Georges Didi-Huberman’s Followers (237)

Georges Didi-Huberman

Born

in Saint-Étienne, France

June 13, 1953

Genre

Philosophy, Art, History

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Georges Didi-Huberman, a philosopher and art historian based in Paris, teaches at the École des Hautes Études en Sciences Sociales. Recipient of the 2015 Adorno Prize, he is the author of more than fifty books on the history and theory of images, including Invention of Hysteria: Charcot and the Photographic Iconography of the Salpêtrière (MIT Press), Bark (MIT Press), Images in Spite of All: Four Photographs from Auschwitz, and The Surviving Image: Phantoms of Time and Time of Phantoms: Aby Warburg's History of Art. ...more

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Georges Didi-Huberman’s books

Average rating: 4.19 · 3,073 ratings · 285 reviews · 204 distinct works • Similar authors

	Images in Spite of All: Four Photographs from Auschwitz by Georges Didi-Huberman, Shane B. Lillis (Translator) 4.29 avg rating — 351 ratings — published 2003 — 18 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Kabuklar by Georges Didi-Huberman, Elif Karakaya (Translator) 4.37 avg rating — 305 ratings — published 2011 — 3 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Survivance des lucioles 4.20 avg rating — 291 ratings — published 2009 — 14 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Que emoção? Que emoção! 4.08 avg rating — 168 ratings — published 2013 — 6 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Invention of Hysteria: Charcot and the Photographic Iconography of the Salpêtrière by Georges Didi-Huberman, Georges Didi-Huberman 4.10 avg rating — 164 ratings — published 1982 — 28 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Confronting Images: Questioning the Ends of a Certain History of Art 4.19 avg rating — 143 ratings — published 1990 — 17 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Ce que nous voyons, ce qui nous regarde 4.30 avg rating — 132 ratings — published 1992 — 13 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Devant le temps: Histoire de l'art et anachronisme des images 4.34 avg rating — 96 ratings — published 2000 — 9 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte by Georges Didi-Huberman, Alessandro Serra. (Traduttore) 4.38 avg rating — 92 ratings — published 2002 — 8 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars
	Ser Cráneo: Lugar, Contacto, Pensamiento, Escultura by Georges Didi-Huberman, Rosario Ibañes Jalón (Translator) 3.96 avg rating — 67 ratings — published 1945 — 7 editions	Error rating book. Refresh and try again. Rate this book Clear rating 1 of 5 stars 2 of 5 stars 3 of 5 stars 4 of 5 stars 5 of 5 stars

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Series by Georges Didi-Huberman

L'oeil de l'Histoire (6 books)
by

Georges Didi-Huberman

4.37 avg rating — 139 ratings

Quotes by Georges Didi-Huberman (?)

“We must know how to look into images to see that of which they are survivors. So that history, liberated from the pure past (that absolute, that abstraction), might help us to open the present of time.”
― Georges Didi-Huberman, Images in Spite of All: Four Photographs from Auschwitz

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“(...) se rejoue, à travers tous ces conflits, ce que Warburg nommera le Nachleben, la "survivance" d'une instabilité déjà centrale à la culture classique elle-même et que Nietzsche, dans La Naissance de la tragédie, avait déjà bien repérée : c'est le conflit de l'"éthos apollinien" et du "pathos dionysiaque". "Le Quattrocento, conclut Warburg, savait apprécier cette double richesse de l'Antiquité païenne.”
― Georges Didi-Huberman

tags: aby, drapé, fluida, nina, quattrocento, warburg

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“[I]n the face of every image we have to choose whether, or how, to make it participate in our knowledge and action. We can accept or reject this or that image; take it as a consoling object or as a worrying object; make it ask questions or use it as a ready-made response.”
― Georges Didi-Huberman, Images in Spite of All: Four Photographs from Auschwitz

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