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Sandra Davies

Goodreads Author


Born
in Dovercourt, Essex, The United Kingdom
Website

Genre

Influences
Having read 700+ crime novels since 2011, and with a top 10 which chan ...more

Member Since
April 2012


Artist, printmaker, family historian and writer, born in Essex, lived in Teesside for decades.

Easing myself from a decade of printmaking, I began writing fiction in 2010. As well as 'Edge', the illustrated 'One that got away' spawned three novels written for my own entertainment.
Thereafter I further challenged myself and began a tale of murder. Luke Darbyshere and Baz Rose seized hold of my imagination. I wanted to know more about their occasionally toxic relationships with each other, and with the women they loved. Murder became the background against which were enacted the triangles of their lives and their affairs and to date they have featured in four novels: 'Step so Grave', 'Longest shadows reach'. 'Commissiom & Omission' and 'Drink
...more

Ten years of triangles

'Drink with a dead man' is the fourth of what looks like being a six-book series.

The first – 'Step so Grave' – began as a challenge to myself to write a crime novel. Doing so provided a very steep learning curve and a need to further explore the oft-times toxic chemistry between detective inspector Luke Darbyshere and crime journalist, Baz Rose; a relationship put to the test in 'Longest shadows r Read more of this blog post »
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Published on March 20, 2021 07:08 Tags: baz-rose, crime-series, crime-writing, love-triangles-with-murder, luke-darbyshere
Average rating: 4.64 · 14 ratings · 11 reviews · 12 distinct works
Step so grave (Love triangl...

4.67 avg rating — 3 ratings
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Drink with a dead man [Love...

4.50 avg rating — 2 ratings
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Damage limitation (Bridie a...

it was amazing 5.00 avg rating — 1 rating — published 2012
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The blacksmith's wife

it was amazing 5.00 avg rating — 1 rating — published 2013
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Edge: curve, arc, circle

it was amazing 5.00 avg rating — 1 rating — published 2011
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Donovan & Burdock (Bridie a...

it was amazing 5.00 avg rating — 1 rating — published 2012 — 8 editions
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Making good (Bridie and Sea...

it was amazing 5.00 avg rating — 1 rating — published 2015
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Commission & omission [Love...

it was amazing 5.00 avg rating — 1 rating2 editions
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One that got away

0.00 avg rating — 0 ratings — published 2011
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At the stroke of Thirteen

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The Secret Room by Jane Casey
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An intricate, multi-threaded tapestry of a tale, knots and ends neatly sewn in on the rear, enticing pattern to the fore. And, because I greedily devoured this on my first read I needed to immediately re-read so as not to miss any of the subtleties a ...more
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We Are All Ghosts in the Forest by Lorraine  Wilson
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Captivated by the opening sentence, then immediately absorbed by the story and the unputdownable tension - along with, as ever - the delight of Lorraine's writing, this is a heart-stopping, heart-warming, magic tale, a very different genre from my us ...more
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Andrew Greig
“East coasters ... attenders at the church of What Is”
Andrew Greig, Electric Brae

“Perhaps the loaded question is: How often is maternal self-sacrifice really only masochistic martyrdom, destructive to the mother and destructive to the child as well?”
Natalie Shainess, Sweet Suffering: Woman as Victim

Tessa Hadley
“I probably reread novels more often than I read new ones. The novel form is made for rereading. Novels are by their nature too long, too baggy, too full of things – you can't hold them completely in your mind. This isn't a flaw – it's part of the novel's richness: its length, multiplicity of aspects, and shapelessness resemble the length and shapelessness of life itself. By the time you reach the end of the novel you will have forgotten the beginning and much of what happens in between: not the main outlines but the fine work, the detail and the music of the sentences – the particular words, through which the novel has its life. You think you know a novel so well that there must be nothing left in it to discover but the last time I reread Emma I found a little shepherd boy, brought into the parlour to sing for Harriet when she's staying with the Martin family. I'm sure he was never in the book before.”
Tessa Hadley

Comments (showing 1-2)    post a comment »
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Sandra Michael wrote: "Sandra, I'm such a ditz. I really appreciated your like and your comment, but in replying I confused the two and replied to the wrong one and then accidently erased yours in trying to correct mine...."

Only just found this Michael, and you'll have to wait just as long for any review of 'Save the Cat'. Not because it is bad but because I find it extremely hard (i.e. take advice from) books. I had to enlist the help of the friends who recommended it to me to understand 'beat sheets' and having done so have got myself mired in trying to make a plot which had any oomph, and tension, in it, I requested the help of a police advisor who pointed out the bits I'd got badly wrong and found me an undercover policeman to also help, but I'm going round and round in sinking circles, not sure whether its my age; residue from the minor stroke I had, or what, but I do want to persist as book #6 is clamouring to be finished. the .


Michael Brown Sandra, I'm such a ditz. I really appreciated your like and your comment, but in replying I confused the two and replied to the wrong one and then accidently erased yours in trying to correct mine.
Sandra wrote: "Michael, I'd say you re one of the last people who needs to write 'better'. Your voice is admirably strong."
Thank you, but you know, onward and upward. Besides, who can resist getting some advice from Captain LeGuin?
By the way, I hope to find out if Save the Cat Writes a Novel is really worth reading. I await your review.


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