Douglas Cooper

Douglas Cooper’s Followers (2)

member photo
member photo

Douglas Cooper


Born
Essex. England, The United Kingdom
Genre


(Arthur William) Douglas Cooper, (20 February 1911 – 1 April 1984) was a British art historian, art critic and art collector.

Cooper mainly collected Cubist works. During World War II he worked first as an interrogator and subsequently as an investigator of the trade in stolen artworks.

After the war, Cooper and his partner, the renowned biographer John Richardson, bought a chateau in Provence and converted it into a gallery of early cubist art. There Cooper lived the life of a connoisseur collector, and made use of his personal acquaintance of artists–most notably Picasso and Leger– to write monographs on contemporary artists.

Average rating: 3.83 · 116 ratings · 15 reviews · 95 distinct worksSimilar authors
The Cubist Epoch

by
3.59 avg rating — 41 ratings — published 2013 — 13 editions
Rate this book
Clear rating
Toulouse-Lautrec Masters of...

by
3.83 avg rating — 12 ratings2 editions
Rate this book
Clear rating
Nicolas de Stael

3.60 avg rating — 5 ratings — published 1967 — 3 editions
Rate this book
Clear rating
Picasso Theatre

liked it 3.00 avg rating — 3 ratings — published 1987 — 10 editions
Rate this book
Clear rating
Great Private Collections

3.50 avg rating — 2 ratings — published 1976 — 9 editions
Rate this book
Clear rating
The Essential Cubism: Braqu...

it was amazing 5.00 avg rating — 1 rating — published 1983 — 5 editions
Rate this book
Clear rating
Knowing and Seeing: Reflect...

it was amazing 5.00 avg rating — 1 rating
Rate this book
Clear rating
Henry De Toulouse-Lautrec b...

by
it was amazing 5.00 avg rating — 1 rating5 editions
Rate this book
Clear rating
Braque: The Great Years

really liked it 4.00 avg rating — 1 rating2 editions
Rate this book
Clear rating
William Turner 1775-1851

0.00 avg rating — 0 ratings — published 1949
Rate this book
Clear rating
More books by Douglas Cooper…
Quotes by Douglas Cooper  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“Shame is a function of sight. When a citizen of streets walks through the ravine, unwatched, he can choose to take his propriety with him. He can police himself. He might choose to do this: to carry his shame with him, in the form of guilt. Then again, the permutations available to the mind in the ravine are infinite.

The first bitter story ever told was precisely this one; the crime of the usurper. We pretend to have knowledge that is not rightfully ours. We make something, believing that we have mastered what we have merely stolen. Finally, what we make takes vengeance upon us, and we are forced to confront the truth, which is in fact no different from the original mystery: that we know very little.

I have spent a long time wondering about permanence: whether the soul can sustain irreparable damage, and how this might limit the notion of free will. Whether the psychologists are correct or not—and I am sure they are mostly not—we do carry our families with us, until death; and if our families are broken we carry the breakage in our soul.

Nothing religious is ever destroyed by logic; it is destroyed only by God's withdrawal.

All the stories feeding into my life are fragmenting the integrity of my voice; I hear myself telling other people's stories as if they were my own, and I feel certain that there are people out there, people I hardly know, telling mine. I am a confluence of stolen narratives, and my own story has been stolen too and fed through a foreign mouth into foreign ears.

There is no moments beauty in those whom we have loved for a long time. We do not admire them, the way we do some chance woman or man on the subway as a moment's appearance of perfection in the physique. We see them as a montage of every remembered moment, the present moment often more vivid and strong than those receding into the past, but a montage nevertheless. If we remember.”
Douglas Cooper

“There is no cure in talking if we are essentially alone.”
Douglas Cooper, Amnesia: A Novel

“If we remember. But we can easily forget. In the immediacy of some crisis ... including passion ... we can easily forget all of those other moments, and despite our history with someone, they and their personal beauty can collapse into a present singularity. And the content of that present moment -- lust, revulsion, indifference -- the content of that changing moment becomes everything we know.”
Douglas Cooper, Amnesia: A Novel



Is this you? Let us know. If not, help out and invite Douglas to Goodreads.