Oliver Taplin
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Greek Tragedy in Action
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published
1978
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17 editions
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Greek Fire
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published
1989
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8 editions
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Homeric Soundings: The Shaping of the Iliad, Packaging May Vary
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published
1992
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6 editions
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Literature in the Greek World
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published
2001
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4 editions
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Sophocles: Four Tragedies: Oedipus the King, Aias, Philoctetes, Oedipus at Colonus
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published
2015
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Literature in the Roman World
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published
2001
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Pots & Plays: Interactions between Tragedy and Greek Vase-painting of the Fourth Century B.C.
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published
2007
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The Stagecraft of Aeschylus: The Dramatic Use of Exits and Entrances in Greek Tragedy
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published
1978
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2 editions
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Literature in the Greek and Roman Worlds: A New Perspective
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published
2000
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2 editions
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Comic Angels: And Other Approaches to Greek Drama through Vase-Paintings
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published
1993
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6 editions
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“In the last book of the Iliad (24.602ff.), Achilles urges Priam to eat: even Niobe, he says, after all her children had been slaughtered by the gods, took food eventually. Both Priam and Achilles have been bereaved of their dearest, and yet they gather themselves, and eat, and sleep, and go on living. (...) ...there are two early Lucanian vases with mourners by a grave stele with the same inscription "spoken" by the tomb: "On my back I grow mallow and thick-rooted asphodel: / in my bosom I hold Oedipus, son of Laios." Even Oedipus, the great king of Thebes, archetype of tragedy, experienced a catastrophic fall and descended into the deepest pit of horrors; yet ordinary plants grow on his tomb. We are not so different.”
― Pots & Plays: Interactions between Tragedy and Greek Vase-painting of the Fourth Century B.C.
― Pots & Plays: Interactions between Tragedy and Greek Vase-painting of the Fourth Century B.C.
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