Carol Ann Duffy > Quotes

“I like pouring your tea, lifting
the heavy pot, and tipping it up,
so the fragrant liquid streams in your china cup.

Or when you’re away, or at work,
I like to think of your cupped hands as you sip,
as you sip, of the faint half-smile of your lips.

I like the questions – sugar? – milk? –
and the answers I don’t know by heart, yet,
for I see your soul in your eyes, and I forget.

Jasmine, Gunpowder, Assam, Earl Grey, Ceylon,
I love tea’s names. Which tea would you like? I say
but it’s any tea for you, please, any time of day,

as the women harvest the slopes
for the sweetest leaves, on Mount Wu-Yi,
and I am your lover, smitten, straining your tea.

- Tea”
― Carol Ann Duffy, Rapture

“I like to use simple words, but in a complicated way.”
― Carol Ann Duffy

“The bed we loved in was a spinning world
of forests, castles, torchlight, clifftops, seas
where we would dive for pearls. My lover’s words
were shooting stars which fell to earth as kisses
on these lips; my body now a softer rhyme
to his, now echo, assonance; his touch
a verb dancing in the centre of a noun.
Some nights, I dreamed he’d written me, the bed
a page beneath his writer’s hands. Romance
and drama played by touch, by scent, by taste.
In the other bed, the best, our guests dozed on,
dribbling their prose. My living laughing love -
I hold him in the casket of my widow’s head
as he held me upon that next best bed.

- Anne Hathaway”
― Carol Ann Duffy, The World's Wife

“I'm not the first or the last
to stand on a hillock,
watching the man she married
prove to the world
he's a total, utter, absolute, Grade A pillock.

- Mrs Icarus”
― Carol Ann Duffy, The World's Wife

“What will you do now with the gift of your left life?”
― Carol Ann Duffy, The Bees

“Somewhere on the other side of this wide night
and the distance between us, I am thinking of you.
The room is turning slowly away from the moon.

This is pleasurable. Or shall I cross that out and say
it is sad? In one of the tenses I singing
an impossible song of desire that you cannot hear.

La lala la. See? I close my eyes and imagine the dark hills I would have to cross
to reach you. For I am in love with you

and this is what it is like or what it is like in words.”
― Carol Ann Duffy

“The stars are filming us for no one.”
― Carol Ann Duffy

“You have me like a drawing, erased, coloured in, untitled, signed by your tongue.”
― Carol Ann Duffy, Selected Poems

“Better off dead than giving in; not taking what you want.”
― Carol Ann Duffy, Selling Manhattan

“But life, they said, means life. Dying inside.
The Devil was evil, mad, but I was the Devil's wife
which made me worse. I howled in my cell.
If the Devil is gone then how could this be hell?”
― Carol Ann Duffy, The World's Wife

“Went to the Zoo, I said to Him- Something about that chimpanzee over there reminds me of you.”
― Carol Ann Duffy, The World's Wife

“Uninvited, the thought of you stayed too late in my head,
so I went to bed, dreaming you hard, hard, woke with your name,
like tears, soft, salt, on my lips, the sound of its bright syllables
like a charm, like a spell.

Falling in love
is glamorous hell; the crouched, parched heart
like a tiger ready to kill; a flame's fierce licks under the skin.
Into my life, larger than life, beautiful, you strolled in.

I hid in my ordinary days, in the long grass of routine,
in my camouflage rooms. You sprawled in my gaze,
staring back from anyone's face, from the shape of a cloud,
from the pining, earth-struck moon which gapes at me

as I open the bedroom door. The curtains stir. There you are
on the bed, like a gift, like a touchable dream.

"You”
― Carol Ann Duffy, Rapture

“She stood upon a continent of ice, which sparkled between sea and sky, endless and dazzling, as though the world kept all its treasure there; a scale which balanced poetry and prayer.”
― Carol Ann Duffy, Another Night Before Christmas

“For this,
let gardens grow, where beelines end,
sighing in roses, saffron blooms, buddleia;
where bees pray on their knees, sing, praise
in pear trees, plum trees; bees
are the batteries of orchards, gardens, guard them.”
― Carol Ann Duffy, The Bees

“bees are the batteries of orchards, gardens, guard them.”
― Carol Ann Duffy , The Bees

“Love’s language starts, stops, starts;
the right words flowing or clotting in the heart.”
― Carol Ann Duffy, Rapture

“Poets deal in writing about feelings and trying to find the language and images for intense feelings.”
― Carol Ann Duffy

“Then he started his period.
One week in bed.
Two doctors in.
Three painkillers four times a day.
And later a letter to the powers-that-be
demanding full-paid menstrual leave twelve weeks per year.
I see him now,
his selfish pale face peering at the moon
through the bathroom window.
The curse, he said, the curse.

- Mrs Tiresias”
― Carol Ann Duffy, The World's Wife

“Love’s time’s beggar, but even a single hour,
bright as a dropped coin, makes love rich.
We find an hour together, spend it not on flowers
or wine, but the whole of the summer sky and a grass ditch.

For thousands of seconds we kiss; your hair
like treasure on the ground; the Midas light
turning your limbs to gold. Time slows, for here
we are millionaires, backhanding the night

so nothing dark will end our shining hour,
no jewel hold a candle to the cuckoo spit
hung from the blade of grass at your ear,
no chandelier or spotlight see you better lit

than here. Now. Time hates love, wants love poor,
but love spins gold, gold, gold from straw.”
― Carol Ann Duffy, Rapture

“It took ten years
In the woods to tell that a mushroom
Stoppers the mouth of a buried corpse, that birds
Are the uttered thought of trees, that a greying wolf
Howls the same old song at the moon, year in, year out
Season after season, same rhyme, same reason.”
― Carol Ann Duffy, The World's Wife

“Words, words were truly alive on the tongue, in the head, warm, beating, frantic, winged; music and blood.”
― Carol Ann Duffy, The World's Wife

“In the convent, y'all,
I tend the gardens,
watch things grow,
pray for the immortal soul
of rock 'n' roll.

They call me
Sister Presley here,
The Reverend Mother
digs the way I move my hips
just like my brother.

Gregorian chant
drifts out across the herbs
Pascha nostrum immolatus est...
I wear a simple habit,
darkish hues,

a wimple with a novice-sewn
lace band, a rosary,
a chain of keys,
a pair of good and sturdy
blue suede shoes.

I think of it
as Graceland here,
a land of grace.
It puts my trademark slow lopsided smile
back on my face.

Lawdy.
I'm alive and well.
Long time since I walked
down Lonely Street
towards Heartbreak Hotel.

- Elvis's Twin Sister”
― Carol Ann Duffy, The World's Wife

“Out of the forest I come with my flowers, singing, all alone.”
― Carol Ann Duffy, The World's Wife

“And here you come
with a shield for a heart
and a sword for a tongue”
― Carol Ann Duffy

“At childhood’s end, the houses petered out
into playing fields, the factory, allotments
kept, like mistresses, by kneeling married men,
the silent railway line, the hermit’s caravan,
till you came at last to the edge of the woods.
It was there that I first clapped eyes on the wolf.

He stood in a clearing, reading his verse out loud
in his wolfy drawl, a paperback in his hairy paw,
red wine staining his bearded jaw. What big ears
he had! What big eyes he had! What teeth!
In the interval, I made quite sure he spotted me,
sweet sixteen, never been, babe, waif, and bought me a drink,

my first. You might ask why. Here’s why. Poetry.
The wolf, I knew, would lead me deep into the woods,
away from home, to a dark tangled thorny place
lit by the eyes of owls. I crawled in his wake,
my stockings ripped to shreds, scraps of red from my blazer
snagged on twig and branch, murder clues. I lost both shoes

but got there, wolf’s lair, better beware. Lesson one that night,
breath of the wolf in my ear, was the love poem.
I clung till dawn to his thrashing fur, for
what little girl doesn’t dearly love a wolf?
Then I slid from between his heavy matted paws
and went in search of a living bird – white dove –

which flew, straight, from my hands to his hope mouth.
One bite, dead. How nice, breakfast in bed, he said,
licking his chops. As soon as he slept, I crept to the back
of the lair, where a whole wall was crimson, gold, aglow with books.
Words, words were truly alive on the tongue, in the head,
warm, beating, frantic, winged; music and blood.

But then I was young – and it took ten years
in the woods to tell that a mushroom
stoppers the mouth of a buried corpse, that birds
are the uttered thought of trees, that a greying wolf
howls the same old song at the moon, year in, year out,
season after season, same rhyme, same reason. I took an axe

to a willow to see how it wept. I took an axe to a salmon
to see how it leapt. I took an axe to the wolf
as he slept, one chop, scrotum to throat, and saw
the glistening, virgin white of my grandmother’s bones.
I filled his old belly with stones. I stitched him up.
Out of the forest I come with my flowers, singing, all alone.

Little Red-Cap”
― Carol Ann Duffy, The World's Wife

“Give me, you said, on our very first night,
the forest. I rose from the bed and went out,
and when I returned, you listened, enthralled,
to the shadowy story I told.

Give me the river,
you asked the next night, then I’ll love you forever.
I slipped from your arms and was gone,
and when I came back, you listened, at dawn,
to the glittering story I told.

Give me, you said, the gold
from the sun. A third time, I got up and dressed,
and when I came home, you sprawled on my breast,
for the dazzling story I told.

Give me,
the hedgerows, give me the fields,
I slid from the warmth of our sheets,
and when I returned, to kiss you from sleep,
you stirred at the story I told.

give me the silvery cold,
of the moon. I pulled on my boots and my coat,
but when i came back, moonlight on your throat
outshone the story I told

Give me, you howled
on our sixth night together, the wind in the trees.
You turned to the wall as I left,
and when I came home, I saw you were deaf
to the blustering story I told.

Give me the sky, all the space
it can hold. I left you, the last night we loved,
and when I returned, you were gone with the gold,
and the silver, the river, the forest, the fields,
and this is the story I’ve told.


"Give”
― Carol Ann Duffy, Rapture

“I took an axe
To a willow to see how it wept. I took an axe to a salmon
To see how it leapt. I took an axe to the wolf
As he slept.”
― Carol Ann Duffy

“Again, the endless northern rain between us
like a veil. Tonight, I know exactly where you are,
which row, which seat. I stand at my back door.
The light pollution blindfolds every star.

I hold my hand out to the rain, simply to feel it, wet
and literal. It spills and tumbles in my palm,
a broken rosary. Devotion to you lets me see
the concert hall, lit up, the other side of town,

then see you leave there, one of hundreds in the dark,
your black umbrella raised. If rain were words, could talk,
somehow, against your skin, I’d say look up, let it utter
on your face. Now hear my love for you. Now walk.

- Bridgewater Hall”
― Carol Ann Duffy, Rapture

“Poetry, above all, is a series of intense moments - its power is not in narrative. I'm not dealing with facts, I'm dealing with emotion.”
― Carol Ann Duffy

“Cold, I was, like snow, like ivory.
I thought "He will not touch me",
but he did.

He kissed my stone-cool lips.
I lay still
as though I’d died.
He stayed.
He thumbed my marbled eyes.

He spoke -
blunt endearments, what he’d do and how.
His words were terrible.
My ears were sculpture,
stone-deaf shells.
I heard the sea.
I drowned him out.
I heard him shout.

He brought me presents, polished pebbles,
little bells.
I didn’t blink,
was dumb.
He brought me pearls and necklaces and rings.
He called them girly things.
He ran his clammy hands along my limbs.
I didn’t shrink,
played statue, shtum.

He let his fingers sink into my flesh,
he squeezed, he pressed.
I would not bruise.
He looked for marks,
for purple hearts,
for inky stars, for smudgy clues.
His nails were claws.
I showed no scratch, no scrape, no scar.
He propped me up on pillows,
jawed all night.
My heart was ice, was glass.
His voice was gravel, hoarse.
He talked white black.

So I changed tack,
grew warm, like candle wax,
kissed back,
was soft, was pliable,
began to moan,
got hot, got wild,
arched, coiled, writhed,
begged for his child,
and at the climax
screamed my head off -
all an act.

And haven’t seen him since.
Simple as that”
― Carol Ann Duffy, The World's Wife