Iain Banks > Quotes

“You need to read more science fiction. Nobody who reads science fiction comes out with this crap about the end of history”
― Iain Banks

“Fuck every cause that ends in murder and children crying.”
― Iain M. Banks, Against a Dark Background

“Empathize with stupidity and you're halfway to thinking like an idiot”
― Iain M. Banks

“The point is, there is no feasible excuse for what are, for what we have made of ourselves. We have chosen to put profits before people, money before morality, dividends before decency, fanaticism before fairness, and our own trivial comforts before the unspeakable agonies of others”
― Iain M. Banks, Complicity

“Oh, they never lie. They dissemble, evade, prevaricate, confound, confuse, distract, obscure, subtly misrepresent and willfully misunderstand with what often appears to be a positively gleeful relish and are generally perfectly capable of contriving to give one an utterly unambiguous impression of their future course of action while in fact intending to do exactly the opposite, but they never lie. Perish the thought.”
― Iain M. Banks, Look to Windward

“I just think people overvalue argument because they like to hear themselves talk.”
― Iain M. Banks, Use of Weapons

“All our lives are symbols. Everything we do is part of a pattern we have at least some say in. The strong make their own patterns and influence other people's, the weak have their courses mapped out for them. The weak and the unlucky, and the stupid.”
― Iain Banks, The Wasp Factory

“One should never mistake pattern for meaning.”
― Iain Banks, The Hydrogen Sonata

“All reality is a game. Physics at its most fundamental, the very fabric of our universe, results directly from the interaction of certain fairly simple rules, and chance; the same description may be applied to the best, most elefant and both intellectually and aesthetically satisfying games. By being unknowable, by resulting from events which, at the sub-atomic level, cannot be fully predicted, the future remains makkeable, and retains the possibility of change, the hope of coming to prevail; victory, to use an unfashionable word. In this, the future is a game; time is one of the rules. Generally, all the best mechanistic games - those which can be played in any sense "perfectly", such as a grid, Prallian scope, 'nkraytle, chess, Farnic dimensions - can be traced to civilisations lacking a realistic view of the universe (let alone the reality). They are also, I might add, invariably pre-machine-sentience societies.

The very first-rank games acknowledge the element of chance, even if they rightly restrict raw luck. To attempt to construct a game on any other lines, no matter how complicated and subtle the rules are, and regardless of the scale and differentiation of the playing volume and the variety of the powers and attibutes of the pieces, is inevitably to schackle oneself to a conspectus which is not merely socially but techno-philosophically lagging several ages behind our own. As a historical exercise it might have some value, As a work of the intellect, it's just a waste of time. If you want to make something old-fashioned, why not build a wooden sailing boat, or a steam engine? They're just as complicated and demanding as a mechanistic game, and you'll keep fit at the same time.”
― Iain M. Banks, The Player of Games

“People were always sorry. Sorry they had done what they had done, sorry they were doing what they were doing, sorry they were going to do what they were going to do; but they still did whatever it is. The sorrow never stopped them; it just made them feel better. And so the sorrow never stopped.”
― Iain M. Banks, Against a Dark Background

“An Outside Context Problem was the sort of thing most civilisations encountered just once, and which they tended to encounter rather in the same way a sentence encountered a full stop.”
― Iain M. Banks, Excession

“It's a library, only the stupid or the evil are afraid of those”
― Iain Banks

“People can be teachers and idiots; they can be philosophers and idiots; they can be politicians and idiots... in fact I think they have to be... a genius can be an idiot. The world is largely run for and by idiots; it is no great handicap in life and in certain areas is actually a distinct advantage and even a prerequisite for advancement.”
― Iain M. Banks, The Crow Road

“Experience as well as common sense indicated that the most reliable method of avoiding self-extinction was not to equip oneself with the means to accomplish it in the first place.”
― Iain M. Banks, Consider Phlebas

“It was the day my grandmother exploded.”
― Iain Banks, The Crow Road

“My gratitude extends beyond the limits of my capacity to express it,”
― Iain M. Banks, The Player of Games

“Writing is like everything else: the more you do it the better you get. Don't try to perfect as you go along, just get to the end of the damn thing. Accept imperfections. Get it finished and then you can go back. If you try to polish every sentence there's a chance you'll never get past the first chapter.”
― Iain Banks

“Sometimes the thoughts and feelings I had didn't really agree with each other, so I decided I must be lots of different people inside my brain.”
― Iain Banks, The Wasp Factory

“After doing extensive research, I can definitely tell you that single malt whiskies are good to drink.”
― Iain M. Banks, Raw Spirit

“Escape is a commodity like anything else”
― Iain M. Banks, The Player of Games

“Looking at me, you'd never guess I'd killed three people. It isn't fair.”
― Iain Banks, The Wasp Factory

“The truth is not always useful, not always good. It’s like putting your faith in water. Yes, we need the rain, but too much can sweep you away in a flood and drown you. Like all great natural, elemental forces, the truth needs to be channeled, managed, controlled and intelligently, morally allocated.”
― Iain M. Banks, Surface Detail

“There's an old Sysan saying that the soup of life is salty enough without adding tears to it.”
― Iain M. Banks, Look to Windward

“Anyway, you can't leave her like that. You can't do that to the woman. She doesn't deserve it; nobody does. You don't belong to her and she doesn't belong to you, but you're both part of each other; if she got up and left now and walked away and you never saw each other again for the rest of your lives, and you lived an ordinary waking life for another fifty years, even so on your deathbed you would still know she was part of you.”
― Iain Banks

“A death is always exciting, always makes you realise how alive you are, how vulnerable but so-far-lucky; but the death of somebody close gives you a good excuse to go a bit crazy for a while and do things that would otherwise be inexcusable. What delight to behave really badly and still get loads of sympathy!”
― Iain Banks, The Wasp Factory

“Libertarianism. A simple-minded right-wing ideology ideally suited to those unable or unwilling to see past their own sociopathic self-regard.”
― Iain Banks, Transition

“Often I've thought of myself as a state; a country or, at the very least, a city. It used to seem to me that the different ways I felt sometimes about ideas, courses of action and so on were like the differing political moods that countries go through. It has always seemed to me that people vote in a new government not because they actually agree with their politics but just because they want a change. Somehow they think that things will be better under the new lot. Well, people are stupid, but it all seems to have more to do with mood, caprice and atmosphere than carefully thought-out arguments. I can feel the same sort of thing going on in my head. Sometimes the thoughts and feelings I had didn't really agree with each other, so I decided I must be lots of different people inside my brain.”
― Iain Banks, The Wasp Factory

“I think the easiest people to fool are ourselves. Fooling ourselves may even be a necessary precondition for fooling others.”
― Iain Banks, The Bridge

“It is especially important to remember that the ownership of humans is possible too; not in terms of actual slavery, which they are proud to have abolished, but in the sense that, according to which sex and class one belongs to, one may be partially owned by another or others by having to sell one's labour or talents to somebody with the means to buy them. In the case of males, they give themselves most totally when they become soldiers; the personnel in their armed forces are like slaves, with little personal freedom, and under threat of death if they disobey. Females sell their bodies, usually, entering into the legal contract of "marriage" to Intermediates, who then pay them for their sexual favours by-”
― Iain M. Banks, The Player of Games

“Stories set in the Culture in which Things Went Wrong tended to start with humans losing or forgetting or deliberately leaving behind their terminal. It was a conventional opening, the equivalent of straying off the path in the wild woods in one age, or a car breaking down at night on a lonely road in another.”
― Iain M. Banks, The Player of Games