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“Everyone forgets Icarus also flew.”
― Refusing Heaven: Poems
― Refusing Heaven: Poems
“Suddenly this defeat.
This rain.
The blues gone gray
And the browns gone gray
And yellow
A terrible amber.
In the cold streets
Your warm body.
In whatever room
Your warm body.
Among all the people
Your absence
The people who are always
Not you.
I have been easy with trees
Too long.
Too familiar with mountains.
Joy has been a habit.
Now
Suddenly
This rain.”
―
This rain.
The blues gone gray
And the browns gone gray
And yellow
A terrible amber.
In the cold streets
Your warm body.
In whatever room
Your warm body.
Among all the people
Your absence
The people who are always
Not you.
I have been easy with trees
Too long.
Too familiar with mountains.
Joy has been a habit.
Now
Suddenly
This rain.”
―
“I dream of lost vocabularies that might express some of what we no longer can.”
― The Great Fires
― The Great Fires
“We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.”
― Refusing Heaven
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.”
― Refusing Heaven
“Failing and Flying"
Everyone forgets that Icarus also flew.
It's the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy.
I believe Icarus was not failing as he fell,
but just coming to the end of his triumph.”
― Refusing Heaven: Poems
Everyone forgets that Icarus also flew.
It's the same when love comes to an end,
or the marriage fails and people say
they knew it was a mistake, that everybody
said it would never work. That she was
old enough to know better. But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.
Every morning she was asleep in my bed
like a visitation, the gentleness in her
like antelope standing in the dawn mist.
Each afternoon I watched her coming back
through the hot stony field after swimming,
the sea light behind her and the huge sky
on the other side of that. Listened to her
while we ate lunch. How can they say
the marriage failed? Like the people who
came back from Provence (when it was Provence)
and said it was pretty but the food was greasy.
I believe Icarus was not failing as he fell,
but just coming to the end of his triumph.”
― Refusing Heaven: Poems
“We must have the stubbornness to accept our gladness in the ruthless furnace of this world.”
― Refusing Heaven: Poems
― Refusing Heaven: Poems
“The Abandoned Valley
Can you understand being alone so long
you would go out in the middle of the night
and put a bucket into the well
so you could feel something down there
tug at the other end of the rope?”
― Refusing Heaven: Poems
Can you understand being alone so long
you would go out in the middle of the night
and put a bucket into the well
so you could feel something down there
tug at the other end of the rope?”
― Refusing Heaven: Poems
“Waking At Night
The blue river is grey at morning
and evening. There is twilight
at dawn and dusk. I lie in the dark
wondering if this quiet in me now
is a beginning or an end.”
― The Dance Most of All: Poems
The blue river is grey at morning
and evening. There is twilight
at dawn and dusk. I lie in the dark
wondering if this quiet in me now
is a beginning or an end.”
― The Dance Most of All: Poems
“We must unlearn the constellations to see the stars.”
― The Great Fires
― The Great Fires
“The Forgotten Dialect of the Heart
How astonishing it is that language can almost mean,
and frightening that it does not quite. Love, we say,
God, we say, Rome and Michiko, we write, and the words
get it all wrong. We say bread and it means according
to which nation. French has no word for home,
and we have no word for strict pleasure. A people
in northern India is dying out because their ancient
tongue has no words for endearment. I dream of lost
vocabularies that might express some of what
we no longer can. Maybe the Etruscan texts would
finally explain why the couples on their tombs
are smiling. And maybe not. When the thousands
of mysterious Sumerian tablets were translated,
they seemed to be business records. But what if they
are poems or psalms? My joy is the same as twelve
Ethiopian goats standing silent in the morning light.
O Lord, thou art slabs of salt and ingots of copper,
as grand as ripe barley lithe under the wind's labor.
Her breasts are six white oxen loaded with bolts
of long-fibered Egyptian cotton. My love is a hundred
pitchers of honey. Shiploads of thuya are what
my body wants to say to your body. Giraffes are this
desire in the dark. Perhaps the spiral Minoan script
is not language but a map. What we feel most has
no name but amber, archers, cinnamon, horses, and birds.”
― The Great Fires
How astonishing it is that language can almost mean,
and frightening that it does not quite. Love, we say,
God, we say, Rome and Michiko, we write, and the words
get it all wrong. We say bread and it means according
to which nation. French has no word for home,
and we have no word for strict pleasure. A people
in northern India is dying out because their ancient
tongue has no words for endearment. I dream of lost
vocabularies that might express some of what
we no longer can. Maybe the Etruscan texts would
finally explain why the couples on their tombs
are smiling. And maybe not. When the thousands
of mysterious Sumerian tablets were translated,
they seemed to be business records. But what if they
are poems or psalms? My joy is the same as twelve
Ethiopian goats standing silent in the morning light.
O Lord, thou art slabs of salt and ingots of copper,
as grand as ripe barley lithe under the wind's labor.
Her breasts are six white oxen loaded with bolts
of long-fibered Egyptian cotton. My love is a hundred
pitchers of honey. Shiploads of thuya are what
my body wants to say to your body. Giraffes are this
desire in the dark. Perhaps the spiral Minoan script
is not language but a map. What we feel most has
no name but amber, archers, cinnamon, horses, and birds.”
― The Great Fires
“The heart lies to itself because it must.”
―
―
“I believe that Icarus was not failing as he fell, but just coming to the end of his triumph.”
― Refusing Heaven: Poems
― Refusing Heaven: Poems
“We think the fire eats the wood. We are wrong. The wood reaches out to the flame. The fire licks at what the wood harbors, and the wood gives itself away to that intimacy, the manner in which we and the world meet each new day.”
― Collected Poems
― Collected Poems
“A Brief for the Defense
Sorrow everywhere. Slaughter everywhere. If babies
are not starving someplace, they are starving
somewhere else. With flies in their nostrils.
But we enjoy our lives because that's what God wants.
Otherwise the mornings before summer dawn would not
be made so fine. The Bengal tiger would not
be fashioned so miraculously well. The poor women
at the fountain are laughing together between
the suffering they have known and the awfulness
in their future, smiling and laughing while somebody
in the village is very sick. There is laughter
every day in the terrible streets of Calcutta,
and the women laugh in the cages of Bombay.
If we deny our happiness, resist our satisfaction,
we lessen the importance of their deprivation.
We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.
If the locomotive of the Lord runs us down,
we should give thanks that the end had magnitude.
We must admit there will be music despite everything.
We stand at the prow again of a small ship
anchored late at night in the tiny port
looking over to the sleeping island: the waterfront
is three shuttered cafés and one naked light burning.
To hear the faint sound of oars in the silence as a rowboat
comes slowly out and then goes back is truly worth
all the years of sorrow that are to come.”
― Refusing Heaven: Poems
Sorrow everywhere. Slaughter everywhere. If babies
are not starving someplace, they are starving
somewhere else. With flies in their nostrils.
But we enjoy our lives because that's what God wants.
Otherwise the mornings before summer dawn would not
be made so fine. The Bengal tiger would not
be fashioned so miraculously well. The poor women
at the fountain are laughing together between
the suffering they have known and the awfulness
in their future, smiling and laughing while somebody
in the village is very sick. There is laughter
every day in the terrible streets of Calcutta,
and the women laugh in the cages of Bombay.
If we deny our happiness, resist our satisfaction,
we lessen the importance of their deprivation.
We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.
If the locomotive of the Lord runs us down,
we should give thanks that the end had magnitude.
We must admit there will be music despite everything.
We stand at the prow again of a small ship
anchored late at night in the tiny port
looking over to the sleeping island: the waterfront
is three shuttered cafés and one naked light burning.
To hear the faint sound of oars in the silence as a rowboat
comes slowly out and then goes back is truly worth
all the years of sorrow that are to come.”
― Refusing Heaven: Poems
“We exist with a wind whispering inside and our moon flexing. Amid the ducts, inside the basilica of bones.”
―
―
“How astonishing it is that language can almost mean,
and frightening that it does not quite.”
― The Great Fires
and frightening that it does not quite.”
― The Great Fires
“Are the angels of her bed the angels
who come near me alone in mine?
Are the green trees in her window
the color is see in ripe plums?
If she always sees backward
and upside down without knowing it
what chance do we have? I am haunted
by the feeling that she is saying
melting lords of death, avalanches,
rivers and moments of passing through,
And I am replying, "Yes, yes.
Shoes and pudding.”
―
who come near me alone in mine?
Are the green trees in her window
the color is see in ripe plums?
If she always sees backward
and upside down without knowing it
what chance do we have? I am haunted
by the feeling that she is saying
melting lords of death, avalanches,
rivers and moments of passing through,
And I am replying, "Yes, yes.
Shoes and pudding.”
―
“You will love again, people say. Give it time. Me with time
running out. Day after day of the everyday.
What they call real life, made of eighth-inch gauge.
Newness strutting around as if it were significant.
Irony, neatness and rhyme pretending to be poetry.
I want to go back to that time after Michiko's death
when I cried every day among the trees. To the real.
To the magnitude of pain, of being that much alive.”
―
running out. Day after day of the everyday.
What they call real life, made of eighth-inch gauge.
Newness strutting around as if it were significant.
Irony, neatness and rhyme pretending to be poetry.
I want to go back to that time after Michiko's death
when I cried every day among the trees. To the real.
To the magnitude of pain, of being that much alive.”
―
“Our heart wanders lost in the dark woods. Our dream wrestles in the castle of doubt. But there’s music in us. Hope is pushed down but the angel flies up again taking us with her.”
― Collected Poems
― Collected Poems
“But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.”
―
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.”
―
“A DESCRIPTION OF HAPPINESS IN KOBENHAVN
All this windless day snow fell
into the King's Garden
where I walked, perfecting and growing old,
abandoning one by one everybody:
randomly in love with the paradise
furnace of my mind. Now I sit in the dark,
dreaming of a marble sun
and its strictness. This
is to tell you I am not coming back.
To tell you instead of my private life
among people who must wrestle their hearts
in order to feel anything, as though it were
unnatural. What I master by day
still lapses in the night. But I go on
with the cargo cult, blindly feeling the snow
come down, learning to flower by tightening.”
―
All this windless day snow fell
into the King's Garden
where I walked, perfecting and growing old,
abandoning one by one everybody:
randomly in love with the paradise
furnace of my mind. Now I sit in the dark,
dreaming of a marble sun
and its strictness. This
is to tell you I am not coming back.
To tell you instead of my private life
among people who must wrestle their hearts
in order to feel anything, as though it were
unnatural. What I master by day
still lapses in the night. But I go on
with the cargo cult, blindly feeling the snow
come down, learning to flower by tightening.”
―
“Duende
I can't remember her name.
It's not as though I've been in bed
with that many women.
The truth is I can't even remember
her face. I kind of know how strong
her thighs were, and her beauty.
But what I won't forget
is the way she tore open
the barbecued chicken with her hands,
and wiped the grease on her breasts.”
―
I can't remember her name.
It's not as though I've been in bed
with that many women.
The truth is I can't even remember
her face. I kind of know how strong
her thighs were, and her beauty.
But what I won't forget
is the way she tore open
the barbecued chicken with her hands,
and wiped the grease on her breasts.”
―
“It is convenient for the old men to blame Eve. To insist we are damned because a country girl talked to the snake one afternoon long ago. Children must starve in Somalia for that, and old women be abandoned in our greatest cities. It’s why we will finally be thrown into the lakes of molten lead. Because she was confused by happiness that first time anyone said she was beautiful. Nevertheless, she must be the issue, so people won’t notice that rocks and galaxies, mathematics and rust are also created in His image.”
― Collected Poems
― Collected Poems
“We are a singularity that makes music out of noise because we must hurry. We make a harvest of loneliness and desiring in the blank wasteland of the cosmos.”
― Collected Poems
― Collected Poems
“We are surrounded by the absurd excess of the universe.
By meaningless bulk, vastness without size,
power without consequence. The stubborn iteration
that is present without being felt.
Nothing the spirit can marry. Merely phenomenon
and its physics. An endless, endless of going on.
No habitat where the brain can recognize itself.
No pertinence for the heart. Helpless duplication.”
― Collected Poems
By meaningless bulk, vastness without size,
power without consequence. The stubborn iteration
that is present without being felt.
Nothing the spirit can marry. Merely phenomenon
and its physics. An endless, endless of going on.
No habitat where the brain can recognize itself.
No pertinence for the heart. Helpless duplication.”
― Collected Poems
“What we feel most has no name but amber, archers, cinnamon, horses and birds.”
―
―
“The water nymphs who came to Poseidon
explained how little they desired to couple
with the gods. Except to find out
whether it was different, whether there was
a fresh world, another dimension in their loins.
In the old Pittsburgh, we dreamed of a city
where women read Proust in the original French,
and wondered whether we would cross over
into a different joy if we paid a call girl
a thousand dollars for a night. Or an hour.
Would it be different in kind or only
tricks and apparatus? I worried that a great
love might make everything else an exile.
It turned out that being together
at twilight in the olive groves of Umbria
did, indeed, measure everything after that.”
― The Dance Most of All: Poems
explained how little they desired to couple
with the gods. Except to find out
whether it was different, whether there was
a fresh world, another dimension in their loins.
In the old Pittsburgh, we dreamed of a city
where women read Proust in the original French,
and wondered whether we would cross over
into a different joy if we paid a call girl
a thousand dollars for a night. Or an hour.
Would it be different in kind or only
tricks and apparatus? I worried that a great
love might make everything else an exile.
It turned out that being together
at twilight in the olive groves of Umbria
did, indeed, measure everything after that.”
― The Dance Most of All: Poems
“The Japanese think it strange we paint our old wooden houses when it takes so long to find the wabi in them. They prefer the bonsai tree after the valiant blossoming is over, the leaves fallen. When bareness reveals a merit born in the vegetable struggling.”
― Collected Poems
― Collected Poems
“To hear the faint sound of oars in the silence as a rowboat
comes slowly out and then goes back is truly worth
all the years of sorrow that are to come.”
―
comes slowly out and then goes back is truly worth
all the years of sorrow that are to come.”
―
“I would say Pittsburgh softly each time before throwing him up. Whisper Pittsburgh with my mouth against the tiny ear and throw him higher. Pittsburgh and happiness high up. The only way to leave even the smallest trace. So that all his life her son would feel gladness unaccountably when anyone spoke of the ruined city of steel in America. Each time almost remembering something maybe important that got lost.”
― Collected Poems
― Collected Poems
