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Joseph Kerman
Born
in London, The United Kingdom
April 03, 1924
Died
March 17, 2014
Genre
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Listen
by
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published
1972
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176 editions
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Opera as Drama
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published
1956
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30 editions
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Contemplating Music: Challenges to Musicology
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published
1985
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6 editions
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The Beethoven Quartets
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published
1967
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9 editions
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The New Grove Beethoven
by
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published
1980
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15 editions
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The Art of Fugue: Bach Fugues for Keyboard, 1715-1750
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published
2005
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11 editions
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Opera and the Morbidity of Music (New York Review Books Collections)
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published
2008
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6 editions
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Write All These Down: Essays on Music
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published
1994
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12 editions
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Concerto Conversations: With a 68-Minute CD
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published
1999
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5 editions
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Musicology
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published
1985
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3 editions
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“Concerto soloists need applause. Though virtue is said to be its own reward, no one ever said that about virtuosity.”
― Concerto Conversations: With a 68-Minute CD
― Concerto Conversations: With a 68-Minute CD
“Not even the stretto fugues of The Art of Fugue are as single-minded as the Fugue in C Major, whose twenty-seven bars include no episodes and, apart from subject entries, no more than a total of two bars of transitional music preparing the fugue’s three cadences . . . plus a miniature peroration in which the whole thing gently goes up in smoke, up to a high C we have never heard before.”
― The Art of Fugue: Bach Fugues for Keyboard, 1715–1750
― The Art of Fugue: Bach Fugues for Keyboard, 1715–1750
“Schoenberg came to the crisis of modernism from a standpoint diametrically opposed to that of Schenker and Tovey: not with his finger in the dyke but with his whole frame spreadeagled on a board swept along by the surf of history.”
― Musicology
― Musicology

















