Jane Gleeson-White

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Jane Gleeson-White


Born
Australia
Genre


Jane Gleeson-White is a writer, editor and speaker, and is well known for her work on literature, economics and the natural world. She is the author of the bestselling, internationally acclaimed Double Entry: How the merchants of Venice shaped the modern world (2011) and its sequel Six Capitals: The revolution capitalism has to have (2015). Her first two books are about literature: Classics (2005) and Australian Classics (2007).

Jane is a regular commentator on economics and sustainability, including for the Sundance Film Festival, United Nations and European Union. She has written for the Wall Street Journal, The Guardian, Bloomberg, Wired, The Age, Sydney Morning Herald, The Australian, Meanjin, Overland, Wellbeing and Good Reading magazin
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Average rating: 3.65 · 1,142 ratings · 191 reviews · 12 distinct worksSimilar authors
Double Entry: How the Merch...

3.57 avg rating — 925 ratings — published 2011 — 19 editions
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Six Capitals, or Can Accoun...

4.13 avg rating — 114 ratings — published 2014 — 10 editions
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Classics: 62 Great Books fr...

3.88 avg rating — 24 ratings — published 2007 — 2 editions
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Australian Classics: 50 Gre...

3.95 avg rating — 21 ratings — published 2007 — 7 editions
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Writing the Country (Griffi...

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4.11 avg rating — 18 ratings3 editions
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Classics: Books For Life

3.37 avg rating — 19 ratings — published 2005 — 3 editions
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I Met a Martian, and Other ...

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3.86 avg rating — 14 ratings — published 2012
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Double Entry: How the Merch...

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Double Entry: How the Merch...

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Six Capitals, or Can Accoun...

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“As Francesco Datini of Prato did a century before, Pacioli advises merchants to incorporate explicit signs of Christianity into their books as a way of legitimising their profit-seeking activities. The use of double entry itself was like the Catholic confession: if a merchant confessed—or accounted for—all his world activities before God, then perhaps his sins would be absolved. These Christian flourishes that Pacioli recommends merchants include in their books are therefore no mere ornaments.”
Jane Gleeson-White, Double Entry: How the Merchants of Venice Shaped the Modern World

“To honour his bills of exchange, Badoer had at least four accounts with local bankers in Constantinople, where banking was organised along the same lines as on the Rialto: a bank’s primary function was not to lend money, but to transfer the funds of its depositors, who personally presented themselves to authorise the transfer of money to creditor accounts in different cities.”
Jane Gleeson-White, Double Entry: How the Merchants of Venice Created Modern Finance

“(Demanding interest on loans was not permitted anywhere in Europe until 1545, when Henry VIII legalised it in England.)”
Jane Gleeson-White, Double Entry: How the Merchants of Venice Created Modern Finance

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