Nicole Trope > Quotes

“Right now he needed to concentrate on keeping himself under control. Inside, his gut churned. There was a war going on. The joy of holding his son again clashed with the waves of anger that rose higher and higher with each passing moment. He thought he had known why Pete had arrived at the farm. He had pushed the fork into the soil and watched the earth turn over sure that the truth of their tragedy was about to be laid before them. He had watched the dry earth give up the rich brown soil and wanted to stay there forever in the cold garden just watching his fork move the earth. He had not wanted to hear what Pete had to say. And now this..this..What did you call this? A miracle? What else could it be? But this miracle was tainted. He was not holding the same boy he had taken to the Easter Show.
This thin child with shaved hair was not the Lockie he knew. Someone had taken that child. They had taken his child and he could feel by the weight of him they had starved him. Someone had done this to him. They had done this and god knew what else. Doug walked slowly into the house, trying to find the right way to break the news to Sarah.
She was lying down in the bedroom again. These days she spent more time there than anywhere else. Doug walked slowly through the house to the main bedroom at the back. It was the only room in the house whose curtains were permanently closed.
How damaged was his child? Would he ever be the same boy they had taken up to the Show ? What had been done to him? Dear God, what had been done to him? His ribs stuck out even under the jumper he was wearing. It was not his jumper. He had been dressed in shorts and a T-shirt, perfect for the warm day. He had a cap with a Bulldogs logo. What could have happened to his clothes? How long had he had the jumper?Doug bit his lip. First things first.
He opened the bedroom door cautiously and looked into the gloom. Sarah was on her back. Her mouth was slightly open. She was fast asleep. The room smelled musty with the heater on. Sarah slept tightly wrapped in her covers. Doug swallowed. He wanted to run into the room whooping and shouting that Lockie was home but Sarah was so fragile he had no idea how she would react. He walked over to the window and opened the curtains. Outside it was getting dark already but enough light entered the room to wake Sarah up. She moaned and opened her eyes.
‘Oh god, Doug, please just close them. I’m so tired.’
Doug sat down on the bed and Sarah turned her back to him. She had not looked at him. Lockie opened his eyes and looked around the room.
‘Ready to say hello to Mum, mate?’ Doug asked.
‘Hi, Mum,’ said Lockie to his mother’s back. His voice had changed. It was deeper and had an edge to it. He sounded older. He sounded like someone who had seen too much. But Sarah would know it was her boy.
Doug saw Sarah’s whole body tense at the sound of Lockie’s voice and then she reached her arm behind her and twisted the skin on her back with such force Doug knew she would have left a mark.
‘It’s not a dream, Sarah,’ he said quietly. ‘He’s home.’
Sarah sat up, her eyes wide.
‘Hi, Mum,’ said Lockie again.
‘Hello, my boy,’ said Sarah softly. Softly, as though he hadn’t been missing for four months. Softly, as though he had just been away for a day.
Softly, as though she hadn’t been trying to die slowly.
Softly she said, ‘Hello, my boy.’
Doug could see her chest heaving.
‘We’ve been looking for you,’ she said, and then she held out her arms. Lockie climbed off Doug’s lap and onto his mother’s legs. She wrapped her arms around him and pushed her nose into his neck, finding his scent and identifying her child. Lockie buried his head against her breasts and then he began to cry. Just soft little sobs that were soon matched by his mother’s tears. Doug wanted them to stop but tears were good. He would have to get used to tears.”
― Nicole Trope, The Boy Under the Table

“Kids didn’t just disappear unless someone made them disappear.‘Relax, mate,’ the head of security said. ‘We’ve never lost one yet.’ Lots of kids wandered off at the Easter Show, he told them. They were always found, usually somewhere near the food.Doug had tried to relax, to stay calm, but he could feel the panic building inside him.The place was too big.There were too many people.Lockie could be anywhere. The police were called. It took hours for everyone to leave the showgrounds because every family was stopped. Every parent was questioned and every child identified. It was way past midnight when everyone had finally gone home, and still they had not found Lockie.The head of security changed his tone. The police held whispered conversations in groups. They began to look at him with sympathy in their eyes.Doug felt his heart slow down. There was a ringing in his ears. He was underwater and he couldn’t swim.Lockie was gone.They had lost one.Sammy had gone from impatience to hunger to exhaustion. She didn’t understand what was happening.Sarah sat next to the pram twisting her hands. She did not cry. She didn’t cry for days, but every time Doug went near her he could hear her muttering the word ‘please’. ‘Please, please, please, please.’ It drove Doug mad and he had to move away because he wanted to hit her, to snap her out of her trance. He had never lifted a hand to his wife or his children, but now he had to close his fist and dig his nails into his palm to keep himself from lashing out
Sarah didn’t believe in hitting children; she believed in time out and consequences. It was different to the way Doug had been raised but he had come around to the idea. The thought of anyone—especially himself—hurting Sarah and the kids was almost too much to bear.Doug sometimes wondered, after, if whoever had taken his son had hit him. When he did think about someone hurting his boy he could feel his hands curl into fists. He would embrace the rush of heat that came with the anger because at least it was a different feeling to the sorrow and despair. Anger felt constructive. He wanted to kill everyone, even himself. But as fast as the anger came it would recede and he would be back at the place he hated to be. Mired in his own helplessness. There was fuck-all he could do.”
― Nicole Trope, The Boy Under the Table

“Now she took the pills and, just before she closed her eyes, she summoned Lockie and his smile, and then the dreams would come.In her dream her golden boy tries again and again and again to stand up on the boogie board until he manages to remain upright for at least a minute. In her dream Sarah can feel the tears on her cheeks. Her golden boy was lost and she was too. She tried to dream that they found each other again but she couldn’t control her dreams any more than she could control her nightmares.”
― Nicole Trope, The Boy Under the Table

“Pete had stopped the car at the bottom of a long brick driveway. Tina saw a large low house that stretched across the open space. It looked like an ordinary suburban house, with white painted cladding. She could see curtains in the windows. All of them were open. Tina could imagine Lockie’s mother walking into his room every morning to open the curtains and then staring at the empty bed where her son should have been.”
― Nicole Trope, The Boy Under the Table

“Outside the night worked its way towards dawn and inside Tina talked. When she got to the part about seeing Lockie in the uniform’s house she watched Doug’s face. She didn’t spare him anything because Lockie hadn’t been spared. She talked about the rope and the cold and the way Lockie froze when the man touched him.
Doug’s skin became the colour of chalk and his fists clenched.She wanted to spare him the details but he needed to know. When she told him about letting Lockie hit the uniform with the poker a grim smile crossed his face. Tina understood the smile. People never really got beyond the concept of an eye for an eye. Especially when someone took your child.”
― Nicole Trope, The Boy Under the Table

“Tina thought about the idea of how much a person could take. People only survived because they turned the real into the surreal. If it was outside your comprehension you didn’t have to deal with it, to feel it.If you woke up each morning and thought that it had all been a bad dream, then you fell into the darkness of the truth. But if you simply pretended it hadn’t happened you didn’t need to deal with it at all.”
― Nicole Trope, The Boy Under the Table

“There was colour everywhere you looked. Colour and beauty and she understood how desperately Lockie would have missed his home. Under the table in that cold stark kitchen he would have held on to what he had known all his life and it would have helped him hold on to himself. That was what you did when you couldn’t see a way out; you held on to the past, hoping it would become the future. You grabbed on to the good stuff and tried to believe that everything would be okay again. It was stupid but it was human nature.”
― Nicole Trope, The Boy Under the Table

“Sarah put the man and the other dead children out of her head. Later, perhaps, she would watch Lockie out in the garden and cry for all the mothers who would not see their children again. Later she would weep for the sadness of their loss and the joy of her own luck, but now she only had eyes for her boy, her little man, her Lockie. She ran her hands over his body, lifted his shirt a little and caught sight of a yellowing bruise. The air caught in her throat.
‘Oh Jesus, Jesus, Jesus,’ she whispered.
Someone had hit him. She wanted to undress him right then to see the damage but Lockie was so fast asleep. She knew he wasn’t just sleeping because he was tired. He had gone to the same place she had been in for months. She and Lockie looked alike now. The angles on his face matched hers and in a way she was glad.
She had suffered along with him.
And now here he was.”
― Nicole Trope, The Boy Under the Table

“She didn’t see what she didn’t want to see. The women on the street were pretty girls waiting for a date and she was a princess waiting for her prince. The world could be a lot easier to deal with if you lived mostly inside your own head. Probably all the same ugly, sick, twisted stuff went on behind the pretty fences of her childhood anyway.She had built herself a fairly impressive wall in the last two years, but then she had been building that long before she got to the Cross. She could watch the world shit itself up right in front of her and not feel a thing. Sometimes she thought that any feeling at all would have been a luxury, but nothing got through. It meant that nothing could hurt her but it also meant that nothing could move her either. It was a price she was willing to pay. It was one interesting fucking trade-off.”
― Nicole Trope, The Boy Under the Table

“His body had become a statue as soon as the man’s hand made contact. He was perfectly still on his bed of newspapers. When faced with attack, most animals instinctively know to become motionless. If you didn’t move and you didn’t breathe it was possible that you would not be seen. The boy’s skinny ribcage filled with stale air while he waited for the hand to leave his head.Tina held her breath as well. If the man did more than pat the boy she would have to do something. She would have to do anything. There are some things that cannot be tolerated. If he did more than pat the boy Tina would not survive. She was completely sure of that”
― Nicole Trope, The Boy Under the Table

“I . . . thank you . . . thank you so much,’ said Tina to the man. To her horror tears welled up in her eyes.‘Yeah, whatever,’ said the man and he pushed forward to the counter. He bought his ticket and disappeared into the crowd. Five dollars was the price of a latte in the city. It was nothing to the man.Whoever said money can’t buy happiness?Tina was left holding two dollars and thirty cents. He hadn’t wanted his change. It was just bits of nothing to him. Something to pull down the pockets on his suit pants. The man had no idea what he had done and it struck Tina that through all the misery and shit there were some people who handed out bits of hope. Mostly without realising it.”
― Nicole Trope, The Boy Under the Table

“There is a point in life at which a new day ceases to be a thing of joy and instead becomes something to be faced and dealt with.”
― Nicole Trope, The Family Across the Street

“If the clean man was not the boy’s father and if he had taken him, Tina knew that someone must be looking for him. She wanted someone to be looking for him.”
― Nicole Trope, The Boy Under the Table

“There were no dreams that night. Tina fell asleep to the feeling of Lockie’s ribs moving up and down. It felt strange to be touched by another person. She had not been touched by anyone for two years. Well, she had been touched, but those were the touches that burned your skin and made it crawl.”
― Nicole Trope, The Boy Under the Table

“The boy was tied up under the table, scrabbling his way through an empty packet of biscuits, licking his fingers to gather the crumbs.The kitchen was freezing; Tina could see the warmth of her breath in the air. It got like that sometimes in winter. The cold got trapped inside.Her first glance had made the boy a dog, just a mongrel tied up to the table leg, but a second glance told the truth. People saw what they wanted to see. Tina hadn’t wanted to see the boy. She thought she had perfected the art of tunnel vision. There were a lot of things she didn’t want to see.But she saw everything in the kitchen, everything.She felt it too. The despair in the air had a familiar feel. Hopeless defeat. It came off the boy in waves and she had to hold on tight to prevent it knocking her over.”
― Nicole Trope, The Boy Under the Table

“Just because the package was beautifully wrapped didn’t mean it wasn’t still full of shit.”
― Nicole Trope, The Boy Under the Table

“the days are long but the years are short,”
― Nicole Trope, The Stay-at-Home Mother

“Logically she understood that everyone had something they were hiding, some hurt they kept deep inside, some reason why they were not really normal either, but she didn’t understand how they functioned. She didn’t understand how they got out of bed every morning or breathed in and out without the hurt weighing down their lungs.”
― Nicole Trope, The Boy Under the Table

“In Cootamundra the station was quiet. Tina looked around but before she could see anyone she saw the poster on the wall. Lockie saw it too. It stopped him mid-stride. It was surrounded by For Sale notices and babysitting flyers.Over the months it could have become covered over as hope was lost but it hadn’t been. Right in the middle, with some clear space around it, was the colour poster of a blue-eyed boy. His head was covered in golden curls and he had a deep dimple on his right cheek. His face had been enlarged so that every freckle could be counted. He was Lachlan Williams and in this town they were still looking for him. He looked nothing like the pale, skinny boy Tina was with. Underneath the picture were the words -
Missing:Lachlan Williams Aged 8 Disappeared from the Easter Show April 2010. If you have any information please contact...There were a whole lot of numbers and a website address. Lockie stared at the poster for a minute. He pushed his hood back down and ran his hand over his brush-cut blond hair.
‘What—’ Tina began.
‘He shaved it,’ said Lockie before she could complete the question. ‘Every few weeks, when it got longer, he would shave it again.’ His voice was two hundred years old.Tina saw her hand on the poker and felt a surge of triumph at what she had done. Some people just deserved to die. It wasn’t a nice thought but it was true. You couldn’t change someone who was fundamentally evil. Of everything Lockie must have suffered, and Tina could not even wrap her mind around what he must have gone through, the shaving of his head seemed somehow the worst. The uniform had changed who Lockie was. He was a golden boy with golden curls and the uniform had taken the gold from him. Lockie looked nothing like the poster. His face was all angles and his smile was lost. He hadn’t needed to conceal himself beneath a hood. No one would have recognised him anyway.”
― Nicole Trope, The Boy Under the Table

“In the bedroom Sarah lay next to her son. She could hear movement in the kitchen and wondered if Doug had started preparing dinner. She longed for something sweet to eat. She had not been hungry for days, for weeks, for months, but now, with her son lying near her, she wanted the taste of sugar on her tongue. She would not move though. She didn’t know if she would ever be able to leave his side again.”
― Nicole Trope, The Boy Under the Table

“Tina dropped her eyes. She hated this feeling. She wished she could tell the woman that her life hadn’t always been governed by this desperation. Once she had been a nice girl from the suburbs whose mother dropped her at the shops with friends and simply handed her twenty dollars for lunch. Once she had bought new clothes and seen the dentist every six months. Once she had thought that anyone living on the streets was obviously not trying hard enough. But once was a long time ago and the energy to try sometimes just ran out.”
― Nicole Trope, The Boy Under the Table

“There was a man in the garden with the little girl. He was turning over the soil in a garden bed. He had obviously heard the car, because he raised his hand in greeting, but then he had gone back to his work. He had actually turned his back on the car. Tina thought she knew what that meant. The man had not wanted to see Pete the policeman. Maybe he thought Pete was bringing bad news. Tina smiled. Here was good news. Finally, here was good news for this family. The man dug the garden fork into the soil with a little bit of effort. He was deliberately not looking at Pete. The little girl walked down the driveway towards them.
Pete said quietly, ‘No real way to prepare them. You go ahead, Lockie.’
Lockie squeezed Tina’s hand.
‘Go on, Lockie, it’s your dad. He’s been looking for you for a long time. Go on.’
She pulled her hand slowly out of Lockie’s grip. She wanted to save him from his fear, but she had saved him once. Lockie would have to do this by himself. The little girl who was surely Sammy looked back at her father, but he was still concentrating on his work. She smiled in Pete’s direction and then she focused on Lockie. She stared at him, as if trying to work out exactly who he was. Lockie pushed his hood back, exposing his short blond hair. He stood, and Tina could sense him holding his breath, waiting for his sister to see him. To really see him. Sammy stared hard at Lockie now, frowning. And then Tina saw recognition light up her face. She looked at her father who had still not looked up. She looked back at Lockie. She started jumping up and down.
‘Lockie!’ she screamed. ‘Lockie, Lockie, Lockie!’
Lockie smiled.The man jerked upright and dropped the garden fork.
‘Stop that, Samantha,’ he whispered angrily. ‘Jesus, stop that! Be quiet. Stop that.’
‘Lockie, Lockie, Lockie!’ The little girl flew down the driveway and launched herself at her brother, who went, ‘Oof,’ but he steadied himself and wrapped his arms around her.
‘Lockie, Lockie, Lockie,’ she repeated, as if to make the moment real for herself. The man stood and stared at his children, still without realising that he was indeed looking at both his children. He started walking down the driveway. He began with an angry quick stride but the closer he got the more unsure his steps became. He was a big man in charge of a big farm but his steps became small and faltering. Tina could see the disbelief spreading across his face. Sammy let go of Lockie and took his hand. She started pulling him up the driveway.
‘It’s Lockie, Dad. Look, it’s Lockie, come look, Dad, Lockie’s home. He’s home, Dad. I knew he home. He’s home, Dad. I knew he would come home. I told you, Dad. Look its Lockie. Lockie, Lockie, Lockie’s home. Lockie’s home.’
The man stopped a few feet away from Lockie. His mouth was open. He moved it once or twice, but no words came out, and then came a sound that Tina had never heard before. It was a moaning, keening sound, but rough with the depth of his voice. It was four months of agony and the ecstasy of this moment all rolled into one. It was his heart right out there in the open for everyone to see. He opened his arms and dropped to his knees. Lockie let go of Sammy’s hand and continued alone up the driveway towards his father. He was twisting his hands and pulling at his jumper. He walked into his father’s arms and was completely surrounded by the large man.
‘I’m sorry, Dad,’ he said. ‘I’m sorry, Dad, I’m sorry.’
At the bottom of the driveway Tina watched Lockie and his father. Lockie’s voice was muffled by his father’s arms, but Tina could still hear him repeating, ‘I’m sorry.’
Say it, Tina begged the man silently. Please, please, just say it.
‘Oh, Lockie,’ said the man through his tears, his large shoulders heaving. ‘It wasn’t your fault. It wasn’t your fault. I’m sorry, Lockie. I’m sorry. I’ve been looking for you, Lockie. Where did you go, mate? Where did you go?”
― Nicole Trope, The Boy Under the Table

“And then to win the prize had been incredible. She felt like she was being seen, actually being seen, for the first time in the endless years of being a mother and a wife.”
― Nicole Trope, The Boy Under the Table

“The people in the line scratched and twitched and jumped depending on whether they were on their way up or down. They all wanted breakfast. The body was strange that way. Regardless of what you did to it, it wanted to keep running. Unless, of course, it turned on you.In a fair world the people who set out to destroy themselves would be the ones to get the diseases and little kids would get to grow up without worrying. In a fair world . . . but fuck-all in the world was fair.”
― Nicole Trope, The Boy Under the Table

“The night people, people like her, had melted back into their hiding places. Now the city was ruled by the day people. The sun was only just beginning to light up the world but already there were busy bees everywhere. Buzz, buzz, buzz out of my way, I have a life to live. I am important. I am someone special. People need me. The world needs me. Buzz, buzz, buzz. The people who had somewhere to go and something to do took brisk steps through the station. They walked with their elbows out, making sure no one got in their way. They were all talking into their phones, even at such an early hour. Making plans and exchanging ideas.”
― Nicole Trope, The Boy Under the Table

“Sarah wondered what they—the ‘they’ who had taken her child; the ‘they’ or the ‘him’ or the ‘her’—were feeding him.Sometimes a fear dug at her until she acknowledged it: maybe they weren’t feeding him at all.Who would do that? Who would willingly starve a child? Who would hurt her baby? Who would take her baby? Who was this person and why were they allowed to exist?And what would I do to that person if I got the chance?There were days when she lay on the bed and concocted scenarios in her head. She would see herself finding Lockie. She was never really sure of the place. It would be a dark room in a dark house but the location wasn’t important. She would see herself rescuing her child, folding him in her arms and saying his name. Then she would see the person who had taken him.There was never a face, just a body with a blank head, but Sarah would see herself grow until she towered over the person and then she would hit and hit and hit until there was nothing left and all the time she would be screaming, ‘How dare you take my child? How dare you take him?’She had to find him. The desperate need to find him swirled around her body with everything she did. It ate into her soul and sometimes she had to hold on to the kitchen counter to stop herself running out into the road and screaming his name. She wanted to be looking for him all the time. She wanted to leave Sammy and Doug and just keep going until she got to the city and then she wanted to knock on every door across the whole of Sydney until she found her son. But maybe he wasn’t even in Sydney anymore. Maybe he wasn’t even in Australia. Where are you, Lockie? Where are you, where are you, where are you?”
― Nicole Trope, The Boy Under the Table

“You know, Lockie,’ she said aloud.
‘What?’
‘The thing about parents is . . . the thing about good parents — and I think your parents are pretty good . . .’
‘Yeah, Mum makes cakes, amazing cakes, and Dad takes me fishing even when there’s work to do. They’re good parents, my mum and dad. But . . . but they didn’t find me.’
‘I know, Lockie, but I promise they were looking. When we get you home they’ll tell you. I promise they were looking.’
‘I should have stayed by the stroller. Maybe they’re mad and that’s why they didn’t look. Maybe they know I’m a bad boy.’
‘You are not bad, Lockie,’ said Tina. She said the words slowly, patiently. ‘You are not bad and your parents sound like they’re pretty good parents. And you know . . . well, the thing about good parents is that they kind of love you no matter what.’
‘No matter what?’
‘Yeah, whatever happens, whatever you do, they still love you. Sometimes they shout when you do stuff they don’t like but they always love you.’
‘What if the stuff you do is really bad?’
‘They’ll still love you. That’s their job.’
‘No, I mean what if the stuff you did is really, really bad?’
‘It doesn’t matter, Lockie. You’re just a kid. Nothing you could do could be that bad.’
‘You don’t know what bad is,’ said Lockie, and then he repeated the words to himself. ‘You don’t know what bad is.”
― Nicole Trope, The Boy Under the Table

“Lockie stood with his arms by his sides as she ran her hands over his hair and squeezed his arms. Tina could see how uncomfortable Lockie felt at being touched. Margie hugged him again and again. She didn’t notice Lockie’s face or she would have stopped. When Margie stood up she was crying. Pete, meanwhile, was watching Tina.
‘Start talking,’ he said to her and Tina could see he had already decided who was to blame for Lockie’s disappearance.
‘Her name’s Tina,’ said Lockie. ‘She saved me. Can you take us home, Pete?’
Pete looked at Lockie. ‘You know I will, Lockie, but first —’
‘Please, Pete,’ said Lockie. ‘Can you just take us home?’
‘Oh god,’ said Margie. ‘Doug and Sarah—we have to call them. We have to let them know.’ She kept touching Lockie, on his head, on his arms and on his back. Tina could see Lockie wince. People wouldn’t know that they needed to be careful when they touched him. Some touches can make you feel sick.”
― Nicole Trope, The Boy Under the Table

“When he began cramming in the bites of burger Tina and Sarah both said, almost at the same time, ‘Slowly, Lockie.’Lockie slowed down and Sarah looked at Tina and seemed to see her for the first time. They locked eyes and Sarah nodded slowly as if acknowledging Tina, acknowledging who she was to Lockie. Acknowledging what she had done. Lockie must have told her just as he had told Pete and his father.Tina allowed herself the luxury of a smile and then she dropped her head and concentrated on the salad, savouring the fresh vegetables and the tang of the dressing, but mostly savouring the feeling of being with a family around a table.”
― Nicole Trope, The Boy Under the Table

“Tina knew she could have taken the man a tree that grew its own money and he would say, ‘Not much call for money trees, I’m afraid.”
― Nicole Trope, The Boy Under the Table