Heinrich Wölfflin

Heinrich Wölfflin’s Followers (20)

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Heinrich Wölfflin


Born
in Winterthur, Switzerland
June 21, 1864

Died
July 19, 1945

Genre
Art


Heinrich Wölfflin was a Swiss art historian, whose objective classifying principles ("painterly" vs. "linear" and the like) were influential in the development of formal analysis in art history in the early 20th century. He taught at Basel, Berlin and Munich in the generation that raised German art history to pre-eminence. His three great books, still consulted, are Renaissance und Barock (1888), Die Klassische Kunst (1898, "Classic Art"), and Kunstgeschichtliche Grundbegriffe (1915, "Principles of Art History"). ...more

Average rating: 3.96 · 1,066 ratings · 67 reviews · 156 distinct worksSimilar authors
Principles of Art History: ...

3.87 avg rating — 432 ratings — published 1923 — 59 editions
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Drawings of Albrecht Dürer

4.46 avg rating — 74 ratings — published 1930 — 5 editions
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Renaissance and Baroque

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4.08 avg rating — 73 ratings — published 1888 — 49 editions
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Classic Art

4.10 avg rating — 50 ratings — published 1899 — 17 editions
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Mimarlık Psikolojisine Önde...

3.89 avg rating — 18 ratings — published 1946 — 9 editions
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Capire l’opera d’arte (Etce...

liked it 3.00 avg rating — 10 ratings3 editions
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Principles of Art History: ...

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4.33 avg rating — 6 ratings — published 2015 — 4 editions
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Podstawowe pojęcia historii...

3.57 avg rating — 7 ratings
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Sense of Form in Art: A Com...

really liked it 4.00 avg rating — 6 ratings — published 1931 — 6 editions
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The Art Of Albrecht Dürer

3.33 avg rating — 6 ratings — published 1905 — 25 editions
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More books by Heinrich Wölfflin…
Quotes by Heinrich Wölfflin  (?)
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“... we animate every object. This is a basic instinct in man... Will this instinct ever die out? I believe not. It would be the death of art.”
Heinrich Wölfflin

“Forms acquire meaning for us only because we recognize in them the expression of a sentient (fühlend) soul. Spontaneously, we animate (beseelen) every object.”
Heinrich Wölfflin

“... we assess the perfection of an architectural creation by the same criterion that we use for living creatures.”
Heinrich Wölfflin