Riccardo Bruni > Quotes

“Mathias remembered that once when he was a boy, he'd gone up to a pile of red apples that lay in the market cart, in the market near Stolberg where his father often took him. He'd always loved apples, and he couldn't resist the temptation of grabbing one out of the pile. He chose the closest, a splendid red piece of fruit that he would never forget because of his overwhelming desire to take it and hide it in the folds of his clothing. A moment after Mathias reached out and snatched it, the pile slid and applies tumbled down all around him. The farmer, who knew his father, would have been satisfied with an apology. But his father, a successful craftsman who was well-known and respected in the town, had insisted on purchasing an entire basketful of apples, because of the trouble Mathias had caused. Mathias got the worst scolding his father had ever given him. Not because of the money, but for the small act of petty thievery, which an upright man like his father would never tolerate. He shouldered his punishment, and in the end was only allowed to eat as single apple from the basket. He spent the night thinking about the pile. He had to remove only one and the whole thing had come down. He wondered if the same thing might happen with any tower, no matter how majestic and imposing it might seem, were someone to remove the right stone from the base.

The thought stayed with him throughout his life. Venice now seemed a lot like that pile of apples. If three murders truly represented an irresistible opportunity, then which nobleman would have seized it, knowing that such a thing would cause La Serenissima and everything it represented to come crashing down?”
― Riccardo Bruni, The Lion and the Rose

“It’s strange how we feel the need to connect with death. Look at it up close, so we can almost touch it. Like the way we slow down when we see an accident on the road. We pass nearby to try to see as much as possible, even though we know we won’t like what we see. And yet we can’t help it. We can’t look away.”
― Riccardo Bruni, The Night of the Moths

“It seems like someone is using wars and our economic crisis to spread distrust and rancor among the population. In times like these, those are dangerous feelings to spread around.”
― Riccardo Bruni, The Lion and the Rose

“He was going to hurt the people he hated, but inside he didn't feel any real sense of satisfaction. He hated them all the more for having made him feel so small, so petty and mean, which was all he felt just then. But it wasn't enough to stop him.”
― Riccardo Bruni, The Lion and the Rose

“You live in a damnably twisted and convoluted world," replied Mathias. "And you are trampling accross it with all the delicacy of an elephant in a glass shop!" -Conversation between Mathias Munster and Giacomo Foscarini”
― Riccardo Bruni, The Lion and the Rose

“Will there ever come a day when you put yourself first?"
"No, that day will never come."
"You're crazy, my old man."
"It will never come because I've finally realized that I want you by my side, now and forever. That I can no longer be just myself, standing alone. I need more."
Angelica's eyes filled with tears. She looked like she was fighting to hold them back.
"You really are crazy."

-Conversation between Mathias Munster and Angelica Zanon”
― Riccardo Bruni, The Lion and the Rose

“Aboard the gondola, Giacomo Foscarini sat facing Mathias. They were crossing the Canal Grande, then they would navigate around San Marco and return. Foscarini loved to travel around Venice this way. They stopped briefly at a mooring near the bridge to the Rialto, and Foscarini had a servant fetch green olives, fresh Piacenza cheese, a few sausages from Modena, and wine that had just been delivered from Crete. The nobleman often dined aboard his gondola, looking out over the city, watching his world. "Seen from this vantage point, Venice doesn't seem like it's in any of its terrible troubles at all magister," said Foscarini.”
― Riccardo Bruni, The Lion and the Rose

“But that day it was raining, and since they couldn't very well sit on the rooftop in the rain to watch the flotilla parade, they stayed in the little room that led to the roof. It had just one tiny window through which the gray light of day filtered in. They sat on the floor, and Lorenzo's senses were aroused by the sound of the rain falling outside, the musky smell of his own body, and the fragrant scent of Caterina's hair. A single blonde strand wound down her slim neck.

They kissed, taking off their rain-washed summer clothes so that their bodies pressed, naked, against one another. Long, delicate lovemaking. Caresses, kisses, shivers, and sighs of delight.

Lorenzo would have gladly spend the rest of his life preserved in that single moment, as if in amber, abandoning reality to live in the memory of that one single day.”
― Riccardo Bruni, The Lion and the Rose

“The church must change, Brother,' Gheorg had said one day long ago, back when they were still theology students at the University of Leipzig. Christian faith cannot be the tool of a monarch who sells God's pardon in exchange for money and power. Our Lord speaks to ALL men, Mathias. The Church must be a place where all men can meet and pray, not a place where they must submit to the power of other men. God's word must reach everyone equally.”
― Riccardo Bruni, The Lion and the Rose

“Strano come una casa distrutta e una in costruzione si somiglino. Deve avere a che fare con l'idea che inizio e fine si sovrappongono. Che morire è uguale ad un attimo prima di nascere.”
― Riccardo Bruni, Chiusa nel buio

“He thought back to everything that happened the night before: the hooded men, the chase, his tired heart and weak legs. The very moment in which Mathias realized it was over, when he'd decided to sacrifice his own life in order to save the young man by his side, the monk had found something fundamental inside himself. Deep in his soul, in that hidden place that can only be discovered when a person finds himself poised on the edge of the abyss, gasping what he thought was his last breath, he'd suddenly seen it. Only then did he realize what he held dearest in his heart. Because the last thing to cross his mind, what he'd thought about the moment he'd spun around, prepared to impale himself on the blade, had been a face. No thoughts of God or faith or any other saint. A face. That's when everything became clear.”
― Riccardo Bruni, The Lion and the Rose

“E mentre le lancette si muovono, togliendo secondi alla tua giornata, capisci che tutto quello che ti è rimasto intorno, tutto quanto, ogni volto, ogni oggetto, ogni suono, ogni gesto, ogni odore, persino un alito che puzza di vino di prima mattina, alla fine non è altro che l’ennesimo pezzetto dello stesso ricordo, di quel volto, dei suoi gesti, della sua voce, di tutto il tempo che hai passato con lei.”
― Riccardo Bruni, La notte delle falene

“That's what lay behind the feud under way in the Republic: a battle between different noble family factions in a fight for power. Serving this side or the other was of no interest to Mathias. But the consequences of a Venice under the Pope's direct control weren't at all to his liking. His beloved books would be burned by ignorant, avid priests. Men like Malachia would win.

It was the same old struggle. The same fight Gheorg had chosen, the same fight that might take him to Wittenberg. But he wouldn't clear the way for Alexander VI. With what little strength he possessed, even though he was nothing more than a pawn of a chessboard, that extended farther then he could see, Mathias would help those in power smash what had all the makings of a major plot, one designed to overturn the government in power in La Serenissima. And these thoughts allowed the monk to find the first answer to the many question with which he still felt burdened.

He and the Borgias did NOT share the same Church.”
― Riccardo Bruni, The Lion and the Rose

“«Ricordi quella fotografia che mi avevi regalato? Quella con i due amanti che si baciano riflessi nello specchietto, con il sole basso sull'orizzonte?» gli chiede Patrizia.
«Sì, me la ricordo. Ti piaceva, ma non hai mai voluto sapere se fosse un’alba o un tramonto.»
«È questo che volevo dirti. Non ha senso saperlo, Giulio. Sono due amanti. Per loro l’alba e il tramonto sono la stessa cosa.»”
― Riccardo Bruni, La stagione del biancospino

“«La vita non è una questione di come sopravvivere alla tempesta» disse.
Eva le porse la mano. Guia la strinse e si voltò verso di noi. «Ma di come danzare nella pioggia».
Scesero i gradini e si misero a ballare.”
― Riccardo Bruni, La promessa del buio

“You must always conduct your business with a clear mind, free of personal issues. Until you learn this simple fact, you'll never get anything out of life. -Moses Luzzatto”
― Riccardo Bruni, The Lion and the Rose

“C’è un tempo in cui la musica la senti con le orecchie e un tempo in cui finisci per ascoltarla con i ricordi.”
― Riccardo Bruni, La promessa del buio

“Are you afraid a demon has escaped Hell in order to descend upon the Venetians?"

"I think there are a few who'd deserve it, but I'm also a man of science, and I believe that we all carry our own private infernos inside ourselves."

-Conversation between Majid and Mathias”
― Riccardo Bruni, The Lion and the Rose

“Moses Luzzatto always said to be patient during the hard times, that they would have to endure and make sacrifices while they waited for better times to come. He urged Simone and the other Jewish boys not to provoke the Venetians, saying they should remain separate and focus on their work. He said their traditions were crucial to their identity, just as they were for their fathers before them.”
― Riccardo Bruni

“Ed ecco il bivio. Una scelta, due sole opzioni. Le situazioni che odio, quelle in cui hai solo due possibilità. Ogni volta rischio di rimanerci incastrato e per questo mi sento a disagio. Perché con due sole possibilità hai chiaro da subito che non saranno mai dello stesso segno. Una sarà giusta e una sbagliata. Ma non lo saprai mai. Ecco perché le odio, queste situazioni. Perché ti mettono di fronte a quello che sei, che sta tutto in quello che decidi di fare.”
― Riccardo Bruni, Ancora un giro di blues

“something hits you, and you are in that moment. Everything is suddenly in its rightful place, and you feel like you could stay there forever. And I think even dear old William Blake knew this feeling when he wrote to “Hold Infinity in the palm of your hand / And Eternity in an hour.”
― Riccardo Bruni, The Night of the Moths

“I don't know what you're getting yourself into," said Majid, "but I know I don't like it. Some things in Venice are pure poison." Majid's eyes looked like they could bore through a stone wall. "If someone has put you on a demon's tracks, you'd better make sure the demon doesn't find you first."

"What's that supposed to mean," asked Mathias.

"It means behind every hand stained with blood there's another, and that one stays clean." Majid leaned in close, lowering his voice to a whisper. "What I'm saying is that behind a demon, there's always someone holding the creature on a leash.”
― Riccardo Bruni, The Lion and the Rose

“Quando settembre inizia a scivolare via verso la metà sbagliata del mese, ti ritrovi con quel fastidioso senso di disagio, perché sei più vecchio di un'estate e ti rendi conto che tutta quella gente in giro in short e infradito ti mancherà.
E siccome so che questo mi farà star male, l'estate la odio da subito.”
― Riccardo Bruni, Di questo e altri mondi