Namita Devidayal’s Followers (35)

Namita Devidayal

Born

India

Genre

Nonfiction, Fiction

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Namita Devidayal is a journalist with The Times of India, where she has written on a range of subjects from a satirical column called 'yummy mummy' to personal finance to culture. ...more

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Namita Devidayal’s books

Average rating: 4.0 · 1,172 ratings · 162 reviews · 6 distinct works • Similar authors

	The Music Room 4.09 avg rating — 791 ratings — published 2007 — 14 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	The Sixth String of Vilayat Khan 4.35 avg rating — 216 ratings — published 2018 — 5 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Aftertaste 3.10 avg rating — 165 ratings — published 2010 — 4 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	The Music Room 0.00 avg rating — 0 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Bhairavi in America 0.00 avg rating — 0 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Tangerine: How to Read the Upanishads Without Giving Up Coffee 0.00 avg rating — 0 ratings	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars

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Quotes by Namita Devidayal (?)

“When things get bad, you create a perceived enemy, especially when there is resounding endorsement from all quarters.”
― Namita Devidayal, The Music Room

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“Son, remember that all the ragas of the universe lie inside this wooden instrument. You merely have to release them, one by one.”
― Namita Devidayal, The Sixth String of Vilayat Khan

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“I started with the first note, sa. On the first day, to my dismay, Dhondutai made me sing only the base note- the tonal pillar of Indian music which remains unchanged, constant, reliable, and stoically oblivious to the whims and fancies of the other notes. It is the foundation, the first and last note, the point at which the circle begins and ends. Within the boundaries of sa, one can play out all of life's dramas and moods. But every time one gets back to it, there is a sense of closure- like coming home after a long and exciting journey.”
― Namita Devidayal, The Music Room

tags: hindustani-classical-music, music

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