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Lucía Baskaran

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Xxilvi
922 books | 127 friends

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Lucía Baskaran

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November 2014


Lucía Baskaran hasn't written any blog posts yet.

Average rating: 3.8 · 1,152 ratings · 164 reviews · 7 distinct works • Similar authors
Memorias de una ex reina de...

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3.48 avg rating — 1,823 ratings — published 1972 — 24 editions
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Cuerpos malditos

3.99 avg rating — 501 ratings — published 2019 — 5 editions
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Partir

3.75 avg rating — 362 ratings — published 2016 — 2 editions
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Ya no recuerdo qué quería s...

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3.39 avg rating — 165 ratings — 2 editions
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Borradores del futuro: Hist...

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3.83 avg rating — 80 ratings — 3 editions
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Cara de antigua

4.08 avg rating — 12 ratings
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Cara de antigua (ESPASAesPO...

0.00 avg rating — 0 ratings
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Plantéate esto: M...
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Lázár by Nelio Biedermann
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Principio, medio, fin by Valeria Luiselli
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Nada es verdad by Veronica Raimo
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Giovanni’s Room by James Baldwin
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“Merecer la pena", qué expresión mas extraña. Yo quiero que merezcamos la alegría, no quiero más penas. No hay nada que merezca más lágrimas.”
― Lucía Baskaran, Partir

“Empezar de cero' es un engaño, porque todos tenemos un pasado que llevamos con nosotros, nos guste o no.”
― Lucía Baskaran, Partir

“There was a girl, and her uncle sold her. Put like that it seems so simple.

No man, proclaimed Donne, is an island, and he was wrong. If we were not islands, we would be lost, drowned in each other's tragedies. We are insulated (a word that means, literally, remember, made into an island) from the tragedy of others, by our island nature and by the repetitive shape and form of the stories. The shape does not change: there was a human being who was born, lived and then by some means or other, died. There. You may fill in the details from your own experience. As unoriginal as any other tale, as unique as any other life. Lives are snowflakes- forming patterns we have seen before, as like one another as peas in a pod (and have you ever looked at peas in a pod? I mean, really looked at them? There's not a chance you'll mistake one for another, after a minute's close inspection) but still unique.

Without individuals we see only numbers, a thousand dead, a hundred thousand dead, "casualties may rise to a million." With individual stories, the statistics become people- but even that is a lie, for the people continue to suffer in numbers that themselves are numbing and meaningless. Look, see the child's swollen, swollen belly and the flies that crawl at the corners of his eyes, this skeletal limbs: will it make it easier for you to know his name, his age, his dreams, his fears? To see him from the inside? And if it does, are we not doing a disservice to his sister, who lies in the searing dust beside him, a distorted distended caricature of a human child? And there, if we feel for them, are they now more important to us than a thousand other children touched by the same famine, a thousand other young lives who will soon be food for the flies' own myriad squirming children?

We draw our lines around these moments of pain, remain upon our islands, and they cannot hurt us. They are covered with a smooth, safe, nacreous layer to let them slip, pearllike, from our souls without real pain.

Fiction allows us to slide into these other heads, these other places, and look out through other eyes. And then in the tale we stop before we die, or we die vicariously and unharmed, and in the world beyond the tale we turn the page or close the book, and we resume our lives.

A life that is, like any other, unlike any other.

And the simple truth is this: There was a girl, and her uncle sold her.”
― Neil Gaiman, American Gods

“Love...no such thing.

Whatever it is that binds families and married couples together, that's not love. That's stupidity or selfishness or fear. Love doesn't exist.

Self interest exists, attachment based on personal gain exists, complacency exists. But not love. Love has to be reinvented, that’s certain.”
― Arthur Rimbaud, A Season in Hell and The Drunken Boat
tags: love

“It was culture as class performance, literature fetishised for its ability to take educated people on false emotional journeys, so that they might afterwards feel superior to the uneducated people whose emotional journeys they liked to read about.”
― Sally Rooney, Normal People

“let me live, love, and say it well in good sentences”
― Sylvia Plath, The Unabridged Journals of Sylvia Plath

“Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.”
― Anaïs Nin, Incest: From "A Journal of Love": The Unexpurgated Diary of Anaïs Nin, 1932-1934

87172 Punk Hostage Press — 375 members — last activity Feb 19, 2020 09:45AM
Punk Hostage Press is a not-for-profit book publishing imprint that also acts as a an outreach program to connect writers and contemporary literature ...more
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