Tom Steffen

“The God of Israel modeled for us how to embed something in the memory of a group or peoplehood. When God instructed Moses in matters pertaining to the ongoing tutelage of Israel, he tells Moses the reason for the great “Song of Moses” that will follow in Deuteronomy 32. This song proclaimed God’s ways, his honor, his judgment, and his salvation. God wanted Israel to take this to heart, to hear it, to internalize it. So, he says, “Now write down this song and teach it to the Israelites and have them sing it [‘by heart’ MSG], so that it may be a witness for me against them” (Deut 31:19 NIV). They were to learn the song by heart. So, the song of Moses is in memorable poetry and was to be formally articulated in ways to facilitate memorization by the community. It was to be sung, oralized. But we note also that it was to be written down.324 The textual version of the poem was necessary for maintaining its permanence from generation to generation, to check its accuracy. Here we see the dynamic dialectic between the written word and the oralized word—the oralized word can be ephemeral, so must be preserved in writing. The written word is enduring but must be oralized.325”
― Tom Steffen, The Return of Oral Hermeneutics: As Good Today as It Was for the Hebrew Bible and First-Century Christianity