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Thomas Schlesser

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Thomas Schlesser


Born
in France
December 08, 1977


Thomas Schlesser is the director of the Hartung-Bergman Foundation in Antibes, France. He teaches Art History at the École Polytechnique in Paris and is the author of several works of nonfiction about art, artists, and the relationship between art and politics in the 20th century. He is the grandson of André Schlesser, known as Dadé, a singer and cabaret performer who founded the Cabaret L ’Écluse. Mona’s Eyes is Schlesser’s second novel and his American debut. It has been translated into thirty-eight languages, including Braille. Schlesser was awarded 2025’s Author of the Year by Livres Hebdo.

Average rating: 3.56 · 19,273 ratings · 3,467 reviews · 55 distinct worksSimilar authors
Mona's Eyes

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3.56 avg rating — 19,145 ratings — published 2024 — 6 editions
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Le Chat du jardinier: Par l...

3.46 avg rating — 65 ratings6 editions
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蒙娜之眼I:羅浮宮

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really liked it 4.00 avg rating — 8 ratings — published 2024 — 2 editions
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Anna-Eva Bergman. Vies lumi...

it was amazing 5.00 avg rating — 4 ratings2 editions
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Le roman vrai de l'impressi...

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蒙娜之眼II:奧塞美術館

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4.67 avg rating — 3 ratings — published 2024 — 2 editions
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Le Journal de Courbet

really liked it 4.00 avg rating — 2 ratings — published 2007
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Courbet : Un peintre à cont...

really liked it 4.00 avg rating — 2 ratings
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Une histoire indiscrète du ...

really liked it 4.00 avg rating — 2 ratings
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Réceptions de Courbet: Fant...

liked it 3.00 avg rating — 2 ratings — published 2007
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More books by Thomas Schlesser…
Quotes by Thomas Schlesser  (?)
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“La peinture, censément un art de l'espace, se fait expression du temps qui file”
Thomas Schlesser

“collector at the time called Charles Ephrussi had commissioned Manet to paint a picture of an entire bundle of asparagus. The artist named his price at eight hundred francs. That might seem derisory compared with the millions just one of Manet’s paintings would be worth today, but it was a far from negligible sum. The average pay for a day’s work at that time was around five francs. Anyhow, Charles Ephrussi was so happy with the painting (now in a museum in Germany) that he sent a thousand francs to Manet! And the artist, with wit, ingenuity, and generosity, painted this extra asparagus on a separate canvas and gave it to the collector, along with the following note: ‘There was one missing from your bundle.’ Manet is urging us to see that there’s basically very little to see. It’s a simple asparagus, or a banal bit of table, and it’s a small burst of generosity that made him create a painting from it and give it away. But this painting tells us that life’s charm lies precisely in the almost nothing; if that almost nothing is present, life brightens up. Without these almost nothings that we overlook, things would only be what they appear to be. But with just a certain something, they suddenly become delightful. ‘Less is more,’ as the English say, with perfect brevity.”
Thomas Schlesser, Mona's Eyes: A Novel

“fact, that’s what we learn from childhood: loss. Starting with the loss of childhood itself. We learn what it was by losing it, and we learn that we’ll lose everything, always. We learn that losing is the indispensable condition for feeling alive, for the intensity of the present. We think that growing up is about accumulating gains: gains in experience, in knowledge, material gains. But that’s a delusion. Growing up means losing. Living our life means accepting that we lose it. Living our life means being able to bid it farewell, at every second.”
Thomas Schlesser, Mona's Eyes: A Novel

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