Nicholas Gane

“...With the failure of the imagination to present form the mind discovers that it has the capacity to conceive of the infinite, and thus has the power to transcend everything that sense can measure and thus present. The sublime feeling in this case arises from the play between the finite nature of the senses and the infinite capacity of reason.”
― Nicholas Gane, Max Weber and Postmodern Theory: Rationalisation Versus Re-enchantment

“Lyotard develops and extends Weber's argument regarding the disenchantment of art to suggest the Western culture increasingly obeys an instrumental logic of performance and control, one that imposes order on the free play of the imagination and subordinates creative thought to the demands of the capitalist market. And, for Lyotard, the effects of this process are consistent with those outlined in Weber's work, namely the progressive elimination of ritual or religious forms of art, the restriction of creative forms by an instrumental (capitalist) rationality, and with this the denigration of value-rational artistic practice.”
― Nicholas Gane, Max Weber and Postmodern Theory: Rationalisation Versus Re-enchantment