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“This forbidden ambrosia—when Eve tastes it, she blushes before the image of the naked Adam, and together they fall like Icarus, without wings, with a smile.”
George Peros, FAMINE: A Sequence
“How did we end up here? I ask as well; canned like sardines on sale, so tranquil and shiny, with dead eyes and open mouths, in oil without guts. Their only purpose: to wait. Wait until someone opens the can—or the metro door—to be eaten. But they don’t care. Why care? They’re already inside. Dead.”
George Peros, URBANIMALITY: Fragments
“We conformed, and we will conform again—and then again—until our final conformity.”
George Peros, URBANIMALITY: Fragments
“Deafening sirens and blinding lights—night reigns over the city center, the same way melancholy does over me.”
George Peros, URBANIMALITY: Fragments
“Why is it that man flourishes more in imagination than in reality?”
George Peros, FAMINE: A Sequence
“And there he stands in front of me, like a hanging corpse, unaware of being dead.”
George Peros, URBANIMALITY: Fragments
“At the bus station, time seems deserted and the atmosphere perplexed.”
George Peros, URBANIMALITY: Fragments
“My legs, exhausted, follow me as I walk on the moist pavement; around me, few pedestrians, and above, the full moon—hanging alone like a forgotten ornament.”
George Peros, URBANIMALITY: Fragments
“We had clear dreams while following our nightmare.”
George Peros, URBANIMALITY: Fragments
“Lost, stranded, knelt to drink,
in Sitnah: saw myself,
leaned, fell — drowned with no Echo.”
George Peros, FAMINE: A Sequence

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FAMINE: A Sequence FAMINE
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URBANIMALITY: Fragments URBANIMALITY
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