looking always each at the other's face. They kept on, at the same pace, not laughing or trying not to, till their noses touched. It was like this with Smokey, though he had started from far off, too far to be seen, coming from the City – no farther, out there where she had never been, far away, walking towards her.”
― John Crowley, Little, Big

“But is this not what poetry must do? To say the nothing that cannot be said?”
― John Crowley, The Translator: A Historical Romance Between an Exiled Russian Poet and His American Translator During the Cuban Missile Crisis

“While the moon smoothly shifted the shadows from one side of Edgewood to the other, Daily Alice dreamed that she stood in a flower-starred field where on a hill there grew an oak tree and a thorn in deep embrace, their branches intertwined like fingers. Far down the hall, Sophie dreamed that there was a tiny door in her elbow, open a crack, through which the wind blew, blowing on her heart. Dr. Drinkwater dreamed he sat before his typewriter and wrote this: 'There is an aged, aged insect who lives in a hole in the ground. One June he puts on his summer straw, and takes his pipe and his staff and his lamp in half his hands, and follows the worm and the root to the stair that leads up to the door into blue summer.' This seemed immensely significant to him, but when he awoke he wouldn't be able to remember a word of it, try as he might. Mother beside him dreamed her husband wasn't in his study at all, but with her in the kitchen, where she drew tin cookie-sheets endlessly out of the oven; the baked things on them were brown and round, and when he asked her what they were, she said 'Years'.”
― John Crowley, Little, Big

“Stories were the way People lived. Like paths, they could be traveled in any direction, yet always ran from beginning to end.”
― John Crowley, Ka: Dar Oakley in the Ruin of Ymr