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“There are occasions when you can hear the mysterious language of the Earth, in water, or coming through the trees, emanating from the mosses, seeping through the under currents of the soil, but you have to be willing to wait and receive.”
John Hay, The Immortal Wilderness
“In a society so estranged from animals as ours, we often fail to credit them with any form of language. If we do, it comes under the heading of communication rather than speech. And yet, the great silence we have imposed on the rest of life contains innumerable forms of expression. Where does our own language come from but this unfathomed store that characterizes innumerable species?
We are now more than halfway removed from what the unwritten word meant to our ancestors, who believed in the original, primal word behind all manifestations of the spirit. You sang because you were answered. The answers come from life around you. Prayers, chants, and songs were also responses to the elements, to the wind, the sun and stars, the Great Mystery behind them. Life on earth springs from a collateral magic that we rarely consult. We avoid the unknown as if we were afraid that contact would lower our sense of self-esteem.”
John Hay, A Beginner's Faith in Things Unseen
“friends are the sunshine of life.”
John Hay
“Ernst of Edelsheim I'll tell the story, kissing   This white hand for my pains: No sweeter heart, nor falser   E'er filled such fine, blue veins. I'll sing a song of true love,   My Lilith dear! to you; Contraria contrariis—   The rule is old and true. The happiest of all lovers   Was Ernst of Edelsheim; And why he was the happiest,   I'll tell you in my rhyme. One summer night he wandered   Within a lonely glade, And, couched in moss and moonlight,   He found a sleeping maid. The stars of midnight sifted   Above her sands of gold; She seemed a slumbering statue,   So fair and white and cold. Fair and white and cold she lay   Beneath the starry skies; Rosy was her waking   Beneath the Ritter's eyes. He won her drowsy fancy,   He bore her to his towers, And swift with love and laughter   Flew morning's purpled hours. But when the thickening sunbeams   Had drunk the gleaming dew, A misty cloud of sorrow   Swept o'er her eyes' deep blue. She hung upon the Ritter's neck, S he wept with love and pain, She showered her sweet, warm kisses   Like fragrant summer rain. "I am no Christian soul," she sobbed,   As in his arms she lay; "I'm half the day a woman,   A serpent half the day. "And when from yonder bell-tower   Rings out the noonday chime, Farewell! farewell forever,   Sir Ernst of Edelsheim!" "Ah! not farewell forever!"   The Ritter wildly cried, "I will be saved or lost with thee,   My lovely Wili-Bride!" Loud from the lordly bell-tower   Rang out the noon of day, And from the bower of roses   A serpent slid away. But when the mid-watch moonlight   Was shimmering through the grove, He clasped his bride thrice dowered   With beauty and with love. The happiest of all lovers   Was Ernst of Edelsheim— His true love was a serpent   Only half the time!”
John Hay, Poems
“And there, next to me, as the east wind blows in early fall, a season open to great migrations, are those lives, threading the air and waters of the sea, that come out of an incomparable darkness, which is also my own.”
John Hay, The Way to the Salt Marsh: A John Hay Reader
“This beach I voyage on leads me through the earth's immortal consistencies. Each form I encounter obeys the principles of perfection and trial, a timelessness in the making. The proportions of truth are at hand. Existence is celebrated in a splinter of driftwood, worn by wind-driven sand into the shape of an arrow. The onshore waves jostle each other, busy with their eternal changing, mixing crab shells, sand grains, and fish bones together. The trim little shorebirds feeding at the water's edge are acutely aware of one another, under the light and shadow leaning and drifting over all awareness. Wither own mysteries behind their beady eyes, their quick, advantageous movements, they follow the great, unifying sea." ~ John Hay. Bird of Light.”
John Hay, The Bird of Light
“The Light of Love Each shining light above us   Has its own peculiar grace; But every light of heaven   Is in my darling's face. For it is like the sunlight,   So strong and pure and warm, That folds all good and happy things,   And guards from gloom and harm. And it is like the moonlight,   So holy and so calm; The rapt peace of a summer night,   When soft winds die in balm. And it is like the starlight;   For, love her as I may, She dwells still lofty and serene   In mystery far away.”
John Hay, Poems
“The wooing of those days was prompt and practical. There was no time for the gradual approaches of an idler and more conventional age. It is related of one Stout, one of the legendary Nimrods of Illinois, who was well and frequently married, that he had one unfailing formula of courtship. He always promised the ladies whose hearts he was besieging that "they should live in the timber where they could pick up their own firewood.”
John Hay, Abraham Lincoln: a History — Volume 01
“Love's Prayer If Heaven would hear my prayer,   My dearest wish would be, Thy sorrows not to share   But take them all on me; If Heaven would hear my prayer. I'd beg with prayers and sighs   That never a tear might flow From out thy lovely eyes,   If Heaven might grant it so; Mine be the tears and sighs. No cloud thy brow should cover,   But smiles each other chase From lips to eyes all over   Thy sweet and sunny face; The clouds my heart should cover. That all thy path be light   Let darkness fall on me; If all thy days be bright,   Mine black as night could be; My love would light my night. For thou art more than life,   And if our fate should set Life and my love at strife,   How could I then forget I love thee more than life?”
John Hay, Poems

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