Julian Sher

“The movie and the political campaign GEMS built around it were typical of [Rachel] Lloyd's in-your-face approach to politics and publicity. "If we just framed it as 'rescuing children,' people would give us more money," she says. "I could put pictures of little scared blond kids on our Web page. But this isn't about rescuing a child from a bad situation. This is about what we, as a culture and a society, are creating; why can this be perpetuated within our society?”
― Julian Sher, Somebody's Daughter: The Hidden Story of America's Prostituted Children and the Battle to Save Them

“At any hour of the day or night, Stanton will get a call about the latest underage victim who was picked up in a prostitution bust or an undercover operation, and he makes his way to the detention center. He is always struck by how the girls change. When he first sees them in their "work outfits," they do not seem much like children, with skimpy dresses, daring hairdos, heavy makeup, and flashy nails. After they shower, clean up, and put on the detention center's sweatpants and tops, they lose their street-worn years. "Then it hits you, these are really just kids," Stanton says.
Invariably, the girls are not receptive to him, at least not at first. They are tough, and they are angry, and Stanton knows he has to be straight with them. "I never try to bullshit them," Stanton explains. "These kids are sharp. They have radar. Their lives depend on reading a man, be it a pimp or a trick, so they know when someone is lying to them. You really have to be genuine to earn their trust.”
― Julian Sher, Somebody's Daughter: The Hidden Story of America's Prostituted Children and the Battle to Save Them