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“Suddenly I realize
That if I stepped out of my body I would break
Into blossom. ”
― Above the River: The Complete Poems
That if I stepped out of my body I would break
Into blossom. ”
― Above the River: The Complete Poems
“A Blessing
Just off the highway to Rochester, Minnesota,
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more,
They begin munching the young tufts of spring in the darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl's wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.”
― Above the River: The Complete Poems
Just off the highway to Rochester, Minnesota,
Twilight bounds softly forth on the grass.
And the eyes of those two Indian ponies
Darken with kindness.
They have come gladly out of the willows
To welcome my friend and me.
We step over the barbed wire into the pasture
Where they have been grazing all day, alone.
They ripple tensely, they can hardly contain their happiness
That we have come.
They bow shyly as wet swans. They love each other.
There is no loneliness like theirs.
At home once more,
They begin munching the young tufts of spring in the darkness.
I would like to hold the slenderer one in my arms,
For she has walked over to me
And nuzzled my left hand.
She is black and white,
Her mane falls wild on her forehead,
And the light breeze moves me to caress her long ear
That is delicate as the skin over a girl's wrist.
Suddenly I realize
That if I stepped out of my body I would break
Into blossom.”
― Above the River: The Complete Poems
“The Jewel
There is this cave
In the air behind my body
That nobody is going to touch:
A cloister, a silence
Closing around a blossom of fire.
When I stand upright in the wind,
My bones turn to dark emeralds.”
― The Branch Will Not Break
There is this cave
In the air behind my body
That nobody is going to touch:
A cloister, a silence
Closing around a blossom of fire.
When I stand upright in the wind,
My bones turn to dark emeralds.”
― The Branch Will Not Break
“In a pine tree,
A few yards away from my window sill,
A brilliant blue jay is springing up and down, up and down,
On a branch.
I laugh, as I see him abandon himself
To entire delight, for he knows as well as I do
That the branch will not break.”
― The Branch Will Not Break
A few yards away from my window sill,
A brilliant blue jay is springing up and down, up and down,
On a branch.
I laugh, as I see him abandon himself
To entire delight, for he knows as well as I do
That the branch will not break.”
― The Branch Will Not Break
“Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota
Over my head, I see the bronze butterfly,
Asleep on the black trunk,
Blowing like a leaf in green shadow.
Down the ravine behind the empty house,
The cowbells follow one another
Into the distances of the afternoon.
To my right,
In a field of sunlight between two pines,
The droppings of last year’s horses
Blaze up into golden stones.
I lean back, as the evening darkens and comes on.
A chicken hawk floats over, looking for home.
I have wasted my life.”
― Above the River: The Complete Poems
Over my head, I see the bronze butterfly,
Asleep on the black trunk,
Blowing like a leaf in green shadow.
Down the ravine behind the empty house,
The cowbells follow one another
Into the distances of the afternoon.
To my right,
In a field of sunlight between two pines,
The droppings of last year’s horses
Blaze up into golden stones.
I lean back, as the evening darkens and comes on.
A chicken hawk floats over, looking for home.
I have wasted my life.”
― Above the River: The Complete Poems
“It goes without saying that a fine short poem can have the resonance and depth of an entire novel.”
― Selected Poems
― Selected Poems
“And then, when noon comes,
Each stranger
Has no room left in the light
Except for only his hands.
Here are mine. They are kind of skinny. May I have your
lovely trees?”
― Above the River: The Complete Poems
Each stranger
Has no room left in the light
Except for only his hands.
Here are mine. They are kind of skinny. May I have your
lovely trees?”
― Above the River: The Complete Poems
“But I have burned already down to bone.
There is a fire that burns beyond the names
Of sludge and filth of which this world is made.
Agony sears the dark flesh of the body,
And lifts me higher than the smoke, to rise
Above the earth, above the sacrifice;
Until my soul flares outward like a blue
Blossom of gas fire dancing in mid-air:
Free of the body’s work of twisted iron.”
― Above the River: The Complete Poems
There is a fire that burns beyond the names
Of sludge and filth of which this world is made.
Agony sears the dark flesh of the body,
And lifts me higher than the smoke, to rise
Above the earth, above the sacrifice;
Until my soul flares outward like a blue
Blossom of gas fire dancing in mid-air:
Free of the body’s work of twisted iron.”
― Above the River: The Complete Poems
“We choose exile as a vantage point; from exile we look back on the rejected”
― Above the River: The Complete Poems
― Above the River: The Complete Poems
“Love is a cliff,
A clear, cold curve of stone, mottled by stars,
Smirched by the morning, carved by the dark sea
Till stars and dawn and waves can slash no more,
Till the rock’s heart is found and shaped again.”
― The Green Wall
A clear, cold curve of stone, mottled by stars,
Smirched by the morning, carved by the dark sea
Till stars and dawn and waves can slash no more,
Till the rock’s heart is found and shaped again.”
― The Green Wall
“Across the road, tadpoles are dancing on the quarter thumbnail of the moon. They cant see, not yet.”
―
―
“I would rather live my life than not live it.”
― To a Blossoming Pear Tree
― To a Blossoming Pear Tree
“Good evening charlie, yes I know you rise, two lean grey spiders drifting through your eyes.”
―
―
“And now it is said of me
That my love is nothing because I have borne no children,
Or because I have fathered none;
That I twisted the twig in my hands
And cut the blossom free too soon from the seed;
That I lay across the fire,
And snuffed it dead sooner than draft or rain.
But I have turned away, and drawn myself
Upright to walk along the room alone.
Across the dark the spines of cactus plants
Remind me how I go—aloof, obscure,
Indifferent to the words the children chalk
Against my house and down the garden walls.
They cannot tear the garden out of me,
Nor smear my love with names. Love is a cliff,
A clear, cold curve of stone, mottled by stars,
smirched by the morning, carved by the dark sea
Till stars and dawn and waves can slash no more,
Till the rock’s heart is found and shaped again.
I keep the house and say no words, the evening
Falls like a petal down the shawl of trees.
I light the fire and see the blossom dance
On air alone; I will not douse that flame,
That searing flower; I will burn in it.
I will not banish love to empty rain.
For I know that I am asked to hate myself
For their sweet sake
Who sow the world with child.
I am given to burn on the dark fire they make
With their sly voices.
But I have burned already down to bone.
There is a fire that burns beyond the names
Of sludge and filth of which this world is made.
Agony sears the dark flesh of the body,
And lifts me higher than the smoke, to rise
Above the earth, above the sacrifice;
Until my soul flares outward like a blue
Blossom of gas fire dancing in mid-air:
Free of the body’s work of twisted iron.”
―
That my love is nothing because I have borne no children,
Or because I have fathered none;
That I twisted the twig in my hands
And cut the blossom free too soon from the seed;
That I lay across the fire,
And snuffed it dead sooner than draft or rain.
But I have turned away, and drawn myself
Upright to walk along the room alone.
Across the dark the spines of cactus plants
Remind me how I go—aloof, obscure,
Indifferent to the words the children chalk
Against my house and down the garden walls.
They cannot tear the garden out of me,
Nor smear my love with names. Love is a cliff,
A clear, cold curve of stone, mottled by stars,
smirched by the morning, carved by the dark sea
Till stars and dawn and waves can slash no more,
Till the rock’s heart is found and shaped again.
I keep the house and say no words, the evening
Falls like a petal down the shawl of trees.
I light the fire and see the blossom dance
On air alone; I will not douse that flame,
That searing flower; I will burn in it.
I will not banish love to empty rain.
For I know that I am asked to hate myself
For their sweet sake
Who sow the world with child.
I am given to burn on the dark fire they make
With their sly voices.
But I have burned already down to bone.
There is a fire that burns beyond the names
Of sludge and filth of which this world is made.
Agony sears the dark flesh of the body,
And lifts me higher than the smoke, to rise
Above the earth, above the sacrifice;
Until my soul flares outward like a blue
Blossom of gas fire dancing in mid-air:
Free of the body’s work of twisted iron.”
―
“To speak in a flat voice
Is all that I can do.
I have gone every place
Asking for you.
Wondering where to turn
And how the search would end
And the last streetlight spin
Above me blind.
Then I returned rebuffed
And saw under the sun
The race not to the swift
Nor the battle won.
Liston dives in the tank,
Lord, in Lewiston, Maine,
And Ernie Doty's drunk
In hell again.
And Jenny, oh my Jenny
Whom I love, rhyme be damned,
Has broken her spare beauty
In a whorehouse old.
She left her new baby
In a bus-station can,
And sprightly danced away
Through Jacksontown.
Which is a place I know,
One where I got picked up
A few shrunk years ago
By a good cop.
Believe it, Lord, or not.
Don't ask me who he was.
I speak of flat defeat
In a flat voice.
I have gone forward with
Some, a few lonely some.
They have fallen to death.
I die with them.
Lord, I have loved Thy cursed,
The beauty of Thy house:
Come down. Come down. Why dost
Thou hide thy face?”
―
Is all that I can do.
I have gone every place
Asking for you.
Wondering where to turn
And how the search would end
And the last streetlight spin
Above me blind.
Then I returned rebuffed
And saw under the sun
The race not to the swift
Nor the battle won.
Liston dives in the tank,
Lord, in Lewiston, Maine,
And Ernie Doty's drunk
In hell again.
And Jenny, oh my Jenny
Whom I love, rhyme be damned,
Has broken her spare beauty
In a whorehouse old.
She left her new baby
In a bus-station can,
And sprightly danced away
Through Jacksontown.
Which is a place I know,
One where I got picked up
A few shrunk years ago
By a good cop.
Believe it, Lord, or not.
Don't ask me who he was.
I speak of flat defeat
In a flat voice.
I have gone forward with
Some, a few lonely some.
They have fallen to death.
I die with them.
Lord, I have loved Thy cursed,
The beauty of Thy house:
Come down. Come down. Why dost
Thou hide thy face?”
―
“Beginning"
The moon drops one or two feathers into the field.
The dark wheat listens.
Be still.
Now.
There they are, the moons young, trying
Their wings.
Between trees, a slender woman lifts up the lovely shadow
Of her face, and now she steps into the air, now she is gone
Wholly, into the air.
I stand alone by an elder tree, I do not dare breathe
Or move.
I listen.
The wheat leans back toward its own darkness,
And I lean toward mine.”
― Above the River: The Complete Poems
The moon drops one or two feathers into the field.
The dark wheat listens.
Be still.
Now.
There they are, the moons young, trying
Their wings.
Between trees, a slender woman lifts up the lovely shadow
Of her face, and now she steps into the air, now she is gone
Wholly, into the air.
I stand alone by an elder tree, I do not dare breathe
Or move.
I listen.
The wheat leans back toward its own darkness,
And I lean toward mine.”
― Above the River: The Complete Poems
“In the Shreve High football stadium,
I think of Polacks nursing long beers in Tiltonsville,
And gray faces of Negroes in the blast furnace at Benwood,
And the ruptured night watchman of Wheeling Steel,
Dreaming of heroes.”
―
I think of Polacks nursing long beers in Tiltonsville,
And gray faces of Negroes in the blast furnace at Benwood,
And the ruptured night watchman of Wheeling Steel,
Dreaming of heroes.”
―
“Give winter nothing; hold; and let the flake
Poise or dissolve along your upheld arms.
All flawless hexagons may melt and break;
While you must feel the summer's rage of fire,
Beyond this frigid season's empty storms.
Banished to bloom, and bear the birds' desire.”
―
Poise or dissolve along your upheld arms.
All flawless hexagons may melt and break;
While you must feel the summer's rage of fire,
Beyond this frigid season's empty storms.
Banished to bloom, and bear the birds' desire.”
―
“I’ll be damned, you’re a poet. Welcome to hell.”
―
―
“...because writing is not only music. It is also architecture, demanding the technique, mastered only after months and years of bitterest labor, which that art possesses---if the architect is to construct a cathedral of merit instead of a mere group of disordered, flimsy outhouses.”
― A Wild Perfection: The Selected Letters
― A Wild Perfection: The Selected Letters
“One of the results of this has been that American culture increasingly defined those who served as “heroic,” a term derived from the act of service rather than any specific circumstance or performance during that service.”
― Those Who Have Borne the Battle: A History of America's Wars and Those Who Fought Them
― Those Who Have Borne the Battle: A History of America's Wars and Those Who Fought Them
“I have torn myself out of many bitter places
In America, that seemed
Tall and green-rooted in mid-noon.”
― Above the River: The Complete Poems
In America, that seemed
Tall and green-rooted in mid-noon.”
― Above the River: The Complete Poems




