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W.J. Thomas Mitchell

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W.J. Thomas Mitchell


Born
March 24, 1942

Website

Genre

Influences
Sigmund Freud, Karl Marx, William Blake


William J. Thomas Mitchell is a professor of English and Art History at the University of Chicago. Editor of the journal Critical Inquiry.

His monographs, Iconology (1986) and Picture Theory (1994), focus on media theory and visual culture. He draws on ideas from Sigmund Freud and Karl Marx to demonstrate that, essentially, we must consider pictures to be living things. His collection of essays What Do Pictures Want? (2005) won the Modern Language Association's prestigious James Russell Lowell Prize in 2005. In a recent podcast interview Mitchell traces his interest in visual culture to early work on William Blake, and his then burgeoning interest in developing a science of images. In that same interview he discusses his ongoing efforts to r
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Average rating: 3.87 · 1,349 ratings · 94 reviews · 102 distinct worksSimilar authors
What Do Pictures Want?: The...

3.90 avg rating — 322 ratings — published 2005 — 21 editions
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Picture Theory: Essays on V...

3.89 avg rating — 231 ratings — published 1994 — 11 editions
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Iconology: Image, Text, Ide...

3.98 avg rating — 173 ratings — published 1986 — 18 editions
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Landscape and Power

3.75 avg rating — 99 ratings — published 1994 — 8 editions
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Critical Terms for Media St...

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4.09 avg rating — 67 ratings — published 2010 — 11 editions
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Cloning Terror: The War of ...

3.91 avg rating — 55 ratings — published 2011 — 11 editions
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The Last Dinosaur Book: The...

3.63 avg rating — 46 ratings — published 1998 — 3 editions
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Mental Traveler: A Father, ...

3.74 avg rating — 42 ratings3 editions
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Occupy: Three Inquiries in ...

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3.85 avg rating — 34 ratings — published 2013 — 7 editions
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On Narrative (A Critical In...

3.79 avg rating — 28 ratings — published 1981 — 4 editions
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More books by W.J. Thomas Mitchell…
Quotes by W.J. Thomas Mitchell  (?)
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“We inhabit a world so inundated with composite pictorial-verbal forms [...] and with the technology for the rapid, cheap production of words and images that nature itself threatens to become what it was in the Middle Ages: an encyclopedic illuminated book overlaid with ornamentation and marginal glosses, every object converted into an image with its proper label or signature”
W.J. Thomas Mitchell, What Do Pictures Want?: The Lives and Loves of Images



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