Christopher Brennan > Quotes

“Were knowledge all, what were our need
To thrill and faint and sweetly bleed?”
― Christopher Brennan

“Because She Would Ask Me Why I Loved Her

If questioning would make us wise
No eyes would ever gaze in eyes;
If all our tale were told in speech
No mouths would wander each to each.

Were spirits free from mortal mesh
And love not bound in hearts of flesh
No aching breasts would yearn to meet
And find their ecstasy complete.

For who is there that lives and knows
The secret powers by which he grows?
Were knowledge all, what were our need
To thrill and faint and sweetly bleed?

Then seek not, sweet, the "If" and "Why"
I love you now until I die.
For I must love because I live
And life in me is what you give.”
― Christopher John Brennan

“Fire
Fire In The Heavens

Fire in the heavens, and fire along the hills,
and fire made solid in the flinty stone,
thick-mass'd or scatter'd pebble, fire that fills
the breathless hour that lives in fire alone.

This valley, long ago the patient bed
of floods that carv'd its antient amplitude,
in stillness of the Egyptian crypt outspread,
endures to drown in noon-day's tyrant mood.

Behind the veil of burning silence bound,
vast life's innumerous busy littleness
is hush'd in vague-conjectured blur of sound
that dulls the brain with slumbrous weight, unless

some dazzling puncture let the stridence throng
in the cicada's torture-point of song.”
― Christopher John Brennan, Xxi Poems, 1893, 1897: Towards The Source

“White Dawn, That Tak'st The Heaven With Sweet Surprise

White dawn, that tak'st the heaven with sweet surprise
of amorous artifice,
art thou the bearer of my perfect hour
divine, untrod,
from some forgotten window of Paradise
by mighty winds of God
blown down the world, before my haunted eyes
at length to flower?
Nay, virgin dawn, yet art thou all too known,
too crowded light
to take my boundless hour of flaming peace:
thou common dayspring cease;
and be there only night, the only night,
more than all other lone:
be the sole secret world
one rose unfurl'd,
and nought disturb its blossom'd peace intense,
that fills the living deep beyond all dreams of sense
enmesh'd in errorous multiplicity:
— let be
nought but her coming there:
what else were fair?
It asks no golden web, no censer-fire
to tell the dense incarnate mystery
where one delight is wed with one desire.
No leaves bestrow
that passage to the rose of all fulfill'd delight;
no silver trumpets blow
majestic rite,
but silence that is sigh'd from faery lands,
or wraps the feet of Beauty where she treads
dim fields of fading stars,
be round our meeting heads,
and seeking hands:
draw near, ye heavens, and be our chamber-bars;
and thou, maternal heart of holy night,
close watch, what hush'd and sacramental tide
a soul goes forth wide-eyed,
to meet the archangel-sword of loneliest delight”
― Christopher John Brennan, Xxi Poems, 1893, 1897: Towards The Source

“Said, This Misery Must End

I SAID, This misery must end:
Shall I, that am a man and know
that sky and wind are yet my friend,
sit huddled under any blow?
so speaking left the dismal room
and stept into the mother-night
all fill’d with sacred quickening gloom
where the few stars burn’d low and bright,
and darkling on my darkling hill
heard thro’ the beaches’ sullen boom
heroic note of living will
rung trumpet-clear against the fight;
so stood and heard, and rais’d my eyes
erect, that they might drink of space,
and took the night upon my face,
till time and trouble fell away
and all my soul sprang up to feel
as one among the stars that reel
in rhyme on their rejoicing way,
breaking the elder dark, nor stay
but speed beyond each trammelling gyre,
till time and sorrow fall away
and night be wither’d up, and fire
consume the sickness of desire.”
― Christopher John Brennan, Xxi Poems, 1893, 1897: Towards The Source

“Fire In The Heavens

Fire in the heavens, and fire along the hills,
and fire made solid in the flinty stone,
thick-mass'd or scatter'd pebble, fire that fills
the breathless hour that lives in fire alone.

This valley, long ago the patient bed
of floods that carv'd its antient amplitude,
in stillness of the Egyptian crypt outspread,
endures to drown in noon-day's tyrant mood.

Behind the veil of burning silence bound,
vast life's innumerous busy littleness
is hush'd in vague-conjectured blur of sound
that dulls the brain with slumbrous weight, unless

some dazzling puncture let the stridence throng
in the cicada's torture-point of song.”
― Christopher John Brennan, Xxi Poems, 1893, 1897: Towards The Source

“Four Springtimes Lost: And In The Fifth We Stand

Four springtimes lost: and in the fifth we stand,
here in this quiet hour of glory, still,
while o'er the bridal land
the westering sun dwells in untroubled gold,
a bridegroom proud of his permitted will,
whom grateful rapture suffers not be bold,
but tender now and bland
his amber locks and bended gaze are shed,
brimming, above the couch'd and happy clime:
all is content and ripe delight, full-fed.
And as your fingers brush my hand
so too the winning time
would charm me from regretful reverie
that keeps me somewhat sad, remembering —
not the old woodland days, for thou art near
and hold'st them safely hid
to rise and shine again, when waning skies shall bid —
but later dawns o' the year, away from thee
liv'd thro', even here,
and golden embraces of the light-hearted time
when I was sad at heart, remembering
the clear enchantments of our single year,
our woodland prime of love, its violet-budded vow,
receding ever now
farther and farther down the past, a gleam
that turns to softest pearl the luminous haze
drifting between in from the golden days
when I was sad at inmost heart, remembering
thee and the woodland season of bright laughter: —
so in my perverse and most loitering dream
(O fading, fading days!)
each season claims the homage due, long after
its glory has faded to an outcast thing.”
― Christopher John Brennan, Xxi Poems, 1893, 1897: Towards The Source

“For this is the hard doom that is laid on all of you
to be that whereof ye dream, dreaming against your will.”
― Christopher Brennan, Poems 1913

“How Old Is My Heart, How Old?

How old is my heart, how old, how old is my heart,
and did I ever go forth with song when the morn was new?
I seem to have trod on many ways: I seem to have left
I know not how many homes; and to leave each
was still to leave a portion of mine own heart,
of my old heart whose life I had spent to make that home
and all I had was regret, and a memory.

So I sit and muse in this wayside harbour and wait
till I hear the gathering cry of the ancient winds and again
I must up and out and leave the members of the hearth
to crumble silently into white ash and dust,
and see the road stretch bare and pale before me: again
my garment and my house shall be the enveloping winds
and my heart be fill'd wholly with their old pitiless cry”
― Christopher John Brennan, Xxi Poems, 1893, 1897: Towards The Source

“I Am Shut Out Of Mine Own Heart

I am shut out of mine own heart
because my love is far from me,
nor in the wonders have I part
that fill its hidden empery:

the wildwood of adventurous thought
and lands of dawn my dream had won,
the riches out of Faery brought
are buried with our bridal sun.

And I am in a narrow place,
and all its little streets are cold,
because the absence of her face
has robb'd the sullen air of gold.

My home is in a broader day:
at times I catch it glistening
thro' the dull gate, a flower'd play
and odour of undying spring:

the long days that I lived alone,
sweet madness of the springs I miss'd,
are shed beyond, and thro' them blown
clear laughter, and my lips are kiss'd:

- and here, from mine own joy apart,
I wait the turning of the key: -
I am shut out of mine own heart
because my love is far from me”
― Christopher John Brennan, Xxi Poems, 1893, 1897: Towards The Source

“Autumn

Autumn: the year breathes dully towards its death,
beside its dying sacrificial fire;
the dim world's middle-age of vain desire
is strangely troubled, waiting for the breath
that speaks the winter's welcome malison
to fix it in the unremembering sleep:
the silent woods brood o'er an anxious deep,
and in the faded sorrow of the sun,
I see my dreams' dead colours, one by one,
forth-conjur'd from their smouldering palaces,
fade slowly with the sigh of the passing year.
They wander not nor wring their hands nor weep,
discrown'd belated dreams! but in the drear
and lingering world we sit among the trees
and bow our heads as they, with frozen mouth,
looking, in ashen reverie, towards the clear
sad splendour of the winter of the far south.


Christopher John Brennan”
― Christopher John Brennan