Brad Evans
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Portraits of Violence: An Illustrated History of Radical Thinking
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published
2016
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8 editions
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Disposable Futures: The Seduction of Violence in the Age of Spectacle
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published
2015
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3 editions
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Resilient Life: The Art of Living Dangerously
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published
2014
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10 editions
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Violence: Humans in Dark Times
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Liberal Terror
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published
2013
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11 editions
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Histories of Violence: Post-war Critical Thought
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Deleuze & Fascism: Security: War: Aesthetics
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published
2013
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8 editions
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Atrocity Exhibition: Life in the Age of Total Violence
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published
2019
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2 editions
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Conversations on Violence: An Anthology
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Before Cultures: The Ethnographic Imagination in American Literature, 1865-1920
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published
2005
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3 editions
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“Politik olanı kendi içinde daha şiirsel açıdan düşünerek, yaşamanın daha iyi biçimlerini ve daha iyi bir geleceği tahayyül etmek hepimizin görevi.”
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“Just as there is no affirmation to be found in a technical pursuit of happiness, so is there nothing compelling to any political prose that does not excite our imagination to compel us to live our lives differently.”
― Resilient Life: The Art of Living Dangerously
― Resilient Life: The Art of Living Dangerously
“Every intellectual project of a political kind should follow a number of basic principles1) Be deeply suspicious of anything that masks itself in universal regalia. Bring into question that which is not being questioned in the normal state of affairs. (2) Move beyond any self-righteous and self-absolving assessments of the operations of power. Look to deal with power at the level of its effects and the ways in which it positively manipulates subjects to wilfully abandon their own political freedoms. (3) Foreground the affirmative qualities of subjectivities. Not only is this integral in the fight against fascism in all its forms. It opens a challenge to the narcissism of those who would have us surrender to the mercies of the world. (4) Speak with confidence about the ability to transform the world, not for the better, but for the sake of it. Without an open commitment to the people to come, the struggle is already lost. (5) Use provocation as a political tool. Not to evidence extremist views. But to illustrate how normalizing power truly fears anything that appears remotely exceptional. The poetic most certainly included. (6) Trust in the irreducible qualities of human existence. The feelings we have, the atmospheres we breathe, the aesthetics we enfold, the fables we scribe, the playful personas we construct, they are all integral to the formation of a new image of thought. (7) Have faith in people. Just as they will resist what they find oppressive and intolerable, so they will also find their own dignified solutions to problems in spite of our best efforts. (8) Do not shy away from conflict. Without conflict there is no resistance to power. And without resistance to power there is no creation of alternative existences. (9) Reveal fully your political orientations. Do not abstract them from the work. Such a deception is of the order for those embarrassed by the mediocrity of their power. (10) Speak with the courage to truth that narrates a tale to affect a number of meaningful registers. No book should be read if it doesn't intellectually challenge and emotionally move us.”
― Resilient Life: The Art of Living Dangerously
― Resilient Life: The Art of Living Dangerously
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