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“I want you to know, if you ever read this, there was a time when I would rather have had you by my side than any one of these words; I would rather have had you by my side than all the blue in the world.

But now you are talking as if love were a consolation. Simone Weil warned otherwise. 'Love is not consolation,' she wrote. 'It is light.'

All right then, let me try to rephrase. When I was alive, I aimed to be a student not of longing but of light.”
Maggie Nelson, Bluets
“Mostly I have felt myself becoming a servant of sadness. I am still looking for the beauty in that.”
Maggie Nelson, Bluets
“Empirically speaking, we are made of star stuff. Why aren’t we talking more about that?”
Maggie Nelson, The Argonauts
“199. For to wish to forget how much you loved someone—and then, to actually forget—can feel, at times, like the slaughter of a beautiful bird who chose, by nothing short of grace, to make a habitat of your heart.”
Maggie Nelson, Bluets
“Eventually I confess to a friend some details about my weeping—its intensity, its frequency. She says (kindly) that she thinks we sometimes weep in front of a mirror not to inflame self-pity, but because we want to feel witnessed in our despair. (Can a reflection be a witness? Can one pass oneself the sponge wet with vinegar from a reed?)”
Maggie Nelson, Bluets
“It is easier, of course, to find dignity in one’s solitude. Loneliness is solitude with a problem.”
Maggie Nelson, Bluets
“A day or two after my love pronouncement, now feral with vulnerability, I sent you the passage from Roland Barthes by Roland Barthes in which Barthes describes how the subject who utters the phrase “I love you” is like “the Argonaut renewing his ship during its voyage without changing its name.” Just as the Argo’s parts may be replaced over time but the boat is still called the Argo, whenever the lover utters the phrase “I love you,” its meaning must be renewed by each use, as “the very task of love and of language is to give to one and the same phrase inflections which will be forever new.”
Maggie Nelson, The Argonauts
“156. Why is the sky blue? -A fair enough question, and one I have learned the answer to several times. Yet every time I try to explain it to someone or remember it to myself, it eludes me. Now I like to remember the question alone, as it reminds me that my mind is essentially a sieve, that I am mortal.

157. The part I do remember: that the blue of the sky depends on the darkness of empty space behind it. As one optics journal puts it, "The color of any planetary atmosphere viewed against the black of space and illuminated by a sunlike star will also be blue." In which case blue is something of an ecstatic accident produced by void and fire.”
Maggie Nelson, Bluets
“Suppose I were to begin by saying that I had fallen in love with a color.”
Maggie Nelson, Bluets
“Perhaps it is becoming clearer why I felt no romance when you told me that you carried my last letter with you, everywhere you went, for months on end, unopened. This may have served some purpose for you, but whatever it was, surely it bore little resemblance to mine. I never aimed to give you a talisman, an empty vessel to flood with whatever longing, dread, or sorrow happened to be the day's mood. I wrote it because I had something to say to you.”
Maggie Nelson, Bluets
“The moment of queer pride is a refusal to be shamed by witnessing the other as being ashamed of you.”
Maggie Nelson, The Argonauts
“I feel I can give you everything without giving myself away, I whispered in your basement bed. If one does one's solitude right, this is the prize.”
Maggie Nelson, The Argonauts
“That this blue exists makes my life a remarkable one, just to have seen it. To have seen such beautiful things. To find oneself placed in their midst. Choiceless.”
Maggie Nelson, Bluets
“I told you I wanted to live in a world in which the antidote to shame is not honor, but honesty.”
Maggie Nelson, The Argonauts
“238. I want you to know, if you ever read this, there was a time when I would rather have had you by my side than any one of these words; I would rather have had you by my side than all the blue in the world.

239. But now you are talking as if love were a consolation. Simone Weil warned otherwise. “Love is not consolation,” she wrote. “It is light.”

240. All right then, let me try to rephrase. When I was alive, I aimed to be a student not of longing but of light.”
Maggie Nelson, Bluets
“Life is a train of moods like a string of beads and as we pass through them they prove to be many-colored lenses which paint the world their own hue, and each shows only what lies in it's focus. To find oneself trapped in any one bead, no matter what it's hue, can be deadly.”
Maggie Nelson, Bluets
“If he hadn't lied to you, he would have been a different person than he is.' She is trying to get me to see that although I thought I loved this man very completely for exactly who he was, I was in fact blind to the man he actually was, or is.”
Maggie Nelson, Bluets
“Loneliness is solitude with a problem.”
Maggie Nelson
“But whatever sameness I’ve noted in my relationships with women is not the sameness of Woman, and certainly not the sameness of parts. Rather, it is the shared, crushing understanding of what it means to live in a patriarchy.”
Maggie Nelson, The Argonauts
“The half-circle of blinding turquoise ocean is this love’s primal scene. That this blue exists makes my life a remarkable one, just to have seen it. To have seen such beautiful things. To find oneself placed in their midst. Choiceless. I returned there yesterday and stood again upon the mountain.”
Maggie Nelson, Bluets
“I know now that a studied evasiveness has its own limitations, its own ways of inhibiting certain forms of happiness and pleasure. The pleasure of abiding. The pleasure of insistence, of persistence. The pleasure of obligation, the pleasure of dependency. The pleasures of ordinary devotion. The pleasure of recognizing that one may have to undergo the same realizations, write the same notes in the margin, return to the same themes in one’s work, relearn the same emotional truths, write the same book over and over again—not because one is stupid or obstinate or incapable of change, but because such revisitations constitute a life.”
Maggie Nelson, The Argonauts
“53. 'We mainly suppose the experiential quality to be an intrinsic quality of the physical object'-this is the so-called systematic illusion of color. Perhaps it is also that of love. But I am not willing to go there-not just yet. I believed in you.”
Maggie Nelson, Bluets
“Last night I wept in a way I haven’t wept for some time. I wept until I aged myself. I watched it happen in the mirror. I watched the lines arrive around my eyes like engraved sunbursts; it was like watching flowers open in time-lapse on a windowsill. The tears not only aged my face, they also changed its texture, turned the skin of my cheeks into putty. I recognized this as a rite of decadence, but I did not know how to stop it.”
Maggie Nelson, Bluets
“That’s what we both hate about fiction, or at least crappy fiction—it purports to provide occasions for thinking through complex issues, but really it has predetermined the positions, stuffed a narrative full of false choices, and hooked you on them, rendering you less able to see out, to get out.”
Maggie Nelson, The Argonauts
“Why should I feel lonely? is not our planet in the Milky Way?” (Thoreau).”
Maggie Nelson, Bluets
“229. I am writing all this down in blue ink, so as to remember that all words, not just some, are written in water.”
Maggie Nelson, Bluets
“So far as I can tell, most worthwhile pleasures on this earth slip between gratifying another and gratifying oneself. Some would call that an ethics.”
Maggie Nelson, The Argonauts
“Sometimes one has to know something many times over. Sometimes one forgets, and then remembers. And then forgets, and then remembers. And then forgets again.”
Maggie Nelson, The Argonauts
“Whatever I am, or have since become, I know now that slipperiness isn’t all of it. I know now that a studied evasiveness has its own limitations, its own ways of inhibiting certain forms of happiness and pleasure. The pleasure of abiding. The pleasure of insistence, of persistence. The pleasure of obligation, the pleasure of dependency. The pleasures of ordinary devotion. The pleasure of recognizing that one may have to undergo the same realizations, write the same notes in the margin, return to the same themes in one’s work, relearn the same emotional truths, write the same book over and over again—not because one is stupid or obstinate or incapable of change, but because such revisitations constitute a life.”
Maggie Nelson, The Argonauts
“There’s something truly strange about living in a historical moment in which the conservative anxiety and despair about queers bringing down civilization and its institutions (marriage, most notably) is met by the anxiety and despair so many queers feel about the failure or incapacity of queerness to bring down civilization and its institutions.”
Maggie Nelson, The Argonauts

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