Meg Hafdahl

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Member Since
September 2017


Average rating: 3.71 · 2,007 ratings · 553 reviews · 30 distinct worksSimilar authors
The Science of Stephen King...

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3.54 avg rating — 513 ratings — published 2020 — 4 editions
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The Science of Women in Hor...

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3.79 avg rating — 351 ratings5 editions
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The Science of Monsters: Th...

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3.36 avg rating — 280 ratings — published 2019 — 5 editions
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The Science of Witchcraft: ...

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3.57 avg rating — 86 ratings7 editions
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Her Dark Inheritance (Willo...

4.07 avg rating — 54 ratings2 editions
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Twisted Reveries

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4.31 avg rating — 35 ratings3 editions
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Adrift: A Short Horror Story

3.42 avg rating — 24 ratings
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Daughters of Darkness (Will...

4.50 avg rating — 14 ratings3 editions
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Twisted Reveries II

4.60 avg rating — 10 ratings2 editions
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Twisted Reveries III: More ...

it was amazing 5.00 avg rating — 5 ratings
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More books by Meg Hafdahl…
The Science of Women in Hor... The Science of Stephen King... The Science of Monsters: Th... The Science of Witchcraft: ...
(6 books)
by
3.50 avg rating — 1,568 ratings

Her Dark Inheritance Daughters of Darkness
(2 books)
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4.16 avg rating — 68 ratings

Quotes by Meg Hafdahl  (?)
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“In film and other media, the female body is sometimes seen as a place.”
Meg Hafdahl, The Science of Women in Horror: The Special Effects, Stunts, and True Stories Behind Your Favorite Fright Films

“A mother who surpasses all expectations of what a loving, maternal figure should be, yet subverts them within the genre of horror, is Morticia Addams. With her creepy, gothic look, dark sense of humor, and aversion to anything outwardly loving, Morticia doesn’t seem to be a woman who would be up for any “Mother of the Year” awards. Yet, numerous examples of her character throughout her many incarnations prove that she is loyal, open-minded, and loving beyond measure.”
Meg Hafdahl, The Science of Women in Horror: The Special Effects, Stunts, and True Stories Behind Your Favorite Fright Films

“The end fight sequence in Friday the 13th didn’t use any stunt performers. Betsy Palmer and Adrienne King performed the entire fight choreography themselves and were followed closely by the camera.1”
Meg Hafdahl, The Science of Women in Horror: The Special Effects, Stunts, and True Stories Behind Your Favorite Fright Films

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