Alex Garland > Quotes

“Though I walk through the valley of death I will fear no evil, for I am the evilest motherfucker in the valley”
― Alex Garland

“When you develop an infatuation for someone you always find a reason to believe that this is exactly the person for you. It doesn’t need to be a good reason. Taking photographs of the night sky, for example. Now, in the long run, that’s just the kind of dumb, irritating habit that would cause you to split up. But in the haze of infatuation, it’s just what you’ve been searching for all these years.”
― Alex Garland, The Beach

“If I'd learnt one thing from travelling, it was that the way to get things done was to go ahead and do them. Don't talk about going to Borneo. Book a ticket, get a visa, pack a bag, and it just happens.”
― Alex Garland, The Beach

“Tourists went on holidays while travellers did something else. They travelled.”
― Alex Garland, The Beach

“There's this saying: in an all-blue world, colour doesn't exist... If something seems strange, you question it; but if the outside world is too distant to use as a comparison then nothing seems strange.”
― Alex Garland, The Beach

“Escape through travel works. Almost from the moment I boarded my flight, life in England became meaningless. Seat-belt signs lit up, problems switched off. Broken armrests took precedence over broken hearts. By the time the plane was airborne I'd forgotten England even existed.”
― Alex Garland, The Beach

“I don’t keep a travel diary. I did keep a travel diary once and it was a big mistake. All I remember of that trip is what I bothered to write down. Everything else slipped away, as though my mind felt jilted by my reliance on pen and paper. For exactly the same reason I don’t travel with a camera. My holiday becomes the snapshots and anything I forget to record is lost.”
― Alex Garland, The Beach

“I carry a lot of scars. I like the way that sounds. I carry a lot of scars.”
― Alex Garland

“Trust me, it's paradise. This is where the hungry come to feed. For mine is the generation that travels the globe and searches for something we haven't tried before. So never refuse an invitation, never resist the unfamiliar, never fail to be polite & never outstay the welcome. Just keep your mind open and suck in the experience— And if it hurts, you know what? It's probably worth it.”
― Alex Garland, The Beach

“Normally, small talk is enough for me to form an opinion of someone. I make quick judgments, often completely wrong, and then stick by them rigidly. ”
― Alex Garland

“If I'd learnt one thing from travelling, it was that the way to get things done was to go ahead and do them. DOn't talk about going to Borneo. Book a ticket, get a vida, pack a bag, and it just happens.”
― Alex Garland, The Beach

“I do all this alone, everything I achieve, I achieve alone, because it's my head I'm locked into, and I share this space with nobody but myself.”
― Alex Garland, The Coma

“You fish, swim, eat, laze around, and everyone's so friendly. It's such simple stuff, but... If i could stop the world and restart life, put the clock back, i think I'd restart it like this. For everyone.”
― Alex Garland, The Beach

“Trust me, it's paradise. This is where the hungry come to feed. For mine is a generation that circles the globe and searches for something we haven't tried before. So never refuse an invitation, never resist the unfamiliar, never fail to be polite and never outstay the welcome. Just keep your mind open and suck in the experience. And if it hurts, you know what? It's probably worth it.”
― Alex Garland

“There are one hundred glow-stars on my bedroom ceiling. (...) Glow-stars are strange. They make the ceiling disappear.”
― Alex Garland, The Beach

“I don't like dealing with money transactions in poor countries. I get confused between the feeling that I shouldn't haggle with poverty and getting ripped off”
― Alex Garland, The Beach

“Vietnam, me love you long time. All day, all night, me love you long time.
(...)
Dropping acid on the Mekong Delta, smoking grass through a rifle barrel, flying on a helicopter with opera blasting out of loudspeakers, tracer-fire and paddy-field scenery, the smell of napalm in the morning.
Long time.”
― Alex Garland, The Beach

“As for me...
I'm fine. I have bad dreams, but I never saw Mister Duck again. I play video games. I smoke a little dope. I got my thousand-yard stare. I carry a lot of scares.
I like the way that sounds.
I carry a lot of scares.”
― Alex Garland, The Beach

“I knew my affection for the Philippines was equally as telling: a democracy on paper, apparently well ordered, regularly subverted by irrational chaos. A place where I'd felt instantly at home.”
― Alex Garland, The Beach

“The first I heard of the beach was in Bangkok, on the Ko Sanh Road.”
― Alex Garland, The Beach

“I biked over to my dad's flat and emotionally blackmailed him into lending me enough cash to leave the country.
On that trip I learnt something very inmortant. Escape through travel works. Almost from the moment i boarded my flight, life in England became meaningless. Seat-belt signs lit up, problems switched off. Broken armrests took precedence over broken hearts. By the time the plane was airborne I'd forgotten England even existed.”
― Alex Garland, The Beach

“Of course witnessing poverty was the first to be ticked off the list. Then I had to graduate to the more obscure stuff. Being in a riot was something I pursued with a truly obsessive zeal, along with being tear-gassed and hearing gunshots fired in anger.”
― Alex Garland

“That was longer than a heartbeat.”
― Alex Garland, 28 Days Later

“Moshe was an Israeli with an ear-slitting laugh. He used it in the same way as a madman uses a gun, spraying it around with bewildering randomness.”
― Alex Garland, The Beach

“You learn about me, and I learn nothing about you. That’s not a foundation on which friendships are based.”
― Alex Garland, Ex Machina: Screenplay

“On that trip I learnt something very important. Escape through travel works. Almost from the moment I boarded my flight, life in England became meaningless. Seat-belt signs lit up, problems switched off. Broken armrests took precedence over broken hearts. By the time the plane was airborne I'd forgotten England even existed." (The Beach)”
― Alex Garland

“The dilapidation was not a memory but a representation of a poorly remembered past.”
― Alex Garland, The Coma

“The challenge is not to act automatically. It's to find an action that is not automatic. From painting, to breathing, to talking, to fucking. To falling in love...”
― Alex Garland, Ex Machina: Screenplay

“An hour later we were walking past rows of busy beach huts and weaving between sunbathers and Frisbee games. I was surprised that people weren't taking more notice of us. Everyone looked so strange to me that I couldn't believe I didn't look equally strange to them.”
― Alex Garland, The Beach

“I once read the most widely understood word in the whole world is ‘OK’, followed by ‘Coke’, as in cola. I think they should do the survey again, this time checking for ‘Game Over’.
Game Over is my favorite thing about playing video games. Actually, I should qualify that. It’s the split second before Game Over that’s my favorite thing.
Streetfighter II - an oldie but goldie - with Leo controlling Ryu. Ryu’s his best character because he’s a good all-rounder - great defensive moves, pretty quick, and once he’s on an offensive roll, he’s unstoppable. Theo’s controlling Blanka. Blanka’s faster than Ryu, but he’s really only good on attack. The way to win with Blanka is to get in the other player’s face and just never let up. Flying kick, leg-sweep, spin attack, head-bite. Daze them into submission.
Both players are down to the end of their energy bars. One more hit and they’re down, so they’re both being cagey. They’re hanging back at opposite ends of the screen, waiting for the other guy to make the first move. Leo takes the initiative. He sends off a fireball to force Theo into blocking, then jumps in with a flying kick to knock Blanka’s green head off. But as he’s moving through the air he hears a soft tapping. Theo’s tapping the punch button on his control pad. He’s charging up an electricity defense so when Ryu’s foot makes contact with Blanka’s head it’s going to be Ryu who gets KO’d with 10,000 volts charging through his system.
This is the split second before Game Over.
Leo’s heard the noise. He knows he’s fucked. He has time to blurt ‘I’m toast’ before Ryu is lit up and thrown backwards across the screen, flashing like a Christmas tree, a charred skeleton. Toast.
The split second is the moment you comprehend you’re just about to die. Different people react to it in different ways. Some swear and rage. Some sigh or gasp. Some scream. I’ve heard a lot of screams over the twelve years I’ve been addicted to video games.
I’m sure that this moment provides a rare insight into the way people react just before they really do die. The game taps into something pure and beyond affectations. As Leo hears the tapping he blurts, ‘I’m toast.’ He says it quickly, with resignation and understanding. If he were driving down the M1 and saw a car spinning into his path I think he’d in react the same way.
Personally, I’m a rager. I fling my joypad across the floor, eyes clenched shut, head thrown back, a torrent of abuse pouring from my lips.
A couple of years ago I had a game called Alien 3. It had a great feature. When you ran out of lives you’d get a photo-realistic picture of the Alien with saliva dripping from its jaws, and a digitized voice would bleat, ‘Game over, man!’
I really used to love that.”
― Alex Garland