J.G. Ballard > Quotes

“I believe in the power of the imagination to remake the world, to release the truth within us, to hold back the night, to transcend death, to charm motorways, to ingratiate ourselves with birds, to enlist the confidences of madmen.”
― J.G. Ballard

“Perhaps the future belongs to magic, and it's we women who control magic.”
― J. G. Ballard, Rushing to Paradise

“Civilised life, you know, is based on a huge number of illusions in which we all collaborate willingly. The trouble is we forget after a while that they are illusions and we are deeply shocked when reality is torn down around us.”
― J.G. Ballard

“In a totally sane society, madness is the only freedom.”
― J.G. Ballard, Running Wild

“I wanted to rub the human race in its own vomit, and force it to look in the mirror.”
― J.G. Ballard, Crash

“Maybe you are a poet and a dreamer, but don't you realize that those two species are extinct now?”
― J.G. Ballard

“I would sum up my fear about the future in one word: boring. And that's my one fear: that everything has happened; nothing exciting or new or interesting is ever going to happen again ... the future is just going to be a vast, conforming suburb of the soul”
― J.G. Ballard

“After being bombarded endlessly by road-safety propaganda it was almost a relief to find myself in an actual accident.”
― J.G. Ballard, Crash

“Deserts possess a particular magic, since they have exhausted their own futures, and are thus free of time. Anything erected there, a city, a pyramid, a motel, stands outside time. It's no coincidence that religious leaders emerge from the desert. Modern shopping malls have much the same function. A future Rimbaud, Van Gogh or Adolf Hitler will emerge from their timeless wastes.”
― J.G. Ballard, The Atrocity Exhibition

“Unhappy parents teach you a lesson that lasts a lifetime.”
― J.G. Ballard

“All over the world major museums have bowed to the influence of Disney and become theme parks in their own right. The past, whether Renaissance Italy or Ancient Egypt, is re-assimilated and homogenized into its most digestible form. Desperate for the new, but disappointed with anything but the familiar, we recolonize past and future. The same trend can be seen in personal relationships, in the way people are expected to package themselves, their emotions and sexuality, in attractive and instantly appealing forms.”
― J.G. Ballard, The Atrocity Exhibition

“The human race sleepwalked to oblivion, thinking only of the corporate logos on it's shroud.”
― J.G. Ballard, Kingdom Come

“Fiction is a branch of neurology: the scenarios of nerve and blood vessels are the written mythologies of memory and desire.”
― J.G. Ballard

“Sooner or later, everything turns into television.”
― J.G. Ballard

“Science is the ultimate pornography, analytic activity whose main aim is to isolate objects or events from their contexts in time and space. This obsession with the specific activity of quantified functions is what science shares with pornography.”
― J.G. Ballard, The Atrocity Exhibition

“The marriage of reason and nightmare that dominated the 20th century has given birth to an ever more ambiguous world. Across the communications landscape move the spectres of sinister technologies and the dreams that money can buy. Thermo-nuclear weapons systems and soft-drink commercials coexist in an overlit realm ruled by advertising and pseudo-events, science and pornography. Over our lives preside the great twin leitmotifs of the 20th century – sex and paranoia…In a sense, pornography is the most political form of fiction, dealing with how we use and exploit each other, in the most urgent and ruthless way.”
― J.G. Ballard

“Art exists because reality is neither real nor significant.”
― J.G. Ballard

“Sooner or later, all games become serious.”
― J.G. Ballard, Super-Cannes

“We live in a world ruled by fictions of every kind—mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer's task is to invent the reality.”
― J.G. Ballard, Crash

“If their work is satisfying people don't need leisure in the old-fashioned sense. No one ever asks what Newton or Darwin did to relax, or how Bach spent his weekends. At Eden-Olympia work is the ultimate play, and play the ultimate work.”
― J.G. Ballard, Super-Cannes

“It was an excess of fantasy that killed the old United States, the whole Mickey Mouse and Marilyn thing, the most brilliant technologies devoted to trivia like instant cameras and space spectaculars that should have stayed in the pages of Science Fiction . . . some of the last Presidents of the U.S.A. seemed to have been recruited straight from Disneyland.”
― J.G. Ballard

“The media landscape of the present day is a map in search of a territory. A huge volume of sensational and often toxic imagery inundates our minds, much of it fictional in content. How do we make sense of this ceaseless flow of advertising and publicity, news and entertainment, where presidential campaigns and moon voyages are presented in terms indistinguishable from the launch of a new candy bar or deodorant? What actually happens on the level of our unconscious minds when, within minutes on the same TV screen, a prime minister is assassinated, an actress makes love, an injured child is carried from a car crash? Faced with these charged events, prepackaged emotions already in place, we can only stitch together a set of emergency scenarios, just as our sleeping minds extemporize a narrative from the unrelated memories that veer through the cortical night. In the waking dream that now constitutes everyday reality, images of a blood-spattered widow, the chromium trim of a limousine windshield, the stylised glamour of a motorcade, fuse together to provide a secondary narrative with very different meanings.”
― J.G. Ballard, The Atrocity Exhibition

“The suburbs dream of violence. Asleep in their drowsy villas, sheltered by benevolent shopping malls, they wait patiently for the nightmares that will wake them into a more passionate world.”
― J.G. Ballard, Kingdom Come

“In the post-Warhol era a single gesture such as uncrossing one's legs will have more significance than all the pages in War and Peace.”
― J.G. Ballard, The Atrocity Exhibition

“The twentieth century ended with its dreams in ruins. The notion of the community as a voluntary association of enlightened citizens has died forever. We realize how suffocatingly humane we've become, dedicated to moderation and the middle way. The suburbanization of the soul has overrun our planet like the plague.”
― J.G. Ballard, Super-Cannes

“The American Dream has run out of gas. The car has stopped. It no longer supplies the world with its images, its dreams, its fantasies. No more. It's over. It supplies the world with its nightmares now: the Kennedy assassination, Watergate, Vietnam...”
― J.G. Ballard

“Surrender to a logic more powerful than reason. ”
― J.G. Ballard

“A kind of banalization of celebrity has occurred: we are now offered an instant, ready-to-mix fame as nutritious as packet soup.”
― J.G. Ballard, The Atrocity Exhibition

“Let the psychotics take over. They alone understood what was happening.”
― J.G. Ballard, High-Rise

“They thrived on the rapid turnover of acquaintances, the lack of involvement with others, and the total self-sufficiency of lives which, needing nothing, were never dissapointed.”
― J.G. Ballard, High-Rise