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Start by following John Hughes.
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“We're all pretty bizarre. Some of us are just better at hiding it, that's all.”
― The Breakfast Club
― The Breakfast Club
“All I care about in this goddamn life are me, my drums, and you.”
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“Those who say 'you only live once' have never read a book.”
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“You don't spell it, son. You eat it.”
― Sixteen Candles Script
― Sixteen Candles Script
“The hardest thing about being a writer is convincing your wife that lying on the sofa is work.”
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“At that age, it feels as good to feel bad as it does to feel good.”
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“This was a very self-indulgent scene of mine. This is the Chicago Art Institute which when I was in high school was a place of refuge for me. I went there quite a bit, I loved it, I knew all the paintings. And this was a chance for me to go back into this building and show all the paintings that were my favorites.
…
Cameron is looking at that little girl, which again is a mother and a child. The tenderness of a mother and child, which he didn't have. The closer he looks at the child, the less he sees, of course, with this style of painting. Or any style of painting. The more he looks at it, there’s nothing there.
And then this painting (Seurat’s ‘A Sunday Afternoon…’), which I always thought was like making the movie. Pointillist style, which if you’re very very close to, you don’t have any idea what you’ve made, until you step back from it.
The closer he looks at the child, the less he sees … The more he looks at it, there’s nothing there. He fears that the more you look at him the less you see. There isn’t anything there.
That’s him.”
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…
Cameron is looking at that little girl, which again is a mother and a child. The tenderness of a mother and child, which he didn't have. The closer he looks at the child, the less he sees, of course, with this style of painting. Or any style of painting. The more he looks at it, there’s nothing there.
And then this painting (Seurat’s ‘A Sunday Afternoon…’), which I always thought was like making the movie. Pointillist style, which if you’re very very close to, you don’t have any idea what you’ve made, until you step back from it.
The closer he looks at the child, the less he sees … The more he looks at it, there’s nothing there. He fears that the more you look at him the less you see. There isn’t anything there.
That’s him.”
―
“Cameron is looking at that little girl, which again is a mother and a child. The tenderness of a mother and child, which he didn't have. The closer he looks at the child, the less he sees, of course, with this style of painting. Or any style of painting. The more he looks at it, there’s nothing there.
And then this painting (Seurat’s ‘A Sunday Afternoon…’), which I always thought was like making the movie. Pointillist style, which if you’re very very close to, you don’t have any idea what you’ve made, until you step back from it.
He fears that the more you look at him the less you see. There isn’t anything there.
That’s him.”
―
And then this painting (Seurat’s ‘A Sunday Afternoon…’), which I always thought was like making the movie. Pointillist style, which if you’re very very close to, you don’t have any idea what you’ve made, until you step back from it.
He fears that the more you look at him the less you see. There isn’t anything there.
That’s him.”
―
“We're all pretty bizarre. Some of us are just better at hiding it, that's all”
―
―
“Components of a Healthy Diet”
― Distance Cycling
― Distance Cycling
“You said you couldn’t believe in anyone who didn’t believe in you. I believed in you. You just didn’t believe in me.”
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“Note that training your body to use fat more efficiently and spare glycogen happens only when exercising at moderate intensity, not when riding harder.”
― Distance Cycling
― Distance Cycling
