Eleanor Johnson

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Eleanor Johnson



Professor Johnson specializes in late medieval literature and culture. Her first book, Practicing Literary Theory in the Late Middle Ages: Ethics and the Mixed Form in Chaucer, Gower, Usk, and Hoccleve, was published in 2013 (Chicago). Her second book, Dramatizing Contemplation: Participatory Theology in Middle English Prose, Verse, and Drama, was published in 2018 (Chicago). Her Third book, Waste and the Wasters, about ecosystemic thought in medieval England, came out in 2023 (Chicago). Her newest book, Scream with Me, on horror films in the 1970s, is forthcoming with Atria Books in 2025. She is also the Poetry Section editor at Public Books

Average rating: 4.41 · 205 ratings · 91 reviews · 48 distinct worksSimilar authors
Scream With Me: Horror Film...

4.50 avg rating — 159 ratings5 editions
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Thimbles and Thimble Cases

4.50 avg rating — 6 ratings — published 2006 — 2 editions
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The Dwell

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Haste: The Slow Politics of...

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Pirate, the Lighthouse Cat

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Needlework and Embroidery T...

liked it 3.00 avg rating — 2 ratings — published 2004 — 3 editions
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Her Many Feathered Bones

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Ladies Dress Accessories

2.50 avg rating — 2 ratings — published 2008 — 6 editions
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Whistle Him in: The Story o...

really liked it 4.00 avg rating — 1 rating — published 1985
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Fashion Accessories

liked it 3.00 avg rating — 1 rating2 editions
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“When you’re reading a book or viewing a sculpture at a museum, you’re doing it, in effect, alone. Nowadays, when we watch movies, we often stream them in our homes, also alone. But in the 1970s, when the films that are central to this book were released, when people watched films, they watched them together, in a pop-up community of filmgoers at a movie theater. When you watch a film in the theater, and you see someone next to you crying, it affects you. And when you watch a horror film in the theater, when you hear everyone around you screaming or groaning, or see them jumping around in their seats, that affects you, too. Cinema has an amplifying effect on affect, on emotion, on an audience’s empathy with the main characters on the screen.”
Eleanor Johnson, Scream With Me: Horror Films and the Rise of American Feminism, 1968-1980
tags: cinema

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