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Ted Orland

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Ted Orland


Born
The United States
Genre


Ted Orland began his professional career working as a young graphic artist for designer Charles Eames, and later served as Assistant to photographer Ansel Adams. Ted currently lives in Santa Cruz CA, where he pursues parallel careers in teaching, writing and photography. He is co-author (with David Bayles) of the best-selling artists’ survival guide, “Art & Fear”, and author of its recent companion piece, “The View From the Studio Door”. He also leads workshops on a variety of artistic issues and photographic topics. Ted’s own fine art photography is represented by The Ansel Adams Gallery.

Average rating: 3.77 · 103,350 ratings · 1,750 reviews · 13 distinct worksSimilar authors
Art and Fear

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3.77 avg rating — 103,388 ratings — published 1994 — 45 editions
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The View From The Studio Do...

4.13 avg rating — 270 ratings — published 2006 — 6 editions
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Revelation Countdown

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3.68 avg rating — 19 ratings — published 1993 — 4 editions
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Uelsmann / Yosemite

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4.44 avg rating — 9 ratings — published 1996 — 3 editions
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Scenes of Wonder & Curiosit...

liked it 3.00 avg rating — 1 rating — published 1988 — 4 editions
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Scenes of Wonder & Curiosity

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Scenes of wonder & curiosit...

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In a Quiet Voice: A Photogr...

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Scenes of Wonder and Curiou...

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1997 Wall Cal: Good Dog

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More books by Ted Orland…
Quotes by Ted Orland  (?)
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“The most distinctive quality of artmaking is the investment of the artist’s own humanity in the finished piece.”
Ted Orland, The View From The Studio Door - How Artists Find Their Way In An Uncertain World

“For those who would make art, the basic proposition is crystal clear: finding the work you are meant to do is the central challenge of artmaking — and making that work is the central challenge of life.”
Ted Orland, The View From The Studio Door - How Artists Find Their Way In An Uncertain World

“It seems an almost transcendental quality of the mind that we can even know we see the world differently from others — and more amazing yet that we can share our separate realities with one another. Having spent a lifetime developing one mental map of the world — our own — consider the conceptual leap needed to make that lateral shift into an entirely different framework. Nonetheless, we do it all the time. Embedded within the simple phrase, “What if...?” lay a plurality of worlds.”
Ted Orland, The View From The Studio Door - How Artists Find Their Way In An Uncertain World



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