Madeleine George > Quotes

“Anyway, if you need your heroes to be perfect, you won't have very many. Even Superman had his Kryptonite. I'd rather have my heroes be more like me: trying to do the right thing, sometimes messing up. Making mistakes. Saying you're sorry. And forgiving other people when they mess up, too.”
― Madeleine George, The Difference Between You and Me

“Once," Fran says, settling against the worktable, folding her arms, "I knew this kid who very bravely and bossily came out of the closet when she was only fourteen years old. She told me then that we can't choose who we love. We just love the people we love, no mattter what anyone else might want for us. Wasn't that you?”
― Madeleine George, The Difference Between You and Me

“I used to pinch those pages closed when I read the book to keep from having to see Joan [of Arc] fail. But now I love that picture. I love it so much. I love how Joan kept going right up to the end. It reminds me that sometimes defeat is the price of taking action. If you do something, you become a target. People want to take you down. That's a risk. But it's better to do too much, better to try to hard, better to have a crisis of faith and get thrown and climb back up on your horse and keep riding, than to see something wrong in the world and not do anything at all.”
― Madeleine George, The Difference Between You and Me

“Sometimes you have to sacrifice something you love, if you don't want to lose everything you have.”
― Madeleine George, The Difference Between You and Me

“Personally, I'm not a whiner. I don't believe in complaining about something if you don't have a realistic plan for how to fix it.”
― Madeleine George, The Difference Between You and Me

“It's not an honest face. It's not a kind face. It's a face made of anger and secrets and lies. From the tight, guarded mouth to the clenched, square jaw to the glossy shimmer of I-dare-you that coats the surface of her eyes, Aimee's face is a scary place for Meghan's gaze to rest. But beneath the gloss, behind the sharpness and tension, deep at Aimee's core, Meghan can see something warm and real. It's the same unnameable thing she saw in the sickroom on the first day of school. It's the same thing she feels pulsing softly deep in her own chest.”
― Madeleine George, Looks

“I am carved like David,
every line of my body perfectly chiseled.
Hunger is the blade that has made me smooth.
I am a statue, yet I am only air at my center.
I go to hug myself and
-poof!-
my arms go right through me
finding nothing to hold on to.
My hands meet behind my own back
in a stone handshake.
This is not what you were expecting.
I'm so cold.
I'm so sharp.
I've been cut, now I'll cut you.
Come closer.
Yes, come closer to me.
I am going to make you see what I see.”
― Madeleine George, Looks

“Hunger is a blade that carves me
I open my arms and pull the air in
-big hug!-
then poof, right through me, nobody there.
It's only me holding myself.
My arms wrap two times
around my own ribs,
meet behind my back for a secret
handshake.
I am not what was expected.
I'm so sharp-
it's cut me now I'll cut you.
Come closer
closer
No, come closer
I'm gonna make you see what I see.”
― Madeleine George, Looks

“I'm sorry, honey. I'm sure if you were a terrorist, you'd make a wonderful one”
― Madeleine George, The Difference Between You and Me

“I knew this id who very bravely and bossily came out of the closet when she was only fourteen years old. She told me then that we can't choose who we love. We just love the people we love, no matter what anyone else might want for you.”
― Madeleine George, The Difference Between You and Me

“Connection isn't elegant, or precise, or rational. But it's our fate to be bound up with one another, isn't it. We are all born insufficient, and must look to others to supplement our strength. That is no weakness, it is the first condition of human life.”
― Madeleine George, The (curious case of the) Watson Intelligence

“The fat girl who loses her only friend sees, all at once, how everything works. She sees that all promises are fictions, all friendships are games with winners and losers. The fat girl left alone in the world sees that every human being has a value assigned to them that they are helpless to change no matter what they do, and she sees that people trade each other like baseball cards: three cheap friends for two valuable friends, a whole group of worthless friends for one popular friend. It’s like dying and coming back to life, being a fat girl who loses her only friend; it gives you an insight into the people around you that the average person couldn’t bear to have.”
― Madeleine George, Looks