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“Now I am quietly waiting for the catastrophe of my personality to seem beautiful again, and interesting, and modern.”
― Meditations in an Emergency
― Meditations in an Emergency
“Having a Coke with You
is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it”
―
is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I am telling you about it”
―
“oh god it’s wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much”
―
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much”
―
“After the first glass of vodka
you can accept just about anything
of life even your own mysteriousness
you think it is nice that a box
of matches is purple and brown and is called La Petite and comes from Sweden
for they are words that you know and that is all you know words not their feelings or what they mean and you write because you know them not because you understand them because you don't you are stupid and lazy and will never be great but you do what you know because what else is there?”
― The Collected Poems of Frank O'Hara
you can accept just about anything
of life even your own mysteriousness
you think it is nice that a box
of matches is purple and brown and is called La Petite and comes from Sweden
for they are words that you know and that is all you know words not their feelings or what they mean and you write because you know them not because you understand them because you don't you are stupid and lazy and will never be great but you do what you know because what else is there?”
― The Collected Poems of Frank O'Hara
“Now I am quietly waiting for
the catastrophe of my personality
to seem beautiful again,
and interesting, and modern.
The country is grey and
brown and white in trees,
snows and skies of laughter
always diminishing, less funny
not just darker, not just grey.
It may be the coldest day of
the year, what does he think of
that? I mean, what do I? And if I do,
perhaps I am myself again.”
― Meditations in an Emergency
the catastrophe of my personality
to seem beautiful again,
and interesting, and modern.
The country is grey and
brown and white in trees,
snows and skies of laughter
always diminishing, less funny
not just darker, not just grey.
It may be the coldest day of
the year, what does he think of
that? I mean, what do I? And if I do,
perhaps I am myself again.”
― Meditations in an Emergency
“I am the least difficult of men. All I want is boundless love.”
―
―
“My eyes are vague blue, like the sky, and change all the time; they are indiscriminate but fleeting, entirely specific and disloyal, so that no one trusts me. I am always looking away. Or again at something after it has given me up.”
― Meditations in an Emergency
― Meditations in an Emergency
“It is easy to be beautiful; it is difficult to appear so.
I admire you, beloved, for the trap you've set. It's like a final chapter no one reads because the plot is over.”
― Meditations in an Emergency
I admire you, beloved, for the trap you've set. It's like a final chapter no one reads because the plot is over.”
― Meditations in an Emergency
“When I die, don't come, I wouldn't want a leaf
to turn away from the sun -- it loves it there.
There's nothing so spiritual about being happy
but you can't miss a day of it, because it doesn't last.”
―
to turn away from the sun -- it loves it there.
There's nothing so spiritual about being happy
but you can't miss a day of it, because it doesn't last.”
―
“Each time my heart is broken it makes me feel more
adventurous (and how the same names keep recurring on that interminable list!), but one of these days there'll be nothing left with which to venture forth.
Why should I share you? Why don't you get rid of someone else for a change?”
― Meditations in an Emergency
adventurous (and how the same names keep recurring on that interminable list!), but one of these days there'll be nothing left with which to venture forth.
Why should I share you? Why don't you get rid of someone else for a change?”
― Meditations in an Emergency
“In times of crisis, we must all decide again and again whom we love.”
― Meditations in an Emergency
― Meditations in an Emergency
“I am ashamed of my century, but I have to smile.”
― The Collected Poems of Frank O'Hara
― The Collected Poems of Frank O'Hara
“I love you. I love you,
but I’m turning to my verses
and my heart is closing
like a fist.”
― Meditations in an Emergency
but I’m turning to my verses
and my heart is closing
like a fist.”
― Meditations in an Emergency
“I can't even enjoy a blade of grass unless I know there's a subway handy, or a record store or some other sign that people do not totally regret life. It's more important to confirm the least sincere. The clouds get enough attention as it is...”
―
―
“Kerouac: You're ruining American poetry, O'Hara.
O'Hara: That's more than you ever did for it, Kerouac”
―
O'Hara: That's more than you ever did for it, Kerouac”
―
“My Heart
I'm not going to cry all the time
nor shall I laugh all the time,
I don't prefer one "strain" to another.
I'd have the immediacy of a bad movie,
not just a sleeper, but also the big,
overproduced first-run kind.
I want to be at least as alive as the vulgar. And if some aficionado of my mess says "That's not like Frank!," all to the good! I don't wear brown and grey suits all the time, do I? No. I wear workshirts to the opera,
often. I want my feet to be bare,
I want my face to be shaven, and my heart--you can't plan on the heart, but
the better part of it, my poetry, is open.”
―
I'm not going to cry all the time
nor shall I laugh all the time,
I don't prefer one "strain" to another.
I'd have the immediacy of a bad movie,
not just a sleeper, but also the big,
overproduced first-run kind.
I want to be at least as alive as the vulgar. And if some aficionado of my mess says "That's not like Frank!," all to the good! I don't wear brown and grey suits all the time, do I? No. I wear workshirts to the opera,
often. I want my feet to be bare,
I want my face to be shaven, and my heart--you can't plan on the heart, but
the better part of it, my poetry, is open.”
―
“If I am ever to find these trees meaningful
I must have you by the hand. As it is, they
stretch dusty fingers into an obscure sky,
and the snow looks up like a face dirtied
with tears. Should I cry out and see what happens?
There could only be a stranger wandering
in this landscape, cold, unfortunate, himself
frozen fast in wintry eyes.”
― Meditations in an Emergency
I must have you by the hand. As it is, they
stretch dusty fingers into an obscure sky,
and the snow looks up like a face dirtied
with tears. Should I cry out and see what happens?
There could only be a stranger wandering
in this landscape, cold, unfortunate, himself
frozen fast in wintry eyes.”
― Meditations in an Emergency
“That's not a run in your stocking, it's a hand on your leg.”
―
―
“Even trees understand me! Good heavens, I lie under
them, too, don't I? I'm just like a pile of leaves.”
― Meditations in an Emergency
them, too, don't I? I'm just like a pile of leaves.”
― Meditations in an Emergency
“How funny you are today New York
like Ginger Rogers in Swingtime
and St. Bridget’s steeple leaning a little to the left
here I have just jumped out of a bed full of V-days
(I got tired of D-days) and blue you there still
accepts me foolish and free
all I want is a room up there
and you in it
and even the traffic halt so thick is a way
for people to rub up against each other
and when their surgical appliances lock
they stay together
for the rest of the day (what a day)
I go by to check a slide and I say
that painting’s not so blue
where’s Lana Turner
she’s out eating
and Garbo’s backstage at the Met
everyone’s taking their coat off
so they can show a rib-cage to the rib-watchers
and the park’s full of dancers with their tights and shoes
in little bags
who are often mistaken for worker-outers at the West Side Y
why not
the Pittsburgh Pirates shout because they won
and in a sense we’re all winning
we’re alive
the apartment was vacated by a gay couple
who moved to the country for fun
they moved a day too soon
even the stabbings are helping the population explosion
though in the wrong country
and all those liars have left the UN
the Seagram Building’s no longer rivalled in interest
not that we need liquor (we just like it)
and the little box is out on the sidewalk
next to the delicatessen
so the old man can sit on it and drink beer
and get knocked off it by his wife later in the day
while the sun is still shining
oh god it’s wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much”
―
like Ginger Rogers in Swingtime
and St. Bridget’s steeple leaning a little to the left
here I have just jumped out of a bed full of V-days
(I got tired of D-days) and blue you there still
accepts me foolish and free
all I want is a room up there
and you in it
and even the traffic halt so thick is a way
for people to rub up against each other
and when their surgical appliances lock
they stay together
for the rest of the day (what a day)
I go by to check a slide and I say
that painting’s not so blue
where’s Lana Turner
she’s out eating
and Garbo’s backstage at the Met
everyone’s taking their coat off
so they can show a rib-cage to the rib-watchers
and the park’s full of dancers with their tights and shoes
in little bags
who are often mistaken for worker-outers at the West Side Y
why not
the Pittsburgh Pirates shout because they won
and in a sense we’re all winning
we’re alive
the apartment was vacated by a gay couple
who moved to the country for fun
they moved a day too soon
even the stabbings are helping the population explosion
though in the wrong country
and all those liars have left the UN
the Seagram Building’s no longer rivalled in interest
not that we need liquor (we just like it)
and the little box is out on the sidewalk
next to the delicatessen
so the old man can sit on it and drink beer
and get knocked off it by his wife later in the day
while the sun is still shining
oh god it’s wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much”
―
“I'm becoming
the street.
Who are you in love with?
me?
Straight against the light I cross.”
―
the street.
Who are you in love with?
me?
Straight against the light I cross.”
―
“Leaf! you are so big!
How can you change your
color, then just fall!
As if there were no
such thing as integrity!”
― Lunch Poems
How can you change your
color, then just fall!
As if there were no
such thing as integrity!”
― Lunch Poems
“Grace / to be born and live as variously as possible”
―
―
“ And
always embrace things, people earth
sky stars, as I do, freely and with
the appropriate sense of space. ”
―
always embrace things, people earth
sky stars, as I do, freely and with
the appropriate sense of space. ”
―
“It's a bright summer day, and I want to be wanted more than anything else in the world.”
―
―
“I am moved by the multitudes of your intelligence and sometimes, returning, I become the sea— in love with your speed, your heaviness and breath.”
― Meditations in an Emergency
― Meditations in an Emergency
“...but it is good to be several floors up in the dead of night wondering whether you are any good or not and the only decision you can make is that you did it...”
― Lunch Poems
― Lunch Poems
